Composer and video producer Reynold Weidenaar was born in East Grand Rapids, Michigan, in 1945. He founded and edited Electronic Music Review in 1967, and later worked in Cleveland as a recording engineer,  recording the weekly concerts of the Cleveland Orchestra under George Szell for broadcast syndication. He studied composition with Donald Erb and Brian Fennelly, and began creating works for moving visuals and music in 1978 on 16mm film. His film "Wavelines II" received 15 awards. In 1980 he began to work with video at the Experimental Television Center in Owego, New York. His first concert video, "Love of Line, of Light and Shadow: The Brooklyn Bridge," for clarinet, color video, and electronic sound, received the Grand Prize at the Tokyo Video Festival and numerous other awards. Since then he has produced six more concert videos; these works have received nearly 100 honors, 400 live performances, and 4,000 screenings and broadcasts in their tape versions. He has received Guggenheim and Fulbright fellowships in video and a National  Endowment for the Arts fellowship in composition. He received a B.Mus. from the Cleveland Institute of Music and an M.A. and Ph.D. from New York University. He taught at the Cleveland Institute of Music from 1972 to 1978, and at New York University from 1979 to 1993. He is presently Associate Professor of Communication at William Paterson University, Wayne, New Jersey.

RÉSUMÉ
Academic Degrees
1989 Ph.D. Composition, New York University.
1980 M.A. Composition, New York University.
1973 B.Mus. Composition, Valedictorian, Cleveland Institute of Music.
Education
1989 New York University: Italian.
1980-1984 New York University: Computer Music, Microcomputers, Historiography, Composition.
1978-1979 New York University, New York, NY: Composition, Film/Video Production.
1978 Institute of Audio Research, New York, NY: Audio Recording.
1977-1978 Case Western Reserve University, Cleveland, OH: Computer Music, Film Production.
1976 Stanford University, Stanford, CA: Computer Music.
1971 Brigham Young University, Provo, UT: Recording Technology.
1969-1973 Cleveland Institute of Music, Cleveland, OH: Composition.
1966 University of Toronto, Toronto, Ont.: Electronic Music.
1964 National Music Camp, Interlochen, MI, extension of University of Michigan, Ann Arbor, MI: Composition.
1963-1965 Michigan State University, East Lansing, MI: Theory & Composition.

Studied composition with Donald Erb and Brian Fennelly, Moog Synthesizer with Robert A. Moog.  Worked with recording engineer Vladimir Maleckar.
Employment History
1998- Associate Professor of Communication, School of the Arts and Communication, William Paterson University, Wayne, NJ.
1993-1998 Assistant Professor of Communication, School of the Arts and Communication, William Paterson University, Wayne, NJ.
1986-1993 Assistant Professor of Film and Television, Tisch School of the Arts, New York University.
1984-1985 Visiting Assistant Professor of Film and Television, Tisch School of the Arts, New York University.
1981-1984 Adjunct Instructor in Film and Television, Tisch School of the Arts, New York University.
1981 Media Studies Faculty, The New School for Social Research, New York, NY.
1979-1983 Adjunct Instructor in Music and Music Education, School of Education, New York University.
1978 Teacher of Electronic Music, Chautauqua Institution, Chautauqua, NY.
1972-1978 Conservatory Composition Faculty, Electronic Music Studios Coordinator/ Director, Audio Engineer, Cleveland Institute of Music.
1970-1972 Teaching Fellow, Cleveland Institute of Music.
1969-1970 Recording Engineer, Audio Recording Studios, Inc., Cleveland, OH.
1967-1969 Editor, Electronic Music Review, Independent Electronic Music Center, Trumansburg, NY.
Experience in Electronic Music
1978- Installed, maintaining, and using personal studio, New York, NY.
1977-1978 Director, Electronic Music Studios, Cleveland Institute of Music.  Same duties.
1972-1977 Coordinator, Electronic Music Studios, Cleveland Institute of Music.  Responsible for studio administration and management.  Selected and installed new equipment, optimized operational layout, instituted a preventive maintenance program, established technical support files, supervised budget and inventory.
1970-1972 Electronic Music Studio Assistant, Cleveland Institute of Music.
1967-1969 Editor, Electronic Music Review.
1965-1969 Established (with Robert A. Moog), and Director, Independent Electronic Music Center, Inc., Trumansburg, NY.
1965 Attended 3-week Seminar in Electronic Music, R. A. Moog Co., Trumansburg, NY.

Experienced in operating synthesizers by Arp, Buchla, Korg, Moog, Serge, Synthi 100; in software including Basic, Mus10, Music 360, Score, Unix, Wylbur, SoundDesigner, Hyperprism, SoundHack, Deck, Peak, StudioVision, Time Bandit, Finale; in hardware including Apple II, Fairlight CMI, IBM 370, PDP 10, PDP 11/45, TRS-80, Macintosh IIci, PowerMac 8500, Sonic Station.
Audio Recording Experience
2000 Supervised acquisition and installation of three ProTools digital audio workstations, William Paterson University.
1997 Supervised acquisition and installation of two Sonic Station digital audio workstations, William Paterson University.
1979- Location recording for 16mm film and various video formats.
1970-1978 Chief Audio Engineer, Cleveland Institute of Music. Supervised recordings of all concerts and recitals, public address and music sound systems, disk mastering sessions, and radio commercials. Responsible for equipment selection, installation, and maintenance. Responsible for purchase of equipment and supplies, and for inventory.
1969-1970 Recording Engineer, Audio Recording Studios, Inc., Cleveland, OH. Duties included recording Cleveland Orchestra concerts at Severance Hall and Blossom Music Center under George Szell for broadcast syndication (live 12 to 2 mix; intercutting between two performances), 16-track music sessions, commercial and slidefilm soundtracks, and remote recordings.

Experienced in operation of: Sound Designer, Deck, Peak, ProTools, and Sonic Station software/hardware.
Film Production Experience
1978-1988 Worked with 16mm cameras (Bolex, B&H, Arriflex, CP-16), synchronizers, Moviolas, flatbed consoles, Nagra recorders, sound transfer, J-K optical printer, and video-film transfer.
Video Production Experience
1999- Working with Sony DSR-PD100 digital DVCAM video camcorder and digital video editing workstation (Final Cut Pro, After Effects, Studio Artist, and Photoshop on Macintosh G4).
1996-1998 Worked with multimedia image-processing and animation programs Photoshop and Director on PowerMac 8500.
1984-1996 Worked with CMX-340X Editor, Grass Valley 300 Switcher/SEG, Ampex Digital Optics, NEC Digital Video Effects, and Ampex ESS-2 Still Store, Digital F/X 200, during post-production at Matrix Video, Broadway Video, DV8 Video, and Unitel Post 38, all of New York, NY. Worked with Fairlight CVI and Newtek Video Toaster at NYU.
1980-1994 Worked with image generating and processing equipment, including video sequencer, Paik-Abe video synthesizer, Jones voltage-controlled colorizer-keyer-mixer, Jones keyer, Jones-Sony SEG, raster scan processor, analog control synthesizer, Cromemco Z-2 computer with two CAT-100 frame buffers, and Amiga computer, during 25 artist residencies at the Experimental Television Center, Owego, NY.
1978-1979 Worked with half-inch portapaks, studio decks, related lighting and sound equipment, special effects generator, and editing console.

Member
Amer. Soc. of Composers, Authors, & Publishers; Assoc. of Indep. Video & Filmmakers; College Music Soc.; Experimental Television Center; Film-Makers' Cooperative; International Computer Music Assoc.; Media Alliance; Soc. for Electro-Acoustic Music in the U. S.; Soc. of Composers, Inc.; Phi Mu Alpha Sinfonia; Pi Kappa Lambda.
Listed In Biographical Dictionaries
ASCAP Biographical Dictionary, 4th Ed., 1980.
Composers on Record, 1985.
Dictionary of International Biography, Vol. 20, 1988.
Dictionary of the Avant Gardes, 1993, 2nd Ed., 2000.
International Who's Who in Music and Musicians' Directory, 7th Ed., 1975, 10th Ed., 1985, 12th Ed., 1990, 13th Ed., 1992, 14th Ed., 1994, 15th Ed., 1996, 16th Ed., 1998, 17th Ed., 2000.
The New Grove Dictionary of American Music, Vol. 4, 1986.
Who's Who in American Music: Classical, 1988.
Who's Who in Entertainment, 1st Ed., 1988, 2nd Ed., 1992, 3rd Ed., 1999.
Who's Who in the East, 21st Ed., 1986.
Who's Who of Emerging Leaders in America, 1st Ed., 1987.
Articles and Critiques on Creative and Scholarly Work
2000 Richard Kostelanetz, "Weidenaar, Reynold" Dictionary of the Avant Gardes, 2nd edition, New York: Schirmer Books, 2000, 633.
2000 Gino Robair, "New Audio and Recording Books," Mix, May 2000, v24n5, 113.
2000 Barry L. Cohen, "Videos," New Music Connoisseur, Spring 2000, v8n1, 25.
1999 Martha Maas, "Reynold Weidenaar: Magic Music from the Telharmonium," Newsletter of the American Musical Instrument Society, October 1999, v28n3, 16-17.
1999 Phillip George, "Book/Video Review: Widening Our View of Synthesizers," 20th-Century Music, July 1999, v6n7, 26.
1999 Rusty Banks, "Who Is Thaddeus Cahill?," Living Music, Summer 1999, v16n4, 7.
1999 Laura Romberg, "Video Review: Magic Music from the Telharmonium," SEAMUS Newsletter, Spring 1999, v8n3, 2.
1999 Jorge Munnshe, "Reynold Weidenaar," Amazing Sounds, February 28, 1999, n71.
1998 Rusty Banks, "Concert Review," Living Music, Summer 1998, v15n4, 1,4.
1997 Barry L. Cohen, "Music Videos," New Music Connoisseur, Year-end 1997, v5n4, 28, 30.
1997 David Bradfield, "Concert Videos 1981-1995 by Reynold Weidenaar," Journal SEAMUS, October 1997, v12n2, 11-12.
1996 Bart Hopkin, "Magic Music from the Telharmonium by Reynold Weidenaar," Notes: The Music Library Association Journal, March 1996, 821-822.
1995 Paul Hertz, "Book Review: Magic Music from the Telharmonium," Leonardo Electronic Almanac, November 1995, v3n11.
1995 Rodney Oakes, "Magic Music from the Telharmonium by Reynold Weidenaar," Journal SEAMUS,  November 1995, v10n2, 9-10.
1993 Richard Kostelanetz, "Weidenaar, Reynold (1945)," Dictionary of the Avant Gardes, Chicago: a cappella books, an imprint of Chicago Review Press, Inc., 1993, 233.
1989 David Neubert, "Reviews," International Society of Bassists, Winter 1989, v15n2, 23.
1988 Thomas L. Rhea, "Reynold Weidenaar: The Telharmonium: A History of the First Music Synthesizer, 1893-1918," Computer Music Journal, Fall 1988, v12n3, 59-63.
1988 Robert Russett and Cecile Starr, Experimental Animation, Revised Edition, New York: Da Capo Press, Inc., 1988, 29-30.
1988 Herman Trotter, "Review: Concert," Buffalo News, March 18, 1988.
1987 Marshall Taylor, "The Stillness," Saxophone Journal, Winter 1987, v11n4, 12-18, 20-21.
1986 F. Gerard Errante, "Video: The New Medium," ClariNetwork, Clar-Fest [Spring] 1986, v5n2, 25-28.
1984 Arthur J. Sabatini, "A Place Where Creativity Has Time To Flower," Philadelphia Inquirer, August 19, 1984, 1-I, 13-I.
1983 William Moylan, An Analytical System for Electronic Music, dissertation for the D.A., Ball State University, 1983.
1983 Terry Trucco, "Japanese Video Moves from Documentary to Art," Asian Wall Street Journal, December 2, 1983.
1983 Michael Boxall, "Visitors in Town: Reynold Weidenaar," Japan Times, December 1, 1983, 2.
1983 Karen Henry, "Reynold Weidenaar," Video Guide, Summer 1983, v5n3, 11.
1982 Peter J. Rabinowitz, "Tape Music: Making It Accessible," High Fidelity/Musical America, June 1982, v32n6, 32-33.
1982 Curtis Hammar, "'New' Electronic Music Innovative and Daring," Worcester Telegram, February 7, 1982, 28A.
1981 Victor Ancona, "Reynold Weidenaar: Visual Counterpoints to Music," Videography, March 1981, v6n3, 66-71.
1978 Wilma Salisbury, "Machine-Age Maestro," Cleveland Plain Dealer, June 22, 1978, 1D, 3D.
Writings
"Telharmonium," The New Grove Dictionary of Music and Musicians, v4, London: Macmillan Publishers Ltd, 2001 [in publication].
"Video Production of Magic Music from the Telharmonium,"Proceedings: The Seventh Biennial Symposium on Arts and Technology, March 4-7, 1999, Center for Arts and Technology, Connecticut College, New London, CT, 217-226.
Magic Music from the Telharmonium: Storyboard Script. New York, NY: Magnetic Music Publishing Co., 1998. 81 pages.
Magic Music from the Telharmonium. Metuchen, NJ: Scarecrow Press, Inc., 1995. 436 pages, with photos. ISBN 0-8108-2692-5.
"The Alternators of the Telharmonium, 1906," Proceedings of the International Computer Music Conference, Montréal 1991, October 1991, McGill University, 311-314.
The Telharmonium: A History of the First Music Synthesizer, 1893-1918.  Ph.D. Dissertation, New York University.  Ann Arbor: University Microfilms International, 1989 (publication no. 89-16049).
"Live Music and Moving Images: Composing and Producing the Concert Video," Perspectives of New Music, Spring-Summer 1986, v24n2, 270-279.
"So You Want to Compose for the Moving Image," Ear Magazine, Fall 1985, v9n5/v10n1, 28, 35.
"Down Memory Lane: Forerunners of Music and the Moving Image," Ear Magazine, Fall 1985, v9n5/v10n1, 3.
"New Music America: A Moveable Fest," The Independent, October 1984, v7n9, 30.
"Tokyo Video: Hard to Top," The Independent, July/August 1984, v7n6, 24-25.
"Kicks at the Kijkhuis: Dutch World Wide Video," The Independent, March 1984, v7n2, 20-21.
"Telharmonium," The New Grove Dictionary of Musical Instruments, v3, London: Macmillan Press Ltd., 1984, 537-539.
"In Search of Visual Music," The Independent, June 1983, v6n5, 10-12.
Distributors of Films and Videotapes
Coe Film Associates, Inc., 65 East 96 St., New York, NY 10128, Tel. 212-831-5355, Fax 212-996-6728.
Film-Makers' Cooperative, 175 Lexington Ave., New York, NY 10016, Tel. 212-889-3820.
Independent Curators, Inc., 799 Broadway, Suite 205, New York, NY 10003, Tel. 212-254-8200,
Fax 212-477-4781.
Intermedia Arts, 425 Ontario St. SE, Minneapolis, MN 55415, Tel. 612-627-4444.
Kijkhuis, Noordeinde 140, 2514GP Den Haag, The Netherlands, Tel. 070-644805, Fax 070-614448.
The Kitchen, 512 West 19 St., New York, NY 10011, Tel. 212-255-5793.
Magnetic Music Publishing Co. (ASCAP), 5 Jones St. #4, New York, NY 10014, Tel. 212-255-8527.
Processart, Inc., Jingu-mae 1-21-1, Shibuya-ku, Tokyo 150, Japan, Tel. 03-470-2664.
Sattelite Video Exchange Society, 1102 Homer St., Vancouver, B.C., Canada V6B 2X6, Tel. 604-688-4336.
Softvideo S.R.L., Via Bettolo 54, 00195 Roma, Italy, Tel. 39-6-384908, Fax 39-6-353429.
Video-SIG, 1030 E. Duane Ave., Suite C, Sunnyvale, CA 94086-9543, Tel. 408-730-9291.
Water Tower Art Association, 3005 Upper River Rd., Louisville, KY 40207, Tel. 502-896-2146.
Artist Residencies
1996 Experimental Television Center, Owego, NY, for video image processing, for Swing Bridge .
1995 Experimental Television Center, Owego, NY, for video image processing, for Magic Music from the Telharmonium.
1994 Experimental Television Center, Owego, NY, for video image processing, for Long into the Night, Heavenly  Electrical Music Flowed out of the Street.
1994 Public Access Synthesizer Studio (Harvestworks, Inc.), New York, NY, for MIDI music production, for Magic Music from the Telharmonium.
1988-1989 Center for Electronic Music, Inc., New York, NY, for MIDI music production.
1986 Public Access Synthesizer Studio (Harvestworks, Inc.), New York, NY, for digital music production.
1986 Museum of Holography, New York, NY, for production of two holograms.
1985-1986 Real Art Ways, Hartford, CT, for video and audio production.
1984 Yellow Springs Institute for Contemporary Studies and the Arts, Chester Springs, PA, Interdisciplinary Laboratory, for video production.
1983-1984 Brooklyn College Center for Computer Music, Brooklyn, NY, for computer music composition.
1980-1993 Experimental Television Center, Owego, NY, 22 residencies for video image processing.
1979 ZBS Studios, Fort Edward, NY, for audio production.
Commissions
1996 Swing Bridge by clarinetist F. Gerard Errante.
1991 Long River by pianist Barbara Blegen.
1986 The Thundering Scream of the Seraphim's Delight by double bassist Robert Black.
1983 Southern Fantasy by Franklin Backus and Richard Protovin.
1982 Time and Again and Past Fantasy by Franklin Backus.
1982 Songs in Steel and Concrete by film producers Franklin Backus and Richard Protovin.
1982 Women-Take Back the Night by film producer Meryl Bronstein.
1981 Love of Line, of Light and Shadow: The Brooklyn Bridge by clarinetist F. Gerard Errante.
1979 Night of the Egg by film producer Henry Groskinsky.
1977 Déjà Vu, Where Are You? and Cicada by Footpath Dance Company.

Other Experience
1993-1997 Founder and Editor, SCI Online News (SCION), monthly newsletter published and distributed by electronic mail on the Internet to members of the Society of Composers, Inc.
1993 Member, Third Annual Commission Awards Nominating Panel, International Computer Music Association.
1992-1993 Member, Advisory Committee for Composition, College Music Society.
1992 Manuscript Reviewer, Leonardo Music Journal.
1991 Proposal Reviewer, Division of Research Programs, National Endowment for the Humanities.
1989 Judge, New Angle Intermedia Video Festival.
1986- Trustee, National Advisory Board, Cleveland Institute of Music Alumni Association.
1986-1989 Member, Board of Directors, League of Composers-International Society for Contemporary Music, U.S.A. Chapter.
1984- Chair, Executive Committee, Society of Composers, Inc.
1984 Guest Editor, Ear Magazine, special issue on "The Composer and the Moving Image."
1984 Judge, New York City Experimental Video and Film Festival.
1982-1984 Member, Board of Directors, ArtMusic, Inc.
1978-1985 Submissions Coordinator, Society of Composers, Inc.
Grants and Fellowships
2000 $1,500 grant for career development, William Paterson University, for Concourse (video).
1999 $1,500 grant for career development, William Paterson University, for Three-card Monte (video).
1998 $1,394 grant for career development, William Paterson University, for Magic Music from the Telharmonium (video).
1997 $1,500 grant for career development, William Paterson University, for Magic Music from the Telharmonium (video).
1997 $150 grant for composer fee for presentation of work at Virginia International Waterfront Arts Festival, Norfolk, VA, Meet the Composer, Inc., New York, NY.
1996 $150 grant for composer fee for presentation of work at SUNY-Stony Brook, Meet the Composer, Inc., New York, NY.
1996 $1,500 grant for career development, William Paterson University.
1995 $1,500 grant for career development, William Paterson University.
1994 $1,049 grant for career development, William Paterson University.
1989 $1,000 research grant for production of Magic Music From the Telharmonium (video), National Academy of Recording Arts and Sciences, Hollywood, CA.
1984-1985 $20,000 fellowship in video, John Simon Guggenheim Memorial Foundation, New York, NY.
1984 $7,000 grant for video art, Fulbright Scholar Program, Council for International Exchange of Scholars, Washington, DC, via Netherlands-American Commission for Educational Exchange, Amsterdam (declined).
1983-1984 $5,000 composer fellowship, National Endowment for the Arts, Washington, DC.
1980-1992 $100-$250 (various) grants, for composer fees, personal and television appearances, Meet the Composer, Inc., New York, NY.
1980-1988 $100-$250 (various) grants, for cable production and video screenings, Media Bureau, Inc., New York, NY.
1980-1983 $150 (various) grants, for film screenings, Film Bureau, Inc., New York, NY.
1978 $500 production grant for 16mm film Wavelines I , Ohio Arts Council, Columbus, OH.
1978 $1000 grant for release of compositions on LP disk, Bascom Little Fund, Cleveland, OH.
Awards, Honors, Prizes, Major Screenings
Magic Music from the Telharmonium:
2000 Certificate for Creative Excellence, 33rd U.S. International Film and Video Festival, Elmhurst, IL.
2000 7ème Journées d'Informatique Musicale, Bordeaux, France.
2000 Finalist, 21st Annual Telly Awards, Cincinnati, OH.
1999 Teleciência: Festival do Filme Científico, Vila Real, Portugal.
1999 Grand Festival Award in Animation, 6th Berkeley Video & Film Festival, Berkeley, CA.
1999 International Computer Music Conference, Beijing, China.
1999 Imaginary Space: Australasian Computer Music Conference, Wellington, New Zealand.
1999 Sonic Circuits VII Electronic Music Festival, American Composers Forum, St. Paul, MN.
1999 Certificate of Merit, 35th International Communications Film & Video Competition (INTERCOM), Chicago, IL.
1999 3rd Williamsburg Brooklyn Film Festival, Brooklyn, NY.
1999 Best Documentary Award, History Category, Zoie Films Festival, Atlanta, GA.
1999 Gold Award, Historical Division, 32nd Annual WorldFest-Houston International Film Festival, Houston, TX.
1999 Annual Conference, Northeast Chapter, College Music Society, Potsdam, NY.
1999 WRO 99 - 7th International Media Art Biennale, Wroclaw, Poland.
1999 5th Annual Cucalorus Film Festival, Wilmington, NC.
1999 Silver CINDY Award, International Association of Audio Visual Communicators, Spring Valley, CA.
1999 Vidéoformes 99: 14° Festival International Vidéo et Multimédia, Village Électronique, Clermont-Ferrand, France.
1999 7th Biennial Symposium on Arts and Technology, Connecticut College, New London, CT.
1999 Viewers' Choice Winner for Jan., Feb., Mar. 1999, Documentary Category, The Sync Online Film Festival, Laurel, MD, 1999 (http://www.thesync.com/festival/winners.html).
1999 Crystal Award of Excellence, History Category, The Communicator Awards, Arlington, TX.
1998 French-Baltic-Nordic Video and New Media Festival, Tallinn, Estonia.
1998 9th Annual Festival Téléscience, Montréal, Canada.
1998 Synthèse 98: 28e Festival International des Musiques et Créations Électroniques, Bourges, France.
Swing Bridge:
1999 6th Computer Music Festival in Seoul, Seoul, South Korea.
1999 ClarinetFest 99, Ostend, Belgium.
1999 Sonic Circuits VI, Salzburg, Austria.
1999 Hummadruz Global Sounds Film Festival, Mishima, Shizuoka, Kakegawa, and Hamamatsu, Japan.
1999 II Clarmeet Oporto, 2º Congresso Internacional do Clarinete, Oporto, Portugal.
1999 CEAIT Electronic Music and Media Festival, California Institute of the Arts, Valencia, CA.
1998 Society of Composers, Inc., Region II Conference, Stony Brook, NY.
1998 Sonic Circuits VI Electronic Music Festival, American Composers Forum, St. Paul, MN.
1998 Louisville Film & Video Festival, Louisville, KY.
1998 4th Northampton Film Festival, Northampton, MA.
1998 11th Annual Virginia Film Festival, Charlottesville, VA.
1998 Honorable Mention, 46th Annual Columbus International Film & Video Festival, Columbus, OH.
1998 1st Annual Brooklyn Film Festival, Brooklyn, NY.
1998 27a Festival Internacional de Cinema, Figueira da Foz, Portugal.
1998 Third Place Award, Short Subject Video Competition, 18th Annual Riverwalk Arts Festival and Exhibition, York, PA.
1998 Gold Award, 21st Annual Philadelphia International Film Festival, Philadelphia, PA.
1998 Indy Award, 10th Annual Indiana Film and Video Festival, Indianapolis, IN.
1998 4th Annual Brainwash Movie Festival, San Francisco, CA.
1998 ArtsEdge Festival, Seattle, WA.
1998 Festival der Nationen, Ebensee am Traunsee, Austria.
1998 2nd Williamsburg Brooklyn Film Festival, Brooklyn, NY.
1998 4th Annual Hudson Valley Film Festival, Poughkeepsie, NY.
1998 Ohio Independent Film Festival, Cleveland, OH.
1998 Not Still Art Video Art and Music Festival, Cooperstown, NY.
1998 4th Annual Cucalorus Film Festival, Wilmington, NC.
1998 Bronze Award, 31st WorldFest-Houston International Film Festival, Houston, TX.
1998 3rd Annual Film Fest New Haven, New Haven, CT.
1998 Vidéoformes 98 Festival, Programme "Image du monde," Clermont-Ferrand, France.
1998 11th Annual Dallas Video Festival, Dallas, TX.
1998 Director's Citation Award, 17th Annual Black Maria Film and Video Festival, Jersey City, NJ.
1997 Award of Distinction, The Communicator Awards, Arlington, TX.
1997 1st International Contemporary Music Festival, Matsudo, Japan.
Long into the Night, Heavenly Electrical Music Flowed Out of the Street:
1997 Second Place Award, 5th Annual Berkeley Video Festival, Berkeley, CA.
1996 Award of Merit, 27th Annual Sinking Creek Film/Video Festival and Competition, Nashville, TN.
1996 Gold Plaque, 33rd International Communication Film & Video Festival (INTERCOM), Chicago, IL.
1996 Honorable Mention, 44th Annual Columbus International Film and Video Festival, Columbus, OH.
1996 15th American Film Institute Video Festival, Hollywood, CA.
1996 Sonic Arts Circuit, American Composers Forum, Minneapolis, MN.
1996 Arts Festival of Atlanta, Atlanta, GA.
1995 Silver Award, 3rd Annual WorldFest-Charleston International Film Festival, Charleston, SC.
Long River:
1995 First Place Award, Documentary Category, La Crosse Video Festival, La Crosse, WI.
1994 Certificate of Merit Award, 31st International Communication Film & Video Festival (INTERCOM), Chicago, IL.
The Thundering Scream of the Seraphim's Delight:
1999 Synthèse 99, 29e Festival International des Musiques et Créations Électroniques, Bourges, France.
1990 Special Jury Award, Montecatini International Film Festival, Montecatini, Italy.
1990 Society of Composers 25th Annual Conference, Las Vegas, NV.
1990 ISCM World Music Days, Oslo, Norway.
1990 First Place, Music Video Category, Rose City Television 1st Annual New Video Festival, Seattle, WA.
1989 International Computer Music Conference, Columbus, OH.
1988 Winner, National Film/Video Competition, 19th Annual Sinking Creek Film Celebration, Greeneville, TN.
1988 Silver Award, 21st Annual Festival of the Americas / 10th Houston International Film Festival, Houston, TX.
1988 SIGGRAPH 1988 Art Show, 15th Annual Conference on Computer Graphics & Interactive Techniques, Atlanta, GA.
1988 New Music America, Miami, FL.
1988 First International Symposium on Electronic Art, Utrecht, The Netherlands.
1988 Second Prize, 10th Big Muddy Film Festival, Carbondale, IL.
1988 Second Prize, 3rd Annual Composers, Inc., Composition Competition, San Francisco, CA.
1988 Honorable Mention, Oswego International Film Festival, Oswego, NY.
1988 Honorable Mention, 30th American Film & Video Festival, New York, NY.
1988 Director's Choice Award, 7th Annual Thomas A. Edison / Black Maria Film & Video Festival, Jersey City, NJ.
1988 CINE Golden Eagle, Council on International Nontheatrical Events, Washington, DC.
1988 Award of Merit, 2nd International New Music Composers' Competition, Miami, FL.
1987 Work of Special Distinction Award, 10th Tokyo Video Festival, Tokyo, Japan.
1987 World Wide Video Festival, The Hague, The Netherlands.
1987 2e Semaine Internationale de Vidéo, Geneva, Switzerland.
1987 Certificate of Merit, 23rd Chicago International Film Festival, Chicago, IL.
1987 Best of Show Award, "New Images in Video," Mt. Utsayantha Regional Arts League.
The Stillness:
1988 Finalist Award, 11th Annual Hometown USA Video Festival, Tampa, FL.
1988 Certificate of Merit, Herland IV International Film Festival, Oswego, NY.
1987 Winner, Video Refusés Festival.
1987 ISCM Welt Musik Tage, Cologne, Germany.
1987 Golden Gate Honorarium Award, San Francisco International Film Festival, San Francisco, CA.
1986 Winner, NYC Experimental Video & Film Festival, Brooklyn, NY.
1986 Winner, Metropolitan Edition, 20th Annual N. Y. Independent Filmmakers' Expo, Brooklyn, NY.
1986 Winner, League of Composers-International Society for Contemporary Music National Composition Competition, New York, NY.
1986 Silver Award, 11th Annual San Mateo International Video Competition, San Mateo, CA.
1986 Society of Composers 21st Annual Conference, Toronto, Canada.
1986 New Music America, Houston, TX.
1986 Certificate of Merit, 8th Big Muddy Film Festival, Carbondale, IL.
1985 Stockholm International Video Art Festival, Stockholm, Sweden.
1985 Gold Award, 8th Annual Philadelphia International Film Festival, Philadelphia, PA.
1985 First Prize, Mid-America Music Video Festival, City Movie-Center, Kansas City, MO.
1985 First Prize, Athens Video Festival, Athens, OH.
1985 Bronze Award, 18th Annual Festival of the Americas / 7th Houston International Film Festival, Houston, TX.
Night Flame Ritual:
1984 Winner, 18th Annual Independent Film & Video Exposition, New York, NY.
1984 6th New Music America, Hartford, CT.
1984 "So There, Orwell 1984" show, 6-month run at New Orleans World's Fair, LA.
1984 6th World Festival of Animated Films, Zagreb, Yugoslavia.
1984 Golden Athena Award, 11th Athens International Video Festival, Athens, OH.
1984 Independent Music Video Award, Video/Culture Canada International Competition, Toronto, Canada.
1984 7th Tyneside Film Festival, Newcastle-upon-Tyne, England.
Love of Line, of Light and Shadow: The Brooklyn Bridge:
1985 14th Annual International Electronic Music Plus Festival, Austin, TX.
1984 Special Merit Award, 11th Athens International Video Festival, Athens, OH.
1984 7th Tyneside Film Festival, Newcastle-upon-Tyne, England.
1984 6th New Music America, Hartford, CT.
1984 2ème Festival International du Film d'Architecture, d'Urbanisme et d'Environnement Urbain de Bordeaux, France.
1984 "Nightexercise II" Series, Sveriges Television, Stockholm, Sweden.
1984 Gold Award, 8th Annual San Mateo International Video Competition, San Mateo, CA.
1983 Winner, NYC Experimental Video & Film Festival, Brooklyn, NY.
1983 World Wide Video Festival, The Hague, The Netherlands.
1983 Music Video Finalist, Video/Culture Canada Competition, Toronto, Canada.
1983 Grand Prize, 6th Tokyo Video Festival, Tokyo, Japan.
1983 First Mention, 11e Concours International de Musique Electroacoustique, Bourges, France.
Between the Motion and the Act Falls the Shadow:
2000 Not Still Art Festival, Paik-Abe Screening, Brooklyn, NY.
1982 Honorable Mention, American Film Festival, New York, NY.
1982 Winner, NYC Experimental Video & Film Festival, Brooklyn, NY.
1982 Winner, Hometown USA Video Festival.
1982 Second Prize, 6th Annual San Mateo International Video Competition, San Mateo, CA.
Wavelines II:
1982 Mention, 10e Concours International de Musique Electroacoustique, Bourges, France.
1980 Trophy Award, 22nd Annual Movies on a Shoestring Festival, Rochester, NY.
1980 Honorable Mention, Nevada City Film Festival, Nevada City, CA.
1980 Silver Award, 13th Annual Festival of the Americas / Houston International Film Festival, Houston, TX.
1980 Robert Flaherty International Film Seminar, NY.
1980 Los Angeles International Film Exposition (FILMEX), Los Angeles, CA.
1980 17th International Short Film Festival, Cracow, Poland.
1980 9e Festival International du Nouveau Cinéma, Montréal, Canada.
1980 "Brief Encounters" Series, Center Screen / WGBH-TV, Boston, MA.
1980 Second Prize, 14th Annual Fountain Valley International Film Festival, Fountain Valley, CA.
1980 Directors' Choice, 11th Annual Sinking Creek Film Celebration, Greeneville, TN.
1979 Silver Award, 22nd International Film & TV Festival of New York, NY.
1979 Judges' Award, 38th Annual NYU Film Festival, New York, NY.
For Various Earlier Works:
1981 Winner, Nat'l. Video Competition, for Pathways III: Visual-Musical Variations., New York.
1980 Pathways II: Seven Sonic Variations selected for Int'l. Gaudeamus Music Fest., The Netherlands.
1979 First Prize, Sonavera Int'l. Tape Music Competition, for Close Harmony, New York.
1976 Academy Award for Sound Recording, Cleveland Chapter, Nat'l. Academy of Television Arts & Sciences, for Feeling Fine-The Story of Pat Pace.
1973 Valedictory Award, Cleveland Institute of Music.
1964 First Prize, Mich. Federation of Music Clubs Junior Composition Contest.
1964 Nat'l. Federation of Music Clubs Junior Composers Scholarship to Nat'l. Music Camp, Interlochen, MI.
1963 First Prize, Junior Division, Mich. Federation of Music Clubs Original Composition Contest.
List of Works
(Opus Number, Date of Completion, Date of Earlier Version, [Date of Publication], Title, Author of Text, Instrumentation or Vocal Forces, Significant Collaborators, Duration, Place/Performer/Date of Première)
42. 1998 [1998] Magic Music from the Telharmonium, Stereo Sound Color D2 Video, Text: Reynold Weidenaar, 28:51, Society of Composers, Inc., National Conference, Indiana University, Bloomington, IN, 15 April 98.
41. 1997 [1997] Swing Bridge, Clarinet, Audio Processing, and Stereo Sound Color D2 Video, 5:20, Virginia Waterfront International Arts Festival, Old Dominion University, Norfolk, VA, F. Gerard Errante, clarinet, 6 May 97.
40. 1995 [1995] Long  into the Night, Heavenly Electrical Music Flowed Out of the Street, Piano and Digital Sound Color 1´´ Video, Text: Reynold Weidenaar, 6:56, Creative Challenges Composers' Conference, College of Notre Dame, Baltimore, MD, Nanette Shannon, piano, 23 Feb 96.
39. 1993, 1992 [1993] Long River, Piano & Stereo Sound Color 1´´ Video, 7:27, College Music Society, 36th Annual National Meeting, Radisson Plaza Hotel, Minneapolis, MN, Julie Leschke, piano, 16 Oct 93.
38. 1988 [1988] Bass Bars, Stereo Sound Color 1´´ Video, 1:14, North Texas State University, Denton, TX, 25 Jan 88.
37. 1987 [1987] The Thundering Scream of the Seraphim's Delight, Double Bass & Stereo Sound Color 1´´ Video, 14:29, Real Art Ways, Hartford, CT, Robert Black, double bass, 31 Jan 87.
36. 1985 [1985]The Stillness, Alto Saxophone & Stereo Sound Color 1´´ Video, 12:42, Kaufman Astoria Studio, Zukor Theatre, Astoria, NY, Marshall Taylor, alto saxophone, 22 Feb 85.
35. 1984 Southern Fantasy, music for Southern Images, 16mm Color Sound Film by Franklin Backus & Richard Protovin, 9:03, Magno Preview Studio, New York, NY, 10 April 84.
34. 1983 [1983] Night Flame Ritual, Clarinet, Pitch Transposer, Digital Delay, & Stereo Sound Color 3/4´´ Video, 5:22, N.Y.U. Forum for New Music, New York University, New York, NY, F. Gerard Errante, clarinet, 22 June 83.
33. 1982 Music for Highway Homage, 16mm Color Sound Film by Franklin Backus, 5:19, Studio 200, Tokyo, Japan, 22 Oct 82.
32. 1982 Music for Time Passing, 16mm Color Sound Film by Franklin Backus, 5:12, Studio 200, Tokyo, Japan, 22 Oct 82.
31. 1982 Music for Manhattan Quartet, 16mm Color Sound Film by Franklin Backus & Richard Protovin, 10:38, Studio 200, Tokyo, Japan, 22 Oct 82.
30. 1982 Music for Women-Take Back the Night, 16mm Color Sound Film by Meryl Bronstein, 45:00, A.I.R. Gallery, New York, NY 27 May 82.
29. 1982 [1982] Love of Line, of Light and Shadow: The Brooklyn Bridge, Clarinet and Stereo Sound Color 3/4´´ Video, 10:24, American Society of University Composers, 17th National Conference, Pine Street Warbler, Seattle, WA, F. Gerard Errante, clarinet, 24 April 82.
28. 1981 [1981] Between the Motion and the Act Falls the Shadow, Stereo Sound Color 3/4´´ Video, 5:31, Global Village, New York, NY, 14 Nov 81.
27. 1981 [1981] Imprint: Footfalls to Return, Tape, 5:04, American Society of University Composers, Region II Conference, Manhattan School of Music, New York, NY, 2 Oct 81.
26. 1981 [1981] Twilight Flight, Stereo Sound Color 3/4´´ Video, 7:29, Solo Showings, Visualizations: A Gallery of Video Art, New York, NY, 22 March 81.
25. 1981 [1981] Pentimento, Stereo Sound Color 3/4´´ Video, 5:57, Solo Showings, Visualizations: A Gallery of Video Art, New York, NY, 22 March 81.
24. 1980 [1980] Pathways IV: Fibonacci Loci, Tape, 6:16, Kinematic Dance Company (Tamar Kotoske, choreographer/dancer), music for Raid, Antioch College, Antioch, OH, 14 Nov 80.
23. 1980 [1980] Pathways III: Visual-Musical Variations, Stereo Sound Color 3/4´´ Video, 9:05, 15th Annual Avant Garde Festival of New York, Passenger Ship Terminal, Berths 5 and 6, New York, NY, 20 July 80.
22. 1980 [1980] Pathways II: Seven Sonic Variations, Tape, 8:37, International Gaudeamus Music Week, Vredenburg Music Center, Utrecht, The Netherlands, 7 Sep 80.
21. 1979 [1979] Pathways I: Eight Sonic Variations, Synthesizer with Multi-Tap Digital Delay Reverberation Processor & Tape, 9:50, All-Weidenaar Program, Theatrium Studio, New York, NY, 29 Nov 79.
20. 1979 [1979] Wavelines II: Three Visual-Musical Compositions, 16mm Color Sound Film, 7:50, Autumn Festival of Contemporary Music, Texas Woman's University, Denton, TX, 20 Sep 79.
19. 1979 Music for Night of the Egg, 16mm Color Sound Film by Henry Groskinsky, 6:43,
38th Annual N.Y.U. Student Film Festival, New York University, New York, NY, 20 Oct 79.
18. 1979 [1979] How to Protect Your Home from Frequency Modulation!, 16mm B&W Sound Film-Kinescope, 2:43, Athens Video Festival, Cablevision Channel 7, 16 Oct 79.
17. 1979 [1979] Cadenza, Tape, 4:06, New York University, New York, NY, 8 March 79.
16. 1979 [1979] Close Harmony, Tape, 4:44, Rutgers Center for Electronic Music in Camden, Rutgers-The State University of New Jersey, Camden, NJ, 16 Feb 79.
15. 1979 [1980] Crescent Close Harmony, Tape, 9:38, Footpath Dance Company, music for Fields, University of Maryland, College Park, MD, 18 Feb 80.
14. 1978 [1978] Wavelines I: Four Visual-Musical Compositions, 16mm Color Sound Film, 10:42, Millenium Film Workshop, New York, NY, 29 Sep 78.
13. 1978 [1978] Simple Ceremony, Tape, 8:15, "Eventworks," Massachusetts College of Art, Boston, MA, 26 April 78.
12. 1977 [1978] Sweet Jesus and the Honkies, Tape, 5:03, Cleveland Composers' Guild, Cleveland Institute of Music, Cleveland, OH, 5 March 78.
11. 1977 [1978] Twilight Flight, Tape, 6:56, "Eventworks," Massachusetts College of Art, Boston, MA, 26 April 78.
10. 1977 [1978] Cicada, Tape, 17:30, Footpath Dance Company, music for Madness Unfolding, Lake Erie College, Painesville, OH, 7 April 78.
9. 1977 [1977] Déjà Vu, Where Are You?, Tape, Choreographer: Alice Rubinstein, 15:52, Footpath Dance Company, Cain Park, Cleveland Heights, OH, 26 June 77.
8. 1974 [1974] The Ides of April, Soprano & Chamber Orchestra, Text: Internal Revenue Service (Instructions for Form 1040, 1973), 10:01, Composers' Conference Chamber Orchestra, Efrain Guigui, Conductor, Johnson State College, Johnson, VT, 21 August 74.
7. 1977, 1974 [1977] Wiener, Your Usual Magnetic Sequel, Tape, Text: Reynold Weidenaar and Anon. (Rex Highchair Sales Film Soundtrack), 4:31, Cleveland Institute of Music Contemporary Ensemble, Cleveland Heights High School, Cleveland Heights, OH, 4 May 74.
6. 1978, 1974 [1978] Out of C, Tape, 0:54, First Los Angeles Electronic Music Festival, Theatre Vanguard, Los Angeles, CA, 14 Oct 77.
5. 1973 [1973] Sextet, Clarinet, Trumpet, & String Quartet, 5:00, Composers' Conference, Johnson State College, Johnson, VT, 25 Aug 73.
4. 1973 [1976] Drive [originally Images], Tape, 9:28, Cleveland Composers' Guild, Cleveland State University, Cleveland, OH, 13 May 73.
3. 1973 [1976] Fanfare, Tape, 1:58, Cleveland Composers' Guild, Cleveland State University, Cleveland, OH, 13 May 73.
2. 1972 [1973] Electric Air, Rock Band and Orchestra, 9:37, Cleveland Philharmonic Orchestra, John Ross, Conductor, Cleveland Heights High School, Cleveland Heights, OH, 13 Jan 74.
1. 1971, 1976 [1976] The Tinsel Chicken Coop, for Your Usual Magnetic Tape, Tape, Text: Anon. (Rex Highchair Sales Film Soundtrack), Studio Assistants: David Peelle and Nike Wagner, 5:26, Cleveland Institute of Music, Cleveland, OH, 11 May 71.
Disk Recordings
1986 Twilight Flight, Close Harmony, Imprint: Footfalls to Return, and Night Flame Ritual, Capstone Records CPS-8601.
1982 The Tinsel Chicken Coop and Wiener, Advance Recordings FGR-28.
1978 The Tinsel Chicken Coop, Crystal Records S532.
Broadcast and Cablecast Performances and Screenings
Cleveland Inst. of Music syndication series; Radiofest-New American Music II (Society of Composers, Inc.); Center Screen/WGBH-TV "Brief Encounters" series; Manhattan Cable TV "Some New Faces," "Glare," "Videowave," & "Video Spectrum" series; WNYC-TV "Audio-Visual Room" & "Videoville" series; WHRO-TV "Tim Morton's Tidewater" series; Sveriges TV "Nightexercise II" series; NHK Japan "NHK Culture Seminar: Invitation to the Arts" series; Finnish Broadcasting "Heureka!" series; WNET-TV "Innovation", series; Rochester Cablevision "No-TV" series; WGBH-TV/WNET-TV "New Television" series; KQED-TV "Independent Eye" series, NHK Japan "Media Art Museum" series, WTTW-TV "Image Union" series, "Unquote Television" cable series, "Offline" cable series, Ithaca, NY.
Selected Performances, Screenings, Shows, and Festivals
2000 Not Still Art Festival,  Brooklyn, NY; 7ème Journées d'Informatique Musicale, Bordeaux, France; Euromicro 2000, Maastricht, The Netherlands.
1999 Vidéoformes 99, Clermont-Ferrand, France; Cucalorus Film Fest., Wilmington, NC; Synthèse 99, Bourges, France; 6th Computer Music Fest., Seoul, Korea; Int'l. Computer Music Conference, Beijing; Teleciência: Festival do Filme Científico, Vila Real, Portugal..
1998 The Sync Online Film Fest. (http://www.thesync.com), Laurel, MD, Dallas Video Fest.; Film Fest New Haven; Ohio Independent Film Fest., Cleveland; "Video Illuminations," Boston; Hudson Valley Film Fest., Poughkeepsie; Synthèse 98, Bourges, France; Indiana Film and Video Fest., Indianapolis; Virginia Film Fest., Charlottesville; Northampton Film Fest., MA; Fest. Télescience, Montréal.
1997 Berkeley Video Fest., Berkeley, CA; 6th Arts and Technology Symposium, New London, CT.
1996 Detroit Metropolitan Film Fest.; "Creative Challenges" Composers' Conference, College of Notre Dame, Baltimore; Society of Composers, Inc., National Conference, Memphis; Society for Electro-Acoustic Music in the U.S. National Conference, Birmingham, AL; American Film Institute Video Fest., Los Angeles, CA.
1995 Cinema Video, Seattle; "Music, World, and New" Fest., University of the Pacific; "Convergence" Symposium, Connecticut College; Society for Electro-Acoustic Music in the U.S. National Conference, Ithaca; "In Harmony" show, Art Museum of Western Virginia; Musica 2000 Fest., Ancona, Italy; Llano Estacado Video Fest., Lubbock, TX; WorldFest Charleston Fest., Charleston, SC.
1994 Vidéoformes Fest., Clermont-Ferrand, France; Visual Artists 4th Annual Film & Video Fest., San Jose; San Francisco Int'l. Film Fest.; 2nd Bates Fest. of New American Music, Lewiston, Maine; Musica 2000 Fest., Recanati, Italy; "Beijing Blacklist" program, 43rd Melbourne Int'l. Film Fest., Australia; Philadelphia Int'l. Film Fest.; 23rd International Film Fest., Lisbon, Portugal; 35th Brenská Sestnáctka 16, Brno, Czech Republic.
1993 Society for Electro-Acoustic Music in the U.S. National Conference, Austin, Texas; 4th Annual Cello Fest., Bozeman, Montana; Alternative Museum, New York, New York; Electric Mountain Music Fest., Riverton, Wyoming; College Music Society National Meeting, Minneapolis, Minnesota, Fest. Audio Art, Kraków, Poland.
1992 College Music Society, Southern Chapter Annual Meeting, University of Miami, Coral Gables; Interarts and Technology Series, University of Wisconsin, Madison; Hartford Art School, Hartford, CT; "Where My Family Stops," Museum of Art, South Bend, IN; "New Music Across America," Portland, ME; 1st Annual Worldwide Audio-Visual Art Exhibition, School of Bayonne, New York; "Lis-ten Up!," PS 122, New York; Muestra Internacional de Video de Cádiz, Spain; Brno Int'l. Music Fest., Czechoslovakia.
1991 "Cinemusic," NUMUS Series, Waterloo, Canada; Time Arts Performance Series, Ball State University; Real Art Ways, Hartford, CT.
1990 New Visions Fest., Miami; "Creative Computers," U.S. Information Agency traveling exhibit; New England Computer Music Assoc.; "Beyond Television," Worcester; Studio Kinshicho, Tokyo; Hong Kong Music Centre; Int'l. Soc. of Bassists Convention, NY.
1989 "Visible Music," Denton, TX; "Video Frontiere," Perugia; Music Teachers Nat'l. Assoc. Nat'l. Convention, Wichita; "Computer Art / Electronic Imaging," St. Louis;  North American Saxophone Alliance, Gainesville; "1989 Media Art Museum," Tokyo; New Angle Series, NY; "June in Buffalo"; Spaziomusica Fest., Cagliari; Composers Concordance, NY; "Scream 1989," Valencia; Festa de l'Unità, Genoa.
1988 Intermedia Arts, Minneapolis; North Florida Video Fest.; Aarhus VideoFest., Denmark; San Francisco Int'l. Film Fest.; "Computers and Art," NY; Vídeo Arte Música, Rio de Janeiro; Spring Media Arts Fest., Louisville; II Bienal de Video, Medellin; "Untamed Video," Binghamton; Mill Valley Film Fest.; "Post Currents," Buffalo; "De New York Dagen in Rotterdam."
1987 New England Computer Arts Assoc.; "Freeze," Toronto; Soc. for Electro-Acoustic Music in the U.S. Conference, Hanover; SCAN Computer Art Exhibit, Philadelphia; Smithsonian Institution; Relâche Ensemble for Contemporary Music; "N. Y. City Reels"; North American New Music Fest., Buffalo; Columbus Video Fest.; "Amerikkaalaista Videotaidetta," Finland; Fest. di Camerino, Italy; "Computers and Art," Everson Museum; Semaine Int'l. de Vidéo, Geneva; Hochschule für Bildende Künste, Hamburg.
1986 "Massart," Amherst; City Movie-Center, Kansas City; Piccolo Spoleto, Charleston; College Music Soc. 29th Ann. Meeting; Experimental Intermedia Foundation, NY; San Francisco Museum of Art; "Video Transformations," Independent Curators, Inc., NY; Atlanta Contemporary Chamber Ensemble.
1985 Biennial Video CD 85, Ljubljana; The New Media, Toronto; American Museum of the Moving Image, Astoria, NY; Int'l. Electronic Music Plus Fest., Austin; Tokyo Int'l. Video Bienniale; Video Art Stockholm Int'l. Fest.; FestRio; "Emerging Expressions: The Artist and the Computer," Bronx Museum of the Arts; "Electronic Visions II," New Orleans; "The Electronic Image: The Best of Computerized Video Art," Intermedia Arts, Minneapolis; 1st Los Angeles Animation Celebration; "Alternating Currents," Alternative Museum, NY; "Earsight 1985: New Music/New Images," International House, Philadelphia; "Grand Video," NY; "TV: Through the Looking Glass," NY.
1984 "Danceteria Video," NY; "Abstraction & Image Processing," P.S.1, NY; "Video as Canvas," NY; Film in the Cities, St. Paul; "Video in the Boroughs," NY; "Art on Saturday," The Roxy, NY; Artexpo, NY; "Centering: Performance in Time and Place," Philadelphia; Soc. of Composers Nat'l. Conference, Columbus; "Dance on the Lower East Side," NY; Three Rivers Arts Fest., Pittsburgh; Electro-Acoustic Sound Spectacular, London.
1983 "Music for the Electronic Age," Hamilton College, Cornell Univ., Everson Museum; "Video-Music: New Correlations," San Francisco Museum of Modern Art, Aspen Ctr. for the Visual Arts; "Dance on the Lower East Side: New Definitions," Millenium Film Workshop, NY; American New Music Consortium, NY; "Image/Process III," The Kitchen, NY; Spoleto Fest., Charleston; "After the Bridge," Brooklyn; "Video Around Town," NY; Forum for New Music, NY; Clar-Fest, Baltimore; Int'l. Computer Music Conference, Rochester; Electro-Acoustic Music Marathon, Calif. Inst. of the Arts.
1982 Washington Sq. Contemporary Music Series, NY; "Concerto/Video," Vehicule Gallery, Montréal; Symphony Space, NY; Fest. of Tape Music, Hamilton College; BACA Video Fest., Brooklyn; Soc. of Composers Nat'l. Conference, Seattle; "Video-Music: New Correlations," Whitney Museum, Walker Art Center, ICA Boston; Estetica Della Nuova Semantica Musicale, Italy; Studio 200, Tokyo; Image Forum, Tokyo; Int'l. Electronic Music Fest., Knoxville; Clar-Fest, Washington; College Music Soc. Nat'l. Meeting, Boston.
1981 Ann Arbor Film Fest.; Visualizations Gallery, NY; Global Village, NY; Jacksonville Film Fest.; Baltimore Film Fest.; Soc. of Composers Nat'l. Conference, Cincinnati; Infinite Forum Expo, Oakland; Chrysler Museum, Norfolk; "The Monumental Show," Brooklyn; "Monumental in Manhattan," NY; "The Electronic Gallery," SUNY Binghamton; Music & Technology Conference, Melbourne; Electronic Music Plus Fest., Hamilton, NY; "A Survey of Video Art," Univ. of TX at Dallas; "New York Art Video," Global Village, NY; "Themes in Electronic Image Processing," "E.T.C. at The Kitchen," The Kitchen, NY; "Crossovers Video," D.Visions, NY; "Mudd Video," Mudd Club, NY; "Abstract and Processed Video," Anthology Film Archives, NY; Fest. Int'l. de Musique Electronique, Video et Computer Art, Belgium.
1980 American Center, Paris; Avant-Garde Fest. of NY; Orpheum Theatre, NY; Xornadas de Musica Electroacustica, Spain; Montpellier Film Fest., Hong Kong Film Fest.
1979 Int'l. Film & TV Fest. of NY.
1978 UNESCO Computer Music Fest., Denmark; Sound Poetry Fest., Toronto, Electronic Music Plus Fest., Charlottesville.