Video History Project

Bibliography

Theory of Film: The Redemption of Physical Reality

Author
Siegfried Kracauer
Publisher
Oxford University Press
Place
London, England
Type
Manuscript, text or essay
ETC archive
ETC2365

Abstract

Theory of Film: The Redemption of Physical Reality. Contents follow: Preface, Acknowledgments, Introduction, 1. Photography, I. General Characteristics, 2. Basic Concepts, 3. The Establishment of Physical Existence, 4. Inherent Affinities, II. Areas and Elements, 5. History and Fantasy, 6. Remarks on the Actor, 7. Dialogue and Sound, 8. Music, 9. Spectator, III. Composition, 10. Experimental film, 11. The Film of Fact, 12. The Theatrical Story, 13. Interlude: Film and Novel, 14. The Found Story and the Episode, 15. Matters of Content, Epilogue, 16. Film in Our Time, Notes, Bibliography, and Index.
Cite this record

Siegfried Kracauer. Theory of Film: The Redemption of Physical Reality. Oxford University Press. 1960.

Download RIS citation
From the Experimental Television Center archive

ETC2365

Theory of Film: The Redemption of Physical Reality. Contents follow: Preface, Acknowledgments, Introduction, 1. Photography, I. General Characteristics, 2. Basic Concepts, 3. The Establishment of Physical Existence, 4. Inherent Affinities, II. Areas and Elements, 5. History and Fantasy, 6. Remarks on the Actor, 7. Dialogue and Sound, 8. Music, 9. Spectator, III. Composition, 10. Experimental film, 11. The Film of Fact, 12. The Theatrical Story, 13. Interlude: Film and Novel, 14. The Found Story and the Episode, 15. Matters of Content, Epilogue, 16. Film in Our Time, Notes, Bibliography, and Index.

Submit a change or correction

If unchecked, this will appear as a public note on the site immediately. Spam filters may delay publication, but all submissions are reviewed by staff.

Changes will be reviewed and integrated as time permits. For major changes, feel free to email [email protected].

Last modified 22 June 2011

Related records

  • The Cinema as Art Bibliography

    The Cinema as Art. Contents follow: Foreword to the First Edition by Sir William Coldstream, Acknowledgments, Introductory Note, Introduction: The Film and Art, Space in Cinema: Scale, Shooting-Angle, Depth, Space in Cinema: Cutting, Camera Movement, Framing, Time in the Cinema: Physical, Psychologi…

  • A Critique of Film Theory Bibliography

  • An Introduction to Film Bibliography

    An Introduction to Film. Contents follow: Part I: Cinematic Form- Seeing and Hearing Film, with subsections: Historical Overview: The Development of the Image, Space in Cinema, Historical Overview: The Development of Editing, Time in the Cinema, Historical Overview: The Development of Sound, Sound i…

  • Film Form and The Film Sense: Essays in Film Theory Bibliography

    Film Form and The Film Sense: Essays in Film Theory. Two complete and unabridged works by Sergei Eisenstein. Edited and translated by Jay Leyda. Contents follow: Editor's Note, Foreword by Sergei Eisenstein, Introduction, Through Theater to Cinema, The Unexpected, The Cinematographic Principle and t…

  • Film: An Introduction Bibliography

    Film: An Introduction. Contents follow: Introduction, Part I. Understanding Film, Part II. Film Elements, Part III. How Films are Made, Part IV. Film Theory and Criticism, Part V. Film and the Future, Appendix A: A Selected List of American Film Reference Publications, Appendix B: A Selected List of…

  • Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice) Bibliography

    Throughout the history of cinema, a radical avant-garde has existed on the fringes of the film industry. A great deal of research has focused on the pre- and early history of cinema, but there has been little speculation about a future cinema incorporating new electronic media. Electronic media have…