Biblio
What Sound Does a Color Make?. NY, NY: Independent Curators International, 2005.
Unbalancing Acts: Foundations for a Theater., undated.
New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).
"In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Between Modernism and the Media." Art in America 70, no. 6 (1982).
"Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
The Anti-Aesthetic. Washington, 1983.
Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
The Archaeology of Knowledge. New York:: Harper and Row, 1972.
Computer Animation Primer. http://www.atariarchives.org/cap/index.php, 1984.
Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Circles of Confusion: Film, Photography, Video, Texts 1968-1980. Rochester: Visual Studies Workshop, 1983.
The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
"Some Video Sculptures." San Francisco Chronicle (1973).
"Video and Abstract Expressionism." Arts Magazine 49, no. 4 (1974).
"Juan Downey: Chilean Ulysses." Artweek 7, no. 11 (1976).
"Lonidier and Steinmetz: Investigation and Introspection." Artweek 7, no. 17 (1976).
"The Howard W. Sams Crach Course in Mircocomputers. Indianapolis, IN: Howard W. Sams Co., 1983.
Art and Objecthood." Artforum 5, no. 10 (1967).
" Getting High Tech: The New Television." The Independent 8, no. 2 (1983).
"Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Galeria Bonino in Collaboration with Intermedia Insstitute Presents Paik-Abe Video Synthesizer with Charlotte Moorman.. NY, NY: Galeria Bonino, 1971.
Long Distance Relationships: Comments on the History and Potential of Video Teleconferencing." Videography 11, no. 3 (1986).
"Tuning in to Nam June Paik." Artnews 81, no. 5 (1982).
"The Incubation of Electronic Imaging: Let the Fun Begin." Photomethods 25, no. 9 (1982).
"Video-Still Photography: Frozen Moments in Time." Video Vol. 3, no. No. 4 (1980).
"Twelve building blocks: Good Films, Good People, Support Base, Ethics, Skills, Procedures and Principles, Facilities, Money, Policies, Information, Coordination, Intellectual Framework." Journal of Film Preservation 24, no. 50 (1995).
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