Biblio

Book
Martin, Abigail Leab, and Linda Elkins Christine Lee Amy Wood compiled byand Jane D. Johnson, Linda Tadic. AMIA Compendium of Moving Image Cataloging Practice, Edited by Abigail Leab Martin. SAA & AMIA, 2001.
Ampex 350 Series Single Track Recorder/Reproducer Operation and Maintenance Manual. Redwood City, CA: Ampex Corporation, 1958.
Ampex AC-125 Television Production Center (3 copies). Elk Grove Village, Illinois: Ampex Corporation, undated.
Ampex Audio-Video Systems Catalog. Redwood City, CA: Ampex Corporation, undated.
Ampex Bulletin No. 9 March 1965- Recording Theory and Techniques As Applied To Tape, Part III- Video. Redwood City, CA: Ampex Corporation, 1965.
Ampex CC-500 Color Television Camera System. Mountain View, CA: Ampex Corporation, undated.
Ampex EDM-1 Computer-Controlled Editing System. Redwood City, CA: Ampex Corporation, undated.
Ampex Model 300 Single Channel Master Recorder/Reproducer Service Manual. Elk Grove Village, Ilinois: Ampex Corporation, undated.
Ampex Model VPR5800 Video Production Recorder Operation Manual. Elk Grove Village, Illinois: Ampex Corporation, 1970.
Ampex Operating Manual for Videotape Recorder Model VR-7000. Elk Grove Village, Illinois: Ampex Corporation, 1966.
Ampex Portable Recording System VR-3000 backpack VTR, BC-300 hand-held camera. Redwood City, CA: Ampex Corporation, undated.
Ampex Video Camera Operation and Maintenance Manual for CC 330 Camera System. Elk Grove Village, Ilinois: Ampex Corporation, undated.
Ampex VPR-5800 Color Video Production Recorder, Dramatic Ampex 1 Inch VPR Versatility, Features, and Ease. Also VPR-5200, VPR-4500.. Elk Grove Village, Ilinois: Ampex Corporation, undated.
Ampex. Magnetic Tape Trends: Application Engineering Bulletin. Bulletin No. 9.. Ampex, 1965.
Wolin, Richard, and Walter Benjamin. An Aesthetic of Redemption. NY: Columbia University Press, 1982.
Haller, Robert, and Virgil Grillo. An Alliance for the Media Arts in America: A Report on the formation of the National Alliance of Media Arts Centers and its Founding Conference in Boulder, Colorado, May 29-31, 1980. Boulder, CO: Rocky Mountain Film Center, 1980.
Bowman, Greg. An Interview with Walter Wright. Offline, 1998.
Wellins, Matt. An Intervivew with LoVid. Dusted Magazine, 2005.
An Introduction to CP/M Features and Facilities. Digital Research. Pacific Grove, California: Digital Research, 1976.
and Sobchack, Thomas Vivian C.. An Introduction to Film. Boston, Toronto, MA, Ontario, Canada: Little, Brown and Company, 1980.
Barrett, Cyril. An introduction to Optical Art, Edited by David Herbert. England: Studio Vista Limited/ Dutton, 1971.
Chadabe, Joel, and Roger Myers. An Introduction to The Play Program., 1978.
Gold, Rich, Darrel Johansen, and Marina LaPalma. An Introduction to the Serge Modular Music System. Serge, undated.
Trocco, Frank, and Robert Moog Trevor Pinch. Analog Days : The Invention and Impact of the Moog Synthesizer. Harvard University Press, 2002.
Iimura, Takahiko. Annotations 3--Frequencies: Investigations into Culture, History and Technology: Identity in the Video of Takahiko Iimura. London: Institute of International Visual Arts, 1998.
Cha, Theresa Hak Kyung. Apparatus, Edited by Theresa Hak Kyung Cha. NY: Tanam Press, 1980.
April 10 - 26, 1975. Poster and program for Women's Interart Center "Women's Video Festival". Coordinators - Susan Milano and Ann Eugenia Volkes.., undated.
White-Henson, Wendy. Archival Moving Image Materials: A Cataloging Manual. Washington: Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division, 1984.
Bearman, David. Archiving and Authenticity: The Getty Art History Information Program Research Agenda for Networked Cultural Heritage,. 1995, 1995.
Boston, George. Archiving the Audio-Visual Heritage, Edited by George Boston. UNESCO, 1992.

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