Biblio
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Electric Breath." The Squealer 15, no. 1 (2004): 15.
"Video from the Kitchen." Changes (1973).
"Passages at the Experimental TV Center." The Independent 6, no. 9 (1983): 19.
"Persuasion: The Theory and Practice of Manipulative Communications. NY: Hastings House, 1971.
Digital Visions: Computers and Art. NY: Harry N Abrams, 1987.
Digital Visions: Computers and the Arts. New York, NY: Harry N. Abrams, Inc., 1987.
A Decade of Building an Alternative Movement." The Independent 6, no. 7 (1983).
"Pending Legislation and Other Proposals Dealing with The Independent Television Makers. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Edited by Ken Goldberg. MIT, 2000.
Performance Art. London, 1988.
An Introduction to the Serge Modular Music System. Serge, undated.
Frame Analysis. Cambridge: Harvard University Press, 1974.
Fast Forward: Media Art. Ingvild Goetz, 2004.
On That Very Uncomfortable Edge: An Interview with Alan Sondheim." The Arts Journal (1989).
"Videotape Replaces Canvas for Artists Who Use TV Technology in New Way." New York Times (1975).
"Global Village 11th Annual Documentary Festival. NY: Global Village, undated.
The Endangered Documentary and Other Species: A Continuing Series.... New York, NY: Global Village, undated.
Global Village 12th Annual Documentary Festival. New York, NY: Global Village, 1986.
Global Village 10th Annual Documentary Festival: The National Tour. NY: Global Village, undated.
Video: Approaching Independents." Film Library Quarterly 17, no. 1 (1984).
"Watching Television: A Pantheon Guide to Popular Culture, Edited by Todd Gitlin. NY: Pantheon,, 1986.
The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
Inside Prime Time. NY: Pantheon, 1983.
Computers and Art: Issues of Content." Art Journal 49, no. 3 (1990).
"Video Art's Greatest Hits: Kit Fitzgerald and John Sanborn." Soho Weekly News (1981).
"A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
"Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, undated.
Between Paradigms: The Mood and Its Purpose. NY: Gordon and Breach, 1973.
Aransas: Axis of Observation. Houston: Points of View, 1978.