Reviews of Takahiko Iimura: Film, Video, Multimedia (1978-2001)

Related records

• From <Time> to <See you>, Takahiko Iimura Bibliography

  From to , Takahiko Iimura. Contents: Between two straight perallel Lines: The film and video works of Takahiko Iimura by Bruno Di Marino, I saw my first Iimura film in 1964 at Knokke-Le-Zoute by Jonas Mekas, The Films of Takahiko Iimura by Scott MacDonald, On "Reflected Cinema" (A Note on the Progra…

• The Media World of Takahiko Iimura II Bibliography

  The Wedia World of Takahiko Iimura II. Contents follow: I am not Taka Iimura by Carl Eugen Loeffler, (I)/You, DOUBLE DA, MA (and Taka Iimura) by Peter d'Agostino, From Exhibition I [Photo Document], SKY & GROUND, Video: Takahiko Iimura, Poem: Miyuki Ashida, A.I.U.E.O.NN SIX FEATURES, Video: Takahiko…

• Film and Video: Takahiko Iimura Bibliography

  Film and Video: Takahiko Iimura. Contents: The Films of Takahiko Iimura by Scott MacDonald, On "Reflected Cinema" (A Note on the Program) by Takahiko Iiumura, Film Installations, by Takahiko Iiumura, From "Time Piece"- Film score on Japanese manuscript paper by Takahiko Iiumura, Dubbing Session by T…

• The Video Art of Takahiko Iimura Bibliography

  Takahiko Iimura, a leading non-commercial Japanese film artist since the early 1960s, moved toward conceptual film in the early 1970s with works including Film Strips (1969), Film Strips II (1969), Counting, 1 to 100 or Xs (Models, Reel 2, 1972) and 24 Frames Per Second (1978). He began video work in 1970 and developed syntactical and closed-circuit pieces—Camera, monitor, Frame (1976), the Observer/Observed series (1975–76), I=YOU=HE/SHE (1979), TV FOR TV/TV Confrontation (1983), Self-Introduction (1982) and other tapes and installations—using portapaks and later formats (Betcams, VHS, Video8) with cameras, monitors, switchers and headphones; writings and exhibition documentation cited include Art & Cinema (1978), Asahi Shimbun (1976), the Whitney Museum catalog (1979) and The Soho Weekly News (1979).

• meta media Takahiko Iimura - film, video, CD-ROM installations - Bibliography

  meta media Takahiko Iimura - film, video, CD-ROM installations. Text in Japonese. Section headings follow: Film Installation (1 SEC and Infinity at the Instituto Giapponese di Cultura, Roma, 1997), Video Installation (As I See You See Me, Insituto Giapponese di Cultura, Roma, 1997), CD-ROM (CD-ROM "…

• Takahiko Iimura People

  Takahiko Iimura is a pioneer of Japanese experimental film and video, working in film since 1960 and in video since 1970; his early film Onan won the Special Prize at the Brussels International Experimental Festival in 1964. He moved to the USA in 1966 as a Harvard University International Seminar fellow sponsored by the Asia Foundation and subsequently received numerous fellowships, including the Japan Society, New York (1966–68), the German Academy Exchange Service, Berlin (1973–74, 1992) and the National Endowment for the Arts (1979). He has published multimedia interactive CD-ROMs and DVDs, worked in residence at the Experimental Television Center and the Institute for Electronic Arts, and held major solo exhibitions at institutions such as MoMA (1975, 1981), the Whitney (1981), Centre Pompidou (1977) and Museo Reina Sofía (2000).