Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded

Related records

• Set in Motion Chronology

  Set in Motion documents a New York State Council on the Arts celebration of 30 years of support for independents; the Council funded a series of 21 film and video programs between 1961 and 1993. Curators were Linda Earle, Leanne Mella and Debby Silverfine; catalog texts were contributed by Debby Silverfine, Daryl Chin, Leanne Mella, Marita Sturken and Pearl Bowser. The publication includes a chronology of activities and a listing of grant recipients for 1961–1993.

• Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents Bibliography

  texts by Debby Silverfine; Daryl Chin; Leanne Mella; Marita Sturken; Pearl Bowser; chronology of activities; listing of grant recipients 1961-1993; listing of individual artists grants 1963 - 1994. Curator(s): Earle,Linda Mella,Leanne

• Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Introduction to Set in Motion Bibliography

  Set in Motion is a retrospective of films and videotapes funded by the New York State Council on the Arts between 1961 and 1993; it was organized from NYSCA planning meetings to review the agency's mission and accomplishments. The text chronicles NYSCA initiatives including the 1967 Film Program, the addition of support for small-format video in 1970, the 1976 Bicentennial Film Project with NEA matching funds, the 1972 TV Lab at WNET/13, and the 1984 Individual Artists Program; it names staff and advisors such as John Hightower, Peter Bradley, Debby Silverfine, Linda Earle and Leanne Mella. It documents statewide training, exhibition and production programs, foundation partners (Ford, Rockefeller) and numerous community media organizations and workshops supported by NYSCA.

• Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media Bibliography

  Daryl Chin, an artist and critic in New York City, surveys the rise of U.S. independent media and credits government arts funding—notably the New York State Council on the Arts—with widening access to production, equipment and distribution. He outlines technological shifts (Super-8, Betacam, VHS, 16mm, optical printers, Portapak) and institutional supports such as the Millennium Film Workshop and media distributors. He cites works including Kathe Sandler's A Question of Color and discusses media hybridity, diversity, funding constraints and the need for computer literacy.

• Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents The Moving Image in Space: Public Funding and the Installation Form Bibliography

  The New York State Council on the Arts (NYSCA) funded production and exhibition spaces for film and video installations, increasing state support in the early 1970s and moving media art from alternative venues into museums. Institutions cited include the Everson Museum (early 1970s video curator), the Whitney (video exhibitions from 1971, Re/Visions 1979, Nam June Paik retrospective 1982) and MoMA (Projects 1971, video department 1974); artists and technologies ranged from 1960s avant-garde closed-circuit and multi-monitor work to later interactive and multicultural installations such as The Erl King (1986) and Color Schemes (1990).

• New York State Council on the Arts Proposal: Video Index - An Extensive Bibliography of Video and Video Art Bibliography

  etcnysca7778propvideoindex_2654.pdf