Biblio
The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Edited by Ken Goldberg. MIT, 2000.
The Role of Technology in the Art of Nam June Paik: Paik's Videotapes. unpublished thesis, 1988.
The Roots of the Moment: Pauline Oliveros. New York, NY: Drogue Press, 1998.
The Sackbut Blues: Hugh Le Caine Pioneering in Electronic Music.. Ottawa, Ontario, Canada: National Museum of Science and Technology, 1989.
The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400.. Pleasantville, NY: Singer-General Precision, Inc., 1969.
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100.. Binghamton, NY: The Singer Company, Link Division., undated.
The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written).. Binghamton, NY: The Singer Company, Simulation Products Division., undated.
The Singer Company. Singer Education & Training Products. MP-100 Studio Console.. Binghamton, NY: The Singer Company., undated.
The Sixth International Video Exchange Directory, Edited by Sharon Lovett. Vancouver: Press Gang Publishers, 1978.
The Social Production of Art. NY: New York University Press, 1984.
The Society of Mind. "270 brilliantly original essays on... how the mind works.". New York, NY: Simon & Schuster, Inc., 1985.
The Spaghetti City Video Manual: A Guide to Use, Repair and Maintenance. New York: Praeger, 1973.
The Sponsor: Notes on a Modern Potentate. NY: Oxford Press, 1978.
The Structure of Art. NY: Braziller, 1970.
The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
The Tarbell Floppy Disk Interface. Carson, CA: Tarbell Electronics, 1978.
The Technique of Kinetic Art. London, England: B T Batsford Limited, 1971.
The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.
The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
The Video Colorizer - 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies). Berkeley, California: The Electronic Co-Op/ Electronic Associates of Berkeley, 1971.
The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.
The Video Primer: Equipment, Production and Concepts. NY: Links Books, 1974.
The Videola Under Construction in the Studio., undated.
The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.
The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.