Biblio
Public Radio and Television in America: A Political History." Afterimage (1998).
"Psycho-Flux Reunion.., 1998.
Proposed Access Points for Experimental Film and Video Art Cataloging Records - Linda Tadic; USMARC Code List fo Countries; MARC for Archival Visual Materials: A Compendium of Practice - Linda Evans and Maureen Will, Chicago Historical Society, 1988.. Washington, DC: Library of Congress, 1988.
A Proposal for Low Cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape that Will Not Play Back. Or The Resurrection Bus. Owego, NY: Experimental TV Center, 1990.
Projekt '74 Catalogue. Koln: Wallraf Richartz Museum, 1974.
Programs of the Electronic Music Foundation., undated.
Programs of the Art and Science Laboratory., undated.
Programs and Activities (1997, 1998)., undated.
Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers. Buffalo, NY: Media Study/Buffalo, 1978.
Program (1971)., undated.
Profiles: Video Visionary." The New Yorker 51, no. 11 (1975).
"Profile: Video Visionary Nam June Paik." The New Yorker (1975).
"Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Product Sheet for "Col-R-Tel Color Converter, Your Answer to Color TV".. Columbia City, Indiana, 1955.
Producing Videodance." Videography 10, no. 9 (1985).
"Processing trauma: the media art of Daniel Reeves." Afterimage (1998).
"Processing Trauma: The Media Art of Daniel Reeves." Afterimage 26, no. 2 (1998).
"Problems of Criticism: Art and Technology." Artforum 9 (1971).
"Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
"Print Culture and Video Culture." Daedalus Fall (1982).
"Print Culture and Video Culture." Daedalus Journal of the American Academy of Arts and Sciences III, no. 4 (1982).
" Prime Image Operations Manual for TBC+ Digital Video Time Base Corrector + Digital Effects.. Saratoga, CA: Prime Image, Inc., undated.