Video History Project

Bibliography

Various Articles

Author
American Museum of the Moving Image
Publication
Film History: An International Journal
Publisher
Taylor & Francis
Date
1987
Place
New York, NY
Volume
1
Issue
1
ETC archive
ETC2351

Abstract

Film History: An International Journal. Contents follow: "We Can't Get Much Spinach": The Organization and Implementation of the Fleisher Animation Strike by Harvey Deneroff, Jack London and the Movies by Robert S. Birchard, A World Across from Broadway: The Shuberts and the Movies by Kevin Lewis, G. W. Pabst in Hollywood by Jan-Christopher Horak, and "No Problems. They Liked What They Saw on the Screen": An Interview with Joseph Ruttenberg by Richard and Diane Koszarski.
Cite this record

American Museum of the Moving Image. Various Articles. Film History: An International Journal. vol. 1, no. 1. Taylor & Francis. 1987.

Download RIS citation
From the Experimental Television Center archive

ETC2351

Film History: An International Journal. Contents follow: "We Can't Get Much Spinach": The Organization and Implementation of the Fleisher Animation Strike by Harvey Deneroff, Jack London and the Movies by Robert S. Birchard, A World Across from Broadway: The Shuberts and the Movies by Kevin Lewis, G. W. Pabst in Hollywood by Jan-Christopher Horak, and "No Problems. They Liked What They Saw on the Screen": An Interview with Joseph Ruttenberg by Richard and Diane Koszarski.

Submit a change or correction

If unchecked, this will appear as a public note on the site immediately. Spam filters may delay publication, but all submissions are reviewed by staff.

Changes will be reviewed and integrated as time permits. For major changes, feel free to email [email protected].

Last modified 22 June 2011

Related records

  • Pedagogy of Film/Video Issue Bibliography

    Essays by Joan Driscoll Lynch; Fay Kanin and Robert Wagner; Henning Camre, Ulla Ryum, Mogens Rudov and Neville Smith; Lydia Smejda; Mitchell Block; Robert Segal.

  • Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty Bibliography

    Report on the Robert Flaherty Film Seminar at Vassar College marking its 50th year; founded in 1955 by Frances Flaherty, the week-long program convened filmmakers, museum programmers, writers, students, and distributors for screenings, public and small-group discussions, and retrospectives. Programmer Susan Oxtoby (Cinematheque Ontario) juxtaposed documentary and experimental work and presented films including Brault and Perrault's Pour la Suite du Monde (1963), Ulrike Ottinger's Taiga (1992), Bruce Conner's Crossroads (1976), Marlon Riggs's Tongues Untied (1989), and Juan Manuel Echavarria's Bocas de Ceniza (2004). Panels debated media circulation strategies from a national Arte-style TV network to straight-to-DVD and internet distribution, and screenings provoked discussions of verite ethics, representation, and archival/experimental practice.

  • Breaking The Box: The Electronic Operas of Robert Ashley and Woody Vasulka Bibliography

  • The Garden in the Machine: A Field Guide to Independent Films about Place Bibliography

  • Various Articles Bibliography

    Artforum: Eisenstein, Brakhage. Articles follow: Camera Lucida/ Camera Obsura by Annette Michelson, Eisenstein on Mayakovsky, Stan Brakhage: Four Films by Paul Arthur, The Third Meaning: Notes on Some of Eisenstein's Stills by Roland Barthes, "Scenes From Under Childhood" by Phoebe Cohen, For God an…

  • Cinema and Language. American Film Institute Monograph Series, vol. 1 Bibliography