- David Herbert People
David Herbert holds a BFA from Cornish College of the Arts (Seattle, WA) and is an MFA candidate at Virginia Commonwealth University (Richmond, VA); his exhibitions include 911 Media Arts Center (WA), Sea-Tac Airport (WA), Festival Internacional del Cine Pobre (Cuba), Washington State Convention Center, Arizona State University, California State University (chico), Bellevue Art Museum (WA), Whatcom County Art Museum (WA), Tacoma Art Museum (WA), Black Lab Gallery (WA), and the Cornish Alumni Gallery (WA). His awards include a Rockefeller New Media Fellowship Nomination, 911 Media Arts Center Artist In Residence, and an MFA scholarship at Virginia Commonwealth University; website www.davidherbert.com.
- Gary Hill People
Gary Hill (born 1951, Santa Monica) is a Seattle-based video artist who uses video, audio, spoken and written text and sculptural space to explore language and the physical nature of communication; he began experimenting with video in 1973 and created his first installation, Hole in the Wall, in 1974. He was artist-in-residence at the Experimental Television Center, Binghamton, NY (1975–77), moved to Seattle in 1985 to establish a video program at Cornish College of the Arts, and received Rockefeller and Guggenheim fellowships and National Endowment for the Arts support. Tall Ships (1992) was created for Documenta IX, was included in the 1993 Whitney Biennial and is in the Henry Art Gallery; his awards include a MacArthur Fellowship (1998) and the Leone d'Oro for Sculpture at the 1995 Venice Biennale.
- Tony Cokes People
Tony Cokes engages in cogent investigations of identity and opposition. His works question how race influences the construction of subjectivities (personal, cultural, and historical), and how race, gender, and class are perceived through what he terms the "representational regimes of image and sound…
- Ben Rubin People
Ben Rubin is a New York City–based media artist whose exhibitions have appeared at the Whitney Museum of American Art, the MIT List Visual Arts Center, and the Skirball Center in Los Angeles (in a show organized by the Getty Museum); he has collaborated with Laurie Anderson, Diller+Scofidio, Ann Hamilton, Arto Lindsay, Steve Reich, and Beryl Korot. Rubin's Listening Post (2002), produced with statistician Mark Hansen, won the 2004 Golden Nica Prize from Ars Electronica. He received a B.A. from Brown University in 1987 and an M.S. in visual studies from the MIT Media Lab in 1989; he was appointed critic in graphic design at the Yale School of Art in 2004; website www.earstudio.com.
- Creative Artists Public Service Program Video Fellowships Chronology
Creative Artists Public Service Program awarded Video Fellowships for 1978-79 to Dena Crane, Louie Grenier, Gary Hill, Ralph Hocking, Steven Kolpan, Mitchell Kriegman, Mary Lucier, Michael Marton, William Wegman and Elizabeth Wiener; the selection panel comprised Peer Bode, Kathie Bodily, Frank Gillette, Fran McGee and Edin Velez. The fellows traveled to the Experimental Television Center (Binghamton), Visual Studies Workshop (Rochester), Media Study (Buffalo), Intermedia Arts Center (Bayville), PS 1 (New York), Anthology Film Archives (New York), Port Washington Public Library, Cable 10 (New York), Everson Museum of Art (Syracuse) and Holly Solomon Gallery (New York).
- New York State Council on the Arts Annual Report 1981-82. Reports by Film and Media Programs Groups
New York State Council on the Arts Media Program (Director John Giancola; Program Analyst Arthur Tsuchiya) is reported in the 1981-82 annual report; Total Local Assistance Awards are listed as $32,457,400 and Media as $1,176,500. The program states a 1981-82 allocation of $1,306,300 (including $130,000 NEA funds) awarded to 63 organizations; over 20% ($256,723) supported production/post-production and about 20% ($246,895) funded artist-in-residence and regranting facilities to provide access to specialized technical equipment. Funded works included Portraits by Joan Logue, Vacuums by Gary Hill and Gold Mountain Dream by Peter Chow; the first retrospective of Nam June Paik was presented at a leading New York City museum, and the program supported exhibitions, broadcasts, cablecasts, cable television programming and media center workshops.