Biblio
Electric Breath." The Squealer 15, no. 1 (2004): 15.
"Video from the Kitchen." Changes (1973).
"Passages at the Experimental TV Center." The Independent 6, no. 9 (1983): 19.
"Dissonant Landscapes: A collection of Videotapes. self-published, undated.
Persuasion: The Theory and Practice of Manipulative Communications. NY: Hastings House, 1971.
Digital Visions: Computers and Art. NY: Harry N Abrams, 1987.
Digital Visions: Computers and the Arts. New York, NY: Harry N. Abrams, Inc., 1987.
A Decade of Building an Alternative Movement." The Independent 6, no. 7 (1983).
"Performance Art. London, 1988.
Pending Legislation and Other Proposals Dealing with The Independent Television Makers. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Edited by Ken Goldberg. MIT, 2000.
An Introduction to the Serge Modular Music System. Serge, undated.
Frame Analysis. Cambridge: Harvard University Press, 1974.
Fast Forward: Media Art. Ingvild Goetz, 2004.
On That Very Uncomfortable Edge: An Interview with Alan Sondheim." The Arts Journal (1989).
"Videotape Replaces Canvas for Artists Who Use TV Technology in New Way." New York Times (1975).
"The Endangered Documentary and Other Species: A Continuing Series.... New York, NY: Global Village, undated.
Global Village 12th Annual Documentary Festival. New York, NY: Global Village, 1986.
Global Village 10th Annual Documentary Festival: The National Tour. NY: Global Village, undated.
Global Village 11th Annual Documentary Festival. NY: Global Village, undated.
Video: Approaching Independents." Film Library Quarterly 17, no. 1 (1984).
"Watching Television: A Pantheon Guide to Popular Culture, Edited by Todd Gitlin. NY: Pantheon,, 1986.
The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
Inside Prime Time. NY: Pantheon, 1983.
Computers and Art: Issues of Content." Art Journal 49, no. 3 (1990).
"Video Art's Greatest Hits: Kit Fitzgerald and John Sanborn." Soho Weekly News (1981).
"A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
"Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, undated.
Between Paradigms: The Mood and Its Purpose. NY: Gordon and Breach, 1973.
Aransas: Axis of Observation. Houston: Points of View, 1978.