- Tim Portlock People
Tim Portlock is a visual artist working across media with real-time 3d technology; his digital work ranges from virtual reality interactive narratives to 3d simulations of historic spaces. He has exhibited at Ars Electronica, the Museum of Contemporary Art Chicago and ISEA; recent projects include Virtual Montmartre for Université Paris IV and A History of the Future (September 2005) at the Soap Factory in Minneapolis. He holds MFAs from University of Chicago and University of Illinois at Chicago and received a Finishing Funds 2006 award from the Experimental Television Center.
- Reflecting on the Future of Video Bibliography
Tom Sherman (Department of Art Media Studies, Syracuse University) contributes a 1991 essay, commissioned by Montreal curator Rene Baert, surveying video as technology, art and environment and tracing formats from 1/2" reel-to-reel and 2" broadcast gear through 3/4", Betacam, consumer VCRs/camcorders and 8mm to desktop digital video, video-computers and chip cameras. He analyses roles of engineers, artists and institutions, funding via government grants and equipment manufacturers, distribution, exhibition and archival decay; and he predicts fragmented home audiences with growing elderly demand, interactive digital indexing and increased commercial exploitation alongside persistent access constraints for artists.
- Davidson Gigliotti People
Davidson Gigliotti, an original member of the alternative video collectives Videofreex and Media Bus, served as Director of Video at the Experimental Intermedia Foundation in New York from 1975 to 1987 and is described as one of video’s pioneers. His single-channel tapes and multi-channel video installations study urban and rural environments to recreate the experience of place, and he produced anthologies of contemporary performance artists and musicians. Born in 1939, he attended the Rhode Island School of Design and New York University; he received grants from the National Endowment for the Arts and Creative Artists Public Service (CAPS) and held residencies at KTCA-TV Minneapolis, Visual Studies Workshop, Rochestor, and WXXI-TV Rochester; distribution noted as Electronic Arts Intermix Early Video Project (http://208.55.137.252/).
- Erik Moskowitz and Amanda Trager People
Erik Moskowitz makes installations and films that examine the relationship between cinema space and gallery space; solo installation exhibitions at Momenta Art, Freight and Volume, Holiday (NYC) and Le Sous Salon (Paris); festival screenings at Impakt (Netherlands), Antimatter (Canada), Oberhausen (Germany), Experimenta (India), Press Play (Carnegie Mellon) and Experiments in Cinema (University of New Mexico); website http://www.americantrance.com/. Amanda Trager combines painting, sculpture and installation with first-person prose narrative; solo exhibitions at Momenta Art, Annika Sundvik (NYC), Clifford-Smith Gallery (Boston) and Le Sous Salon (Paris); group shows include Brooklyn Museum's Open House, NextNext Visual Art program at BAM, White Box gallery and Feature gallery (NYC); both live and work in NYC.
- Christopher Sperandio People
Christopher Sperandio holds a BFA from West Virginia University and an MFA from University of Illinois/Chicago; awards listed include Beloit College, Gallery of Modern Art (Glasgow), Yerba Buena Center for the Arts, and Illinois Arts Council. Television projects include MTV, Channel Foun (England), and Baltic Center for Contemporary Art (England). Exhibition venues include Museum of Modern Art, PS1, Tate Modern, Carnegie Mellon University, Exit Art, Rhode Island International Film Festival, Manchester Art Gallery (England), and Catalyst Arts (Nortnern Ireland).
- Pier Marton People
Pier Marton is a videomaker/new media artist and writer who taught film, video production and computer graphics at the School of the Art Institute of Chicago (chair, production program), UCLA and other institutions. His videos address ethnicity, spirituality, audience passivity and violence; his work has been exhibited at the Museum Of Modern Art, the Whitney and the Beaubourg and is held by M.O.M.A. (New York), the Carnegie Museum (Pittsburgh), the National Gallery of Canada and the Japan Victor Corporation Archives; he has received grants from the N.E.A. and lists http://piermarton.info/.