- John G. Hanhardt People
John G. Hanhardt is Senior curator of film and media arts at the Solomon R. Guggenheim Museum; he holds a B.A. from the University of Rochester and an M.A. from New York University. He was film coordinator at the Walker Art Center, Minneapolis (1972–74) and curator and head of the film and video department at the Whitney Museum of American Art (1974–96). He curated exhibitions and film and video series at the Whitney and Guggenheim, edited Video Culture: A Critical Investigation (1986) and received the Peter Norton Family Foundation Curator's Grant (1993).
- Jim Trainor People
Jim Trainor was Assistant Professor of Film, Video and New Media (2000) at the School of the Art Institute of Chicago and holds a BA (1983) from Columbia University, NY; his films include The Fetishist, The Bats, The Moschops and The Magic Kingdom. His films screened at venues and festivals including the Whitney Biennial, Museum of Modern Art (NY), Sundance, Rotterdam (Netherlands), Thessaloniki (Greece) and Golden Horse Festival (Taiwan); awards include San Francisco International, Black Maria, NY Underground, Cinematexas, Big Muddy and Ann Arbor film festivals.
- John Orentlicher People
John Oreltlicher holds an MFA in Sculpture from the School of the Art Institute, Chicago, and has taught in the Department of Art Media Studies at Syracuse University since 1976; he also taught at the American Film Institute's Faculty Workshop and received multiple Fulbright Scholar awards. His film and video work has been exhibited in Spain, Argentina, Chile and Canada and has been recognized by the Council for International Exchange of Scholars, the Ford Foundation and the National Endowment for the Arts. His videography spans 1983–1996.
- Daniel Eisenberg People
Daniel Eisenberg is Professor and Chair of Film, Video, and New Media (1994) at the School of the Art Institute of Chicago and holds a BA (1976) from Binghamton University; his work has been exhibited and screened at the Museum of Modern Art (New York), University of Amsterdam, Goldsmiths College (University of London), Centre Georges Pompidou (Paris), Whitney Museum of American Art (New York), the Bangkok Experimental Film Festival, Pacific Film Archive (Berkeley), Musee du Cinema (Brussels) and Filmmuseum (Munich). His works are held in the collections of Centre Georges Pompidou, the Museum of Modern Art, Freunde der Deutschen Kinemathek and the Nederlands Film Museum; awards include an Illinois Arts Council Artists Fellowship, a John Simon Guggenheim Memorial Foundation Fellowship and a DAAD Berlin Fellowship; online: www.danieleisenberg.com.
- Mark Lapore People
Mark Lapore holds a BA from the State University of New York and an MFA from the Massachusetts College of Art; his work has been exhibited at international festivals and institutions including the Rotterdam Film Festival (The Netherlands), New York Film Festival, Vienna Museum of Art (Austria), Whitney Museum (New York), Georges Pompido Museum of Modern Art, Tate Gallery (London), Bangkok and Hong Kong film festivals, San Francisco Cinematheque and the Whitney Biennial. He received the LEF Award (2003), a Guggenheim Fellowship (1997), Parabola Film Arts recognition (1990) and a Black Maria Film Festival prize (1989); he was awarded Fulbright Scholar Grants in 1993 and 2001 and a Jerome Foundation Grant in 1991.
- Tim Murray - Cornell U. Society for the Humanities People
Timothy Murray is a Professor of Comparative Literature and English at Cornell University and a new media curator; he founded and curates The Rose Goldsen Archive of New Media Art at the Cornell University Library. He organized the traveling exhibition Contact Zones: The Art of CD-Rom (1999–2001) and co-curated the (off-line) 'net.art' contest for INFOS 2002 in Ljubljana; he co-curates the on-line exhibition space CTHEORY Multimedia with Arthur and Marilouise Kroker. He has written catalogue essays for ZKM (Karlsruhe), The Power Plant (Toronto), Centro de la Imagen (Mexico City), and the Museum of Macau; his books include Drama Trauma (Routledge 1997) and Like a Film (Routledge 1993), and he is completing Digital Intensities (University of Minnesota Press) while editing Digitality and the Memory of Cinema (Temple University Press).