Video History Project

Texts by Author

298 records

  1. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy Bibliography

    The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy

  2. The Computer: A Tool for Thought-Experiments Bibliography

    The author argues that computers, as symbol-processing machines, can simulate mental acts of creative activity and enable artists to design autonomous machines that perform artistic activities and produce art objects. He frames this with references to Hegel and Malina and surveys artists' responses to machines, including Moholy-Nagy and LeWitt. He presents technical case studies of electronic and digital imaging, notably Woody and Steina Vasulka's experiments with the Rutt-Etna synthesizer and a mid-1970s image articulator with A/D and D/A converters and an ALU; themes include dematerialization and aesthetic simulation.

  3. The Dialogical Mode Bibliography

    The Dialogical Mode Proposal. Description of dialogical process.

  4. The Dreme-Style Michael L.V. Butler and His Circle . The Catalog Bibliography

    The Dreme-Style Michael L.V. Butler and His Circle. The Catalog Included exhibition of video work produced at Experimental Television Center.

  5. The Dreme-Style Michael L.V. Butler and His Circle . The Program Bibliography

    The Dreme-Style Michael L.V. Butler and His Circle . The Program Included exhibition of video work produced at Experimental Television Center.

  6. The Electronic Gallery Bibliography

    The Electronic Gallery Tape exhibition of works from the Experimental TV Center by Ralph Hocking and Sherry Miller; Hank Rudolph; Henry Linhart; Shalom Gorewitz; Peer Bode; Meryl Blackman; Reynold Weidenaar; Barbara Buckner; Neil Zusman and Julie Harrison; Gary Hill. Essays by Maureen Turim. Donna C…

  7. The Electronic Gallery Bibliography

    The Electronic Gallery Tape exhibition of works from the Experimental TV Center by Ralph Hocking and Sherry Miller; Henry Linhart; Shalom Gorewitz; Peer Bode; Barbara Buckner; Gary Hill. Still images by Mary Ross, Peer Bode, Ralph Hocking. Introduction by Josphine Gear, Director, University Art Gall…

  8. The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center Bibliography

    The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. The Electronic Image. A touring Video Workshop from the Experimental Television Center of Binghamton, New York, for campus and community arts organizations of New York State. Application form for sponso…

  9. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy Bibliography

    The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy

  10. The Evolution of Thinking Machines Bibliography

    The Evolution of Thinking Machines

  11. The Evolution of Thinking Machines Tools

    Experimental Television Center - The Evolution of Thinking Machines The image processing system used today in the studio of the Experimental Television Center is a hybrid tool set which encourages interactive relationships among older historically important analog instruments such as colorizers and …

  12. The Film Bibliography

    The Film (pdf) is a description of the New York State Council on the Art's Film Program and areas of support. The booklet includes a bibliography, and film sources. Undated. Listed in the New York State Council on the Arts Annual Report for 1969-70 Description of the New York State Council on the Ar…

  13. The Form and Sense of Video Bibliography

    The Form and Sense of Video

  14. The Gate Theater Bibliography

    On 12 July, 1962 the narrator performed at MoMA during Aldo Tamellini's Award of the Golden Screw; Aldo then opened The Center in a Lower East Side loft and organized a festival at St. Mark's-in-the-Bouwery Church. In October 1963 St Mark's hosted an independent sculpture show of forty U.S. sculptors; in 1964 Aldo began projection work and the narrator served as assistant projectionist and coordinator for intermedia events using slides, film and light equipment. The narrator opened The Gate Theatre to screen underground films and, with Aldo and Otto Piene, founded the Black Gate Electromedia Theater above the auditorium; legal conflicts included a three-month battle over flag burning and threats related to the underground film Brothel.

  15. The Incredible Animation Machine Bibliography

    The Incredible Animation Machine Caesar computer system, an electronic animation system at Computer Image Corporation in Denver, CO.

  16. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy Bibliography

    The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy

  17. The Kitchen Bibliography

    The Kitchen Center for Video and Music was founded in 1971 by Woody and Steina Vasulka and relocated in 1973 from the Broadway Central Hotel kitchen to a Broome Street loft. Initially funded through Howard Wise and Electronic Arts Intermix, it became the non-profit Haleakala, Inc. under Robert Stearns and shifted from funding experiments to presenting electronic music and video works. It has shown tapes and performances by artists including Juan Downey, operates a video room for 1/2- and 3/4-inch tapes, publishes a monthly calendar and catalog, and is funded by the National Endowment for the Arts.

  18. The Language of Video Bibliography

    The Language of Video

  19. The New Renaissance: The Computer Revolution and the Arts Bibliography

    The New Renaissance: The Computer Revolution and the Arts

  20. The New Sleep: Stasis and the Image-Bound Environment Bibliography

    The New Sleep: Stasis and the Image-Bound Environment in Art Journal: Video - The Reflexive Medium

  21. The Parapoetics of Video Bibliography

    The Parapoetics of Video

  22. The Passing of an Era: Boston Film/Video Foundation Bibliography

    Anne-Marie Stein, former executive director of the Boston Film/Video Foundation (1988–2001), reviews BF/VF programs and operations and attributes the organization's closure to chronic undercapitalization, loss of major funders including MacArthur, constrained public support, limited fundraising capacity and short-term cash-flow pressures. She describes BF/VF's continuing education, exhibition (including the New England Film & Video Festival and Meet the Director), artists' resources and the Intervisions newsletter, and emphasizes lessons about organizational size, strategic planning, staff professional development and selective governance; she earned an MBA from Simmons and joined Northern Light Productions in April 2001.

  23. The Passion for Perceiving: Expanded Forms of Film and Video Art Bibliography

    The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium

  24. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices Bibliography

    Essay examines how photographic, cinematic and television-video images produce personal and cultural memory while simultaneously enabling forms of forgetting; it argues that television's live flow and videotape materiality complicate preservation and historical status. It surveys independent video practices and collectives (Videofreex, Raindance) and analyzes works by Woody Vasulka (Art of Memory, 1987), Rea Tajiri (History and Memory, 1991), Janice Tanaka (Memories from the Department of Amnesia, 1990; Who's Going to Pay for These Donuts, Anyway?, 1992) and Jeanne Finley (Nomads at the 25 Door, 1991), addressing Japanese American internment, Yugoslavia (1990), televised events (Challenger, Tiananmen, Berlin Wall) and videotape deterioration. The artists use videotape, found footage and reenactment to create counter-memories, bear witness and contest national narratives.

  25. The Premature Birth of Video Art Bibliography

    The Premature Birth of Video Art An investigation of the first portapack in the US.