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298 records
ETC Proposal: Frame Buffer 1987 Bibliography
ETC Proposal: Frame Buffer 1987. Proposal to New York State Council on the Arts. 1987 Development of Frame Buffer. Proposal to New York State Council on the Arts
Everson Video 1975 Groups
Everson Video 1975 Institution/Organizer: Everson Museum of Art Site: Everson Museum of Art; Museum of Contemporary Art, Chicago; University Art Gallery, Berkeley; Museum of Contemporary Art, LaJolla Curator(s): Simmons,Richard AB - Preface. Catalog edited by Judson Rosebush. Works by Ant Farm, CAST…
Everson Video Revue Introduction Bibliography
Complete catalog for Everson Video Revue Skip Blumberg and John Margolies; Barbara Buckner; Nancy Cain; Bary Friedman; Gary Hill; Gunilla and Phillip Mallory Jones; John Orentlicher and Tom Sherman; Bill Viola Institution/Organizer: Everson Museum of Art Site: Everson Museum of Art; Museum of Contem…
Everson Video Revue. Catalog with Images Bibliography
Everson Video Revue. Catalog with Images Skip Blumberg and John Margolies; Barbara Buckner; Nancy Cain; Bary Friedman; Gary Hill; Gunilla and Phillip Mallory Jones; John Orentlicher and Tom Sherman; Bill Viola Institution/Organizer: Everson Museum of Art Site: Everson Museum of Art; Museum of Contem…
Evolution : Aldo Tambellini - Electromedia & The Black Film Series Bibliography
Evolution : Aldo Tambellini - Electromedia & The Black Film Series
Evolving traditions: artists working in New Media Bibliography
The Incredible Animation MachineEvolving traditions: artists working in New Media
Expanded Cinema Bibliography
Intermedia artist and filmmaker Aldo Tambellini produced synaesthetic videotapes, videographic films and closed-circuit teledynamic environments centered on the theme of black; his 16mm film Black TV (1964–68, 9½ min.) compiles television news and experimental videotapes and was re-edited over a four-year period. He began working with videotape in 1966–67 and received a New York State Council on the Arts grant in spring 1969 to develop artist–engineer relationships, working with technologists at five educational TV stations in New York; he participated in WGBH-TV Boston's 1969 PBL program The Medium Is the Medium, producing the videotape Black. Black Video Two (1968) was exhibited at the Howard Wise Gallery in New York in 1967; Wise later commissioned Black Spiral with engineers from Bell Telephone Laboratories.
Experimental Television Center - Weltonville Meeting Bibliography
Experimental Television Center - Weltonville Meeting General discussion of the mission and direction of the Experimental Television Center. Meryl Blackman, Peer Bode, Paul Davis, Ralph Hocking, Sherry Miller, Steina Vasulka, Walter Wright and Neil Zusman.
Experimental Television Center Mission Statement 1978 Bibliography
Experimental Television Center Mission Statement 1978. Outlines concerns of artists working in electronic image processing; tool development; research; access; education. barbara Buckner, Gary Hill, David Jones, Walter Wright, Peer Bode, Nam June Paik, Also Tambellini stylistic approaches to video a…
Exprmntl5 Catalog for Media Study Bibliography
Exprmntl5 Catalog for Media Study Exprmntl 5 Festival in Belgium, December 25, 1974 - January 2, 1975.
Feature Presentation: Black Box Video Shorts (+) Bibliography
Feature Presentation: Black Box Video Shorts (+) Feature Presentation: Black Box Video Shorts (+). EAT Presents: Experiments in Art & Technology. Paragraphs follow: Curators' Statements by Assistant Professor of Art, Anita Allyn, Backroof by Sue Wrbican, Blank Generation by Amos Poe, and a list of v…
Feminist Video: Reiterating the Difference Bibliography
Review of two 1984–85 exhibitions of feminist video: Revising Romance: New Feminist Video, organized and distributed by the American Federation of Arts and curated by Linda Podheiser and Bob Riley (ICA Boston, Sept 1–Dec 31, 1984; touring to Ohio State, Portland, and Cornell in 1985), and Difference: On Representation and Sexuality, videotapes curated by Jane Weinstock (New Museum, Dec 8, 1984–Feb 10, 1985; Renaissance Society and ICA London in 1985). The essay surveys numerous videotapes and artists (Condit, Yonemoto, Broughel, Antin, Godard, Birnbaum, Almy, Roster, among others), notes formats including super-8, three-channel black-and-white and television-produced half-hour tapes, and critiques curatorial emphases on Lacanian film theory and program balance while highlighting several standout works.
From Gadget Video to Agit Video Bibliography
From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium
From Portapak To Camcorder: A Brief History Of Guerrilla Television Bibliography
Chronological essay tracing independent video practice in the United States from Sony's 1965 Portapak through the 1970s cable era to 1980s–90s activist media; describes technological shifts (half-inch Portapak, AV format in 1970, 3/4-inch U-matic in 1972, color portapaks, time base correctors, Betacam) and funding by the New York State Council on the Arts. Documents collectives and institutions (Videofreex, Raindance, Global Village, TVTV, DCTV, Broadside TV, University Community Video, NOVAC, Paper Tiger Television), key works (Four More Years, The Police Tapes, Cuba, The People, Tongues Untied), and publications (Radical Software, the 1971 Guerrilla Television manifesto).
From the Academy to the Avant Garde Bibliography
From the Academy to the Avant Garde Complete catalog from exhibition. From the Academy to the Avant Garde, a traveling exhibition produced by Visual Studies Workshop, 1981. Curator Richard Simmons. Catalog introduction Arthur Tsuchiya. Videotapes in order of viewing Howard Fried, Davidson Gigliotti,…
From the Academy to the Avant Garde - Introduction Bibliography
From the Academy to the Avant Garde, curated by Richard Simmons for Visual Studies Workshop, presents demanding, dense video art intended for sustained, repeated viewing. A catalog by Richard Simmons serves as a companion to the exhibition and introduces the artists and their other work while guiding the viewer through the show. The text situates video in its second decade, notes that several participating artists have made video since its early years, and emphasizes the medium's use of images, sounds, and language and its increasing sophistication.
From the Academy to the Avant Garde - The Family Jewels Bibliography
Exhibition curated by Richard Simmons for Visual Studies Workshop THE FAMILY JEWELS. Burton White of Harvard's Child Development Center, found that about one child in every thirty was brilliant and happy (a percentage that leaves nearly 97 percent of us dull and sad). These bright children are from …
G.R.I.D Bibliography
G.R.I.D. Works and statements by Phil Edelstein; John Driscoll; Peer Bode; Ralph Hocking; Curt Dunnam; Peter Chamberlain Institution/Organizer: The Arnot Museum Site: The Arnot Museum
G.R.I.D. - Works Bibliography
Ralph Hocking outlines his move from pottery and sculpture to photography, video and computer-based image work; he acquired a Paik/Abe synthesizer in 1972 and, with Sherleen Miller, produced multi-camera pieces (1971–1978) using mixing, reversal, rate switching and voltage control. With David Jones he developed a twenty-six-command program to manipulate frames and produce 256×256 black-and-white dot-matrix prints. He taught video art at SUNY Binghamton for thirteen years and founded and directed the Experimental Television Center Ltd. in Owego; entry appears in the Generic Real-time Interactive Digital catalog, Arnot Art Museum, July 12–September 28, 1986, curated by Peter Chamberlain.
Gerald O'Grady: The Perspective from Buffalo Bibliography
Gerald O'Grady, holder of two Ph.D.s in medieval literature and a teacher of literature and communications, directs SUNY/Buffalo's Educational Communications Center, founded the Center for Media Study and established Media Study/Buffalo. From Buffalo he organized workshops, screenings, distribution and funding services, internships, an NEA filmmaker-in-the-schools program and a summer youth-in-residence; Media Study acquired the 100,000-square-foot Mars Hotel housing fifty climate-controlled editing rooms, offices, living space and New York State's largest sound studio. The ECC operates public radio station WBFO and a language laboratory with video and film, and planned campus facilities include two 2400 square foot color television studios with 2-inch and 1-inch capability and satellite connection.
Getting into the Act: Video in Live Performance Bibliography
The article examines how video has enabled live performers to manipulate space and time, citing Trish Brown's wall choreography and Joan Jonas's distant performance; it argues that video offers immediacy, flexibility, and new compositional possibilities on stage. It traces video integration from late-1960s experimental work (Vito Acconci's Claim, Chris Burden's Match Piece) through narrative and abstract uses, with examples including Marjorie Gamso's At Turning Points, Alien Ginsburg's Kaddish, Joanne Kelly's Tahmar, Amy Greenfield's Mat/Glass and Aldo Tambellini/Sarah Dickinson's Pierot in Time. The author is a freelance writer and coeditor of The Handbook of Television Dance, to be published by Marcel Dekker Inc. by the end of this year.
Granular Synthesis Bibliography
Granular Synthesis
Growing pains: artists' organizations in the 80s - National Association of Artists Organizations' 1983 conference Bibliography
Growing pains: artists' organizations in the 80s - National Association of Artists Organizations' 1983 conference https://www.findarticles.com/p/articles/mi_m2479/is_n6_v25/ai_20794402
Has TV Finally Become An Art? Bibliography
Has TV Finally Become An Art? National Center for Experiments in Television, and artists Don Hallock and the Videola. Stephen Beck and William Roarty works using the Videola.
Healing Interactions and Interactive Digital Art - News and Project Statement Bibliography
Healing Interactions and Interactive Digital Art - News and Project Statement