Jackson, Cheryl. "An Interview with Peer Bode." The Squealer Winter (1983).

Jackson, Maria-Rosario. Investing in Creativity: A Study of the Support Structure for U.S. Artists. Urban Institute, 2003.

Jackson, Cheryl. "Up in the Air, An Interview with Brian Springer." The Squealer March April (1989).

Jacob, Mary Jane. Shigeko Kubota: Video Sculpture, Edited by Mary Jane Jacob. New York, NY: American Museum of the Moving Image, 1991.

Jacobs, Lewis. The Emergence of Film Art. New York, NY: Hopkinson and Blake, 1969.

Jacobs, Ken. Ralph Poem., 1982.

Jacobs, Ken, and Jack Smith. "Soundtack of "Blonde Cobra"." Kinemathek. 70, no. 22 (1986).

Jacobs, Alan. Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy.. NY, NY: Rockefeller Foundation, 1979.

Jahreskatalog, Jungo, Esther Maria. Jahreskatalog 1998. Jahreskatalog 1998, 1998.

James, Day. Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. The Television Establishment, The Independent Producer, and the Search for Diversity.. New York, New York: Rockefeller Foundation Arts Program, 1979.

The Extraordinary Javelin Master X-400 Video Tape Recorder ; Model SC 950 Camera; CC 700 Camera; CC 500 Camera; Video Monitors Sales Literature. Los Angeles, CA: Javelin Electronics Co., 1970.

Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 1. JCPenny Models 4911C (855-2002), 4912C (855-2044) 4917B (855-2093), 4918B, 4924A (855-2309).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.

Jenkins, Bruce. "A Case Against 'Structural Film." Journal of the University Film Association 33, no. 2 (undated).

Jenkins, Janet. In the Spirit of Fluxus. Minneapolis, MN: Walker Art Center, 1993.

Jenkins, Bruce, and Susan Krane. Hollis Frampton: Recollections Recreations. Cambridge, MA: MIT Press, 1984.

Jennings, Pamela. New Media Arts / New Funding Models. Creativity & Culture The Rockefeller Foundation, 2000.

Jevnikar, Jana. Video Services Profile. NY: Center for the Arts Information, 1983.

JimenezMona, Mona, and Liss Platt. Magnetic Media Preservation Sourcebook, Edited by Mona JimenezMona. NY: Media Alliance, 1998.

John Fluke Mfg. Co., Inc.. Fluke Model 8300A Digital Voltmeter Instruction Manual. Seattle, WA: John Fluke Mfg. Co., Inc., 1970.

Johnson, Steven. Interface Culture How New Technology Transforms the Way We Create and Communicate. Basic Books, 1999.

Johnston, Ben. Chapter 6: Pauline Oliveros, Born Houston, Texas, 1932.., undated.

Johnston, Claire. "The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).

Jones, David. Jones Colorizer Schematics. Owego, NY: Designlab, 1984.

Jones, Dave. Dave Jones 4 Channel Colorizer. Owego, New York: Experiemental Television Center, 1984.

Jones, David. Jones Keyer Schematics. Owego, NY: Experimental Television Center, 1976.

Jones, Dave. Designlab: CL-2 Quantizing Colorizer Operator Manual. Owego, NY: Designlab, undated.

Jones, Philip Mallory. Icono Negro: The Black Aesthetic in Video Art. Long Beach, CA: Long Beach Museum of Art, 1989.

Jones, David, Richard Brewster, and Paul Davis. Jones and Brewster Documentation (Frame Buffer and D+7A Input/ Output). Owego, NY: Experimental Television Center, 1979.

Jones, Dave. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: David Jones: Jones Frame Buffer (Spatial and Intensity Digitizer), 1977., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.

Jones, Dave. Jones Colorizer - History of the Design.