Biblio
Biography. Cambridge, Massachusetts: Communicationsphere, 1980.
The Incredible Electronic Animation Machine." Computer Image (1977).
"The Incredible Animation Machine." Videography 2, no. 11 (1977).
" Syntauri Simply Music. Los Altos, CA: Syntauri, 1983.
The Movement Within: Images Created on a Video Synthesizer." Videography 4, no. 12 (1979).
" Computer Displays." Scientific American 222, no. 6 (1970): 57-76.
"Computer Inputs and Outputs." Scientific American (1966): 86-97.
"Supradrive 500XP Harware Operator's Manual. Supra Corporation.. OR: Supra Corporation., 1990.
Quest for What: Video by the HalfLifers." Film Comment (1999).
"The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
CAPS/ICI 1981 Travelling Video Festival. NY, NY: ICI, 1981.
The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).
"Video as a Performance Medium." Sightlines 16, no. 3 (1983).
"Out of Sync: Electronic Visions at the Hudson River Museum." Afterimage (1983).
"The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
"A Narrative Conceit: From the Academy to the Avant Garde." Afterimage 9, no. 9 (1982).
"Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
"Howard Wise essay." (1984).
"Imaging postmemory/renegotiating history." Afterimage (1999).
"An Interview with George Stoney." Afterimage (1984).
"The Gentrification of Video." Afterimage 13, no. 4 (1988).
" Denman's Col (Geometry): Mary Lucier." Afterimage 9, no. 7 (1982).
"Temporal Interventions: The Videotapes of Bill Viola." Afterimage 10, no. 40545 (1984).
"What is Grace in All This Madness: The Videotapes of Dan Reeves." Afterimage 13, no. 1 and 2 (1985).
"Steina and Woody Vasulka: Machine Media, Edited by Marita Sturken. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
Media Independents Push for Access." Afterimage (1980).
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