Biblio
The Intecolor Series Price List Sales Brochure. Norcross, GA: Intelligent Systems Corp., 1977.
The Intelligent Eye. New York, NY: McGraw-Hill Book Company, 1970.
The Interactive Show. Buffalo, NY: Artists Gallery, 1990.
The Interactive Show. Buffalo, NY: University of Buffalo, 1990.
"The Issue of Video Art." Artscanada 30, no. 4 (1973).
The Kitchen." Videography 2, no. 7 (1977).
"The Kitchen." Videoscope 1, no. 2 (1977).
"The Kitchen - Histories., undated.
The Kitchen: Center for Video and Music 75-76. Library of Congress Catalogue No. 76-56972.. New York, NY: Haleakala, Inc., 1976.
The Language of New Media. MIT Press, 2001.
The Language of the Self. NY: Delta, 1968.
The Language of Video., undated.
The Living Room War. NY: Viking Press,, 1969.
The Look of Things. NY: Viking Press, 1972.
The Low Budget Video Bible. Revised Second Edition. New York, NY: Desktop Video Systems, 1995.
The Low Power Television Guidebook: A Primer on the Low Power Service. Washington, DC: CPB, 1980.
The Luminous Image Video Installation." Camera 0bscura, no. 13/14 (1985).
"The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
The Machinery of the Brain. New York, NY: McGraw- Hill Book Company, Inc., 1963.
The Macro Proto Proposal. unpublished, undated.
The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
The Making of the Irish Tapes." Filmmakers Newsletter December (1975).
"The Media Arts in Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
The Media Arts In Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
The Media Lab: Inventing the Future at MIT. NY: Viking, 1987.
The MERC Directory: A Listing of Independently Produced Film and Video Work Available for Distribution. NY, NY: Publishing Center for Cultural Resources, 1977.
The Metasoftware of Video." Studio International 40669 (1976).
"The Mind Managers. Boston: Beacon, 1970.
The Mind's Eye and the Human Eye." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 185-200.
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