Biblio
An interview with Martha Rosler." Afterimage 9, no. 3 (1981).
"Meet the Press: On Paper Tiger Television." Afterimage 11, no. 4 (1983).
"Underdeveloped Media, Overdeveloped Technology." The Independent 8, no. 7 (1985).
"Video Politics: Early Feminist Projects." Afterimage 11, no. 40545 (1983).
"Abstract Painting 1960-1969: Video Art in the Sixties. Long Island City, NY: Institute for Art and Urban Resources, 1982.
An Interview with Vito Acconci: Video Works 1970-78." Afterimage 12, no. 4 (1984).
"Artists' Video: The First Ten Years (1965-1975). Ann Arbor, NY, 1977.
Aransas: Axis of Observation. Houston: Points of View, 1978.
Between Paradigms: The Mood and Its Purpose. NY: Gordon and Breach, 1973.
Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, undated.
Video Art's Greatest Hits: Kit Fitzgerald and John Sanborn." Soho Weekly News (1981).
"Inside Prime Time. NY: Pantheon, 1983.
The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
Watching Television: A Pantheon Guide to Popular Culture, Edited by Todd Gitlin. NY: Pantheon,, 1986.
Video: Approaching Independents." Film Library Quarterly 17, no. 1 (1984).
"Global Village 11th Annual Documentary Festival. NY: Global Village, undated.
Global Village 10th Annual Documentary Festival: The National Tour. NY: Global Village, undated.
Global Village 12th Annual Documentary Festival. New York, NY: Global Village, 1986.
The Endangered Documentary and Other Species: A Continuing Series.... New York, NY: Global Village, undated.
Videotape Replaces Canvas for Artists Who Use TV Technology in New Way." New York Times (1975).
"Fast Forward: Media Art. Ingvild Goetz, 2004.
Frame Analysis. Cambridge: Harvard University Press, 1974.
An Introduction to the Serge Modular Music System. Serge, undated.
Performance Art. London, 1988.
The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Edited by Ken Goldberg. MIT, 2000.
A Decade of Building an Alternative Movement." The Independent 6, no. 7 (1983).
"Digital Visions: Computers and the Arts. New York, NY: Harry N. Abrams, Inc., 1987.
Digital Visions: Computers and Art. NY: Harry N Abrams, 1987.
Persuasion: The Theory and Practice of Manipulative Communications. NY: Hastings House, 1971.
Passages at the Experimental TV Center." The Independent 6, no. 9 (1983): 19.
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