Biblio
The EMS Spectre Video Synthesizer Handbook.. London, England: EMS, 1974.
The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
The Art of David Em: 100 Computer Paintings. NY: Harry N Abrams, 1988.
The Model, Rien Nier II, Buena Vista, and Abstracts. Berkeley, CA: University of California, Berkeley, 1980.
Technology Delivers People." The Squealer 15, no. 1 (2004): 16.
"The Luminous Image Video Installation." Camera 0bscura, no. 13/14 (1985).
"Talking Faces, Eating Time, and Electronic Catharsis. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Talking Faces, Eating Time, and Electronic Catharsis." National Center for Experimental in Television Reports 2 (undated).
"The Story of WGBH New Television Workshop." Ars electronica (Supplement) (1986).
"The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
The Cat-100 Computer Assisted Television System for the S-100 Bus. Palo Alto, CA: Digital Graphics Systems, 1979.
Thoughts on 3-D., 1995.
The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Early Show: Video from 1969-1979, Edited by Constance(Curator) De Jong. NY, NY: Hunter College, 2006.
The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Television's Avant-Garde." Newsweek (1970).
"The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.
The Administration of Television Newsfilm and Videotape Collections: A Curatorial Manual, Edited by Steven Davidson. Louis Wolfson II Media History Center and the American Film Institute National Center for Film and Video Preservation, undated.
The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.
The Moving Image." Daedalus Fall (1985).
"The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
TeleGuide. and Proposal for QUBE. Long Beach, CA: Long Beach Museum of Art, undated.
Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Tu-Art Digital Interface Instruction Manual. Cromemco Incorporated. Mountain View, CA: Cromemco Incorporated, 1978.
The Low Power Television Guidebook: A Primer on the Low Power Service. Washington, DC: CPB, 1980.
The Contemporary Art Television Fund: The first five years. Boston, MA: CAT/WGBH, 1988.
Television: The Medium and Its Manners. London: Routledge, 1982.