Bibliography
2,988 records
Why do I keep repeating myself? Bibliography
Essay for Felix, prompted by conversations with artist Joe McKay and philosopher Jan Zwicky, examines how integrated computer and electronic systems shape perception and behavior, citing examples such as mobile phones, pagers, bank machines, GPS and Canal Street electronics shops. The author links chip miniaturization, compression, programmable chips and the decline of solderable components to information hiding and surveillance; the text addresses cultural manifestations in television and consumption and frames video and computer animation as tools to simulate and critique mass-media and military structures, noting distribution via web pages and live webcasts.
Why Don't They Tell Stories Like They Used To? Bibliography
Survey tracing the development, structures, and critical reception of video art from the late 1960s through the early 1980s; locates influences in the visual arts, literature, film, Dada and Surrealism, Fluxus and John Cage, and nineteenth- and twentieth-century theories of perception. Discusses practitioners and works including Nam June Paik (Global Groove, Paik-Abe synthesizer, TV sculptures), Bill Viola (Hatsu Yume), Stan Brakhage, Bruce Connor, and Juan Downey; notes institutions and events such as the 1974 Open Circuits Conference at MoMA, WNET broadcasts, the Experimental Television Center, and the Whitney Museum.
Why Don't They Tell Stories Like They Used To? Bibliography
Essay traces the history and persistent critical opacity of video art from its emergence in the late 1960s through post-1975 developments; it situates early single-channel tapes and multi-channel installations in galleries and museums and surveys practitioners, institutions, broadcasts, and technologies including Nam June Paik, his Paik-Abe colorizer/synthesizer, three-quarter-inch color tape, image processing, WNET and independent video productions. The text links video practices to antecedents in literature, Dada, Surrealism, experimental film and Fluxus, and cites representative works such as Paik's Global Groove (1973), Bruce Connor's A Movie (1958), and Michael Snow's La Region Centrale.
Wildernrss: A Video Installation by Mary Lucier Bibliography
Will There Be Condominiums in Data Space? Bibliography
Wiring Diagram for Dual Light Path Eidophor Projector, Power and High Voltage Power Supplies(2 copies), Video and Deflection Amplifiers (2 copies), Procurement Specification for Front Projection Screen For Use in Visual Simulator by IBM Owego, Proposal from TNT Electronics for Projectin System for IBM Owego Bibliography
Eidophor Black and White Video Projector Operating Instructions Appendix One for Video and Deflection Chassis Type 250. Includes schematics. Note keywords: "Phantastron", "Scanned Oil Film".
with Aldo Tambellini Bibliography
Description of installation work of Aldo Tambellini
Women in New Media: Sources in Art and Technology Bibliography
Women, Art, and Technology Bibliography
http://www.judymalloy.net/newmedia/ . Includes works by Pat Bentson, Judy Malloy, Margaret Morse, Patric Prince, Sheila Pinkel, Anna Couey, Kathy Brew, Jaishree K. Odin, Simone Osthoff, Martha Burkle Bonecchi, Carol Stakenas and Zoe Sofia. Artists' Papers by Steina, Joan Jonas, Dara Birnbaum, Jo Han…
Women's Video Festival Bibliography
Introduction to the Women's Video Festival situates the festival as a response to women's underrepresentation in media and to social changes from the late 1960s; it describes the arrival of portable half-inch videotape (Sony portapak, 1967) that lowered costs and enabled immediate playback. The Kitchen (begun 1971) and Steina Vasulka's 1972 call for work led to a six-evening open-entry show organized with Shridhar Bapat and Laura Kassos. The festival received New York State Council on the Arts funding via Electronic Arts Intermix in 1973, moved production to the Women's Interart Center in 1974/75 with NEA support, has used juried selection since 1974/75, and solicits work across the U.S. and Canada.
Woody Vasulka Interviews Bill Etra Bibliography
Created with a grant from the National Endowment for the Arts to the Experimental TV Center in collaboration with the Vasulkas, c 1977. The research project concerned the design and creation of electronic moving-image instruments by independent artists and engineers, and the place of this work withi…
Woody Vasulka Interviews Bill Hearn Bibliography
Created with a grant from the National Endowment for the Arts to the Experimental TV Center in collaboration with the Vasulkas, c 1977. The research project concerned the design and creation of electronic moving-image instruments by independent artists and engineers, and the place of this work withi…
Woody Vasulka Interviews Dan Sandin Bibliography
Created with a grant from the National Endowment for the Arts to the Experimental TV Center in collaboration with the Vasulkas, c 1977. The research project concerned the design and creation of electronic moving-image instruments by independent artists and engineers, and the place of this work withi…
Woody Vasulka Interviews Skip Sweeney Bibliography
Created with a grant from the National Endowment for the Arts to the Experimental TV Center in collaboration with the Vasulkas, c 1977. The research project concerned the design and creation of electronic moving-image instruments by independent artists and engineers, and the place of this work withi…
Words and Images: Thinking and Translation Bibliography
Work from Experimental Television Center Bibliography
Work from Experimental Television Center Binghamton, NY. Sept. 19 to Oct. 2, 1972. Introduction by James Harithas, Director for the Everson Museum of Art.
Work from Experimental Television Center Bibliography
Work from Experimental Television Center Binghamton, NY. Sept. 19 to Oct. 2, 1972. The artist is not ahead of his time, he is in it. The consumer is living in the past. Video breaks down that gap"- a quote from Mike Goldberg, Intermedia, Vancouver followed by a second introduction by David A. Ross, …
Work from the Experimental Television Center Bibliography
Work from the Experimental Television Center Charlotte Moorman performance; Nam June Paik performance; Shigeko Jubota performance; catalog essay by David Ross Institution/Organizer: Everson Museum of Art Site: Everson Museum of Art Exhibition Dates: September 19-October 2, 1972
Work from the Experimental Television Center: Introduction and Daily Performance Schedule Bibliography
Catalog Introduction Daily Performance Schedule Catalog Introduction The artist is not ahead of his time, he is in it. The consumer is living in the past. Video breaks down that gap. -Mike Goldberg, Intermedia, Vancouver The development of a popular art-oriented television system as a technically vi…
Workshop at Experimental Television Center (Community Center for Television Production) by the Vasulkas Bibliography
World Wide Video Festival Bibliography
First Festival in 1982. Catalog of exhibition. English and Dutch. Blumberg. Gorewitz, Harrison, Viola, Weidenaar.
World Wide Video Festival Catalogue Bibliography
Wright Computer System: Software for a Computer Based Video Synthesizer by Walter Wright Bibliography
Wright Computer System: Software for a Computer Based Video Synthesizer by Walter Wright (52 pages, folder contains duplicate pages). Index contains the following chapters: Introduction and Program Goals, Description of Main Program, Description of Data Buffers, Programming Techniques, Summary and A…
Wrong Move Bibliography
Perspective on Nicholas Ray's film We Can't Go Home Again by a student-participant in the film, made at Binghamton University in the early 1970s. Susan Ray. Wim Wenders.
Xerox 820-II Personal Computer Operation Manual and CP/M 2.2 Operating System Reference Guide Bibliography
Xerox 820-II Personal Computer Operation Manual and CP/M 2.2 Operating System Reference Guide. Includes: Hardware, Operation, Technical Aspects, Appendices. Reference Guide includes: Introduction, Features and Facilities, User's Guide, Alteration Guide, Interface Guide, Assembler, Context Editor,Deb…