- meta media Takahiko Iimura - film, video, CD-ROM installations - Bibliography
meta media Takahiko Iimura - film, video, CD-ROM installations. Text in Japonese. Section headings follow: Film Installation (1 SEC and Infinity at the Instituto Giapponese di Cultura, Roma, 1997), Video Installation (As I See You See Me, Insituto Giapponese di Cultura, Roma, 1997), CD-ROM (CD-ROM "…
- Takahiko Iimura People
Takahiko Iimura is a pioneer of Japanese experimental film and video, working in film since 1960 and in video since 1970; his early film Onan won the Special Prize at the Brussels International Experimental Festival in 1964. He moved to the USA in 1966 as a Harvard University International Seminar fellow sponsored by the Asia Foundation and subsequently received numerous fellowships, including the Japan Society, New York (1966–68), the German Academy Exchange Service, Berlin (1973–74, 1992) and the National Endowment for the Arts (1979). He has published multimedia interactive CD-ROMs and DVDs, worked in residence at the Experimental Television Center and the Institute for Electronic Arts, and held major solo exhibitions at institutions such as MoMA (1975, 1981), the Whitney (1981), Centre Pompidou (1977) and Museo Reina Sofía (2000).
- The Media World of Takahiko Iimura II Bibliography
The Wedia World of Takahiko Iimura II. Contents follow: I am not Taka Iimura by Carl Eugen Loeffler, (I)/You, DOUBLE DA, MA (and Taka Iimura) by Peter d'Agostino, From Exhibition I [Photo Document], SKY & GROUND, Video: Takahiko Iimura, Poem: Miyuki Ashida, A.I.U.E.O.NN SIX FEATURES, Video: Takahiko…
- Taka Iimura Interview Interview
Taka Iimura, a Japanese film and video artist who spent more than ten years in the United States, discusses his practice and the independent film/video scene in Japan; his early work includes Junk (Standard 8, 1962) and later pieces include Line A,B,C,D,E (1972, revised 1980), Talking in New York and Talking Picture, and he screened work at gallery 360 in December 1982. The interview addresses influences (Dada/Surrealism, Western underground film), exhibition infrastructure (Image Forum, Seibu studio 200), lack of government subsidies, technical approaches (photographed image, sync sound, direct address) and political activity (demonstrations against the American military treaty).
- The Video Art of Takahiko Iimura Bibliography
Takahiko Iimura, a leading non-commercial Japanese film artist since the early 1960s, moved toward conceptual film in the early 1970s with works including Film Strips (1969), Film Strips II (1969), Counting, 1 to 100 or Xs (Models, Reel 2, 1972) and 24 Frames Per Second (1978). He began video work in 1970 and developed syntactical and closed-circuit pieces—Camera, monitor, Frame (1976), the Observer/Observed series (1975–76), I=YOU=HE/SHE (1979), TV FOR TV/TV Confrontation (1983), Self-Introduction (1982) and other tapes and installations—using portapaks and later formats (Betcams, VHS, Video8) with cameras, monitors, switchers and headphones; writings and exhibition documentation cited include Art & Cinema (1978), Asahi Shimbun (1976), the Whitney Museum catalog (1979) and The Soho Weekly News (1979).
- Media World of Taka Iimura Bibliography
Media World of Taka Iimura. 4 page, color catalog featuring 3 works by Iimura: Sky and Ground, A I U E O NN Six Features, and From Back to Front. Institution/Organizer: Sony Corporation Site: Sony Building, 8F Exhibition Dates: 02.23.94- 03.04.94 Artist(s): Iimura,Takahiko