Biblio
Print Culture and Video Culture." Daedalus Journal of the American Academy of Arts and Sciences III, no. 4 (1982).
"Print Culture and Video Culture." Daedalus Fall (1982).
"Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
"Problems of Criticism: Art and Technology." Artforum 9 (1971).
"Processing trauma: the media art of Daniel Reeves." Afterimage (1998).
"Processing Trauma: The Media Art of Daniel Reeves." Afterimage 26, no. 2 (1998).
"Producing Videodance." Videography 10, no. 9 (1985).
"Product Sheet for "Col-R-Tel Color Converter, Your Answer to Color TV".. Columbia City, Indiana, 1955.
Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Profile: Video Visionary Nam June Paik." The New Yorker (1975).
"Profiles: Video Visionary." The New Yorker 51, no. 11 (1975).
"Program (1971)., undated.
Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers. Buffalo, NY: Media Study/Buffalo, 1978.
Programs and Activities (1997, 1998)., undated.
Programs of the Art and Science Laboratory., undated.
Programs of the Electronic Music Foundation., undated.
Projekt '74 Catalogue. Koln: Wallraf Richartz Museum, 1974.
A Proposal for Low Cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape that Will Not Play Back. Or The Resurrection Bus. Owego, NY: Experimental TV Center, 1990.
Proposed Access Points for Experimental Film and Video Art Cataloging Records - Linda Tadic; USMARC Code List fo Countries; MARC for Archival Visual Materials: A Compendium of Practice - Linda Evans and Maureen Will, Chicago Historical Society, 1988.. Washington, DC: Library of Congress, 1988.
Psycho-Flux Reunion.., 1998.
Public Radio and Television in America: A Political History." Afterimage (1998).
"Public Television vs The Dark Cloud." Videography 11, no. 8 (1986).
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