Biblio

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Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Special Effects Generator - excerpt from the Experimental Television Center Studio System Manual., 1980.
Hocking, Sherry Miller. Early Distributors of Video Art: Articles., undated.
Hocking, Sherry Miller. "Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. 2 (2002).
Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Paik/Abe Colorizer - Experimental Television Center Studio System Manual., 1980.
Hocking, Ralph, and Sherleen Miller. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
Hocking, Sherry Miller. Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.
Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Jones Keyer in Experimental Television Center Studio System Manual., 1980.
Hocking, Sherry Miller. "The Tapes are Disappearing." The Squealer 13, no. Spring/Summer 2002 (2002).
Hocking, Sherry Miller. Early Portable Video. Owego, NY: Experimental Television Center, 1992.
Hocking, ETC. Equipment List ETC (approx. 20 pages)., undated.
Hocking, Sherry Miller. Principles of Electronic Image Processing - Signals., 1978.
Hocking, Sherry Miller, and Jeffrey Schier. Descriptions of the Image Processor.
Hocking, Ralph. National Endowment for the Arts: Computer Interface with Video Synthesizer. Proposal. Bingamton, NY: Experimental Television Center, 1975.
Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Experimental Television Center Studio System Manual - Keying., 1980.
Hocking, Ralph. "Video Experiments." Print (1972).
Hocking, Sherry Miller. Definitions., 1977.
Hocking, Sherry Miller. How a Monitor and Camera Work: The Scanning Process. Binghamton, NY: Experimental Television Center, 1976.
Hocking, Sherry Miller. Rutt/Etra: Notes on Development., 1986.
Hohendahl, Peter. The Institution of Criticism. Ithaca: Cornell University Press, 1982.
Hollie, Paul. "Hocking is "Champion of the Arts"." unknown (1989).
Holman, David, and Bruce L. Holman. A Better Mousetrap: The CAESAR. Filmmakers Newsletter, 1975.
Holzmann, Gerard J.. Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.
Hones, Luke. Reel to Real: A Case Study of BAVC's Remastering Model., 2002.
Hoone, Jeffrey. "Many Hands: Light Work's First 25 Years Jeffrey Hoone (1998)." Contact Sheet 97: 25th Anniversary Edition, no. 1998 (1998).
Hoptman, Laura. "The Center Will Not Hold: The Other New York - Regional Reflections." Afterimage 15, no. 3 (1987).
Horitz, Robert. "Chris Burden." Artforum (1976).
Horkheimer, Max, and Theodor W. Adorno. Dialectic of Enlightenment. Translated by John Cumming. NY: Seabury Press, 1977.
Hornbacher, Sara. A Thousand Plateaus, Edited by Barbara Schreiber. Atlanta, GA, 2001.
Hornbacher, Sara. Artist's Video II: Video in the Boroughs. NY: Locus Communications, 1983.

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