Biblio
Open Circuits: The Future of Television." Artforum, no. 12 (1974).
" Cybernetic Serendipity: The Computer and the Arts, Edited by Jasia Reichardt. New York: Praeger, 1969.
Everson Video 1975, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, 1976.
Work from the Experimental Television Center: Introduction and Daily Performance Schedule. Syracuse, NY: Everson Museum of Art, 1972.
Pioneers of Digital Photography. Allentown, PA: Open Space Gallery, 1998.
Art Statement., undated.
Black Dog Dreams., 1999.
ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
The Art Style Computer Processing System. Toronto, Ontario, 1974.
Memory and Hope (1996-2006)." The Squealer 11, no. 2 (1996).
" From the Academy to the Avant Garde - The Family Jewels. Rochester, NY: Visual Studies Workshop, 1981.
New Work in Abstract Video Imagery Abstract Video. Syracuse, NY: Everson Museum of Art, 1977.
Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
"I Model; You Take My Picture." CEPA Journal (1988).
"Noise Culture: Thing I. manuscript, 1988.
Presence of Future Presence of Video: Thing II." Art Vu (1994).
"Throat." Art Papers (1994).
"Video." Perforations 2 (1991).
"Sonsbeek 71 Introduction and Statements by Artists. Vol. June 19 - August 15., 1971.
The Artist in the 2 and 3 -D Marketplace. Boston, MA: ACM SIGGRAPH Conference, 1989.
Art, Science. http://visualmusic.org/vibeke, 1995.
Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.
Suggestions Toward a Small Video Facility." National Center for Experimental in Television Reports 2 (undated).
"Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents The Moving Image in Space: Public Funding and the Installation Form. New York, NY: The New York State Council on the Arts, 1994.
Media Independents Push for Access." Afterimage (1980).
"Denman's Col (Geometry): Mary Lucier." Afterimage 9, no. 7 (1982).
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