Video History Project

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Caitlin Jones

Jones holds a combined research position in the Curatorial and Conservation departments at the Solomon R. Guggenheim Museum. Working in collaboration with the Daniel Langlois Foundation for Art, Science, and Technology and the Variable Media Network, she co-edited the publication "Permanence Through Change: The Variable Media Approach," and was co-curator of Seeing Double: Emulation in Theory and Practice at the Guggenheim.

Additionally, Jones was the curatorial assistant on the Deutsche Guggenheim Berlin exhibition, Nam June Paik: Global Groove 2004, and her writing on variable media preservation and presentation has appeared in a wide range of international publications. Her most recent article "My Art World is Bigger than Your Art World" can currently be found in the December/January issue of The Believer.

Cite this record

"Caitlin Jones." Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/caitlin-jones.

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Summary

Caitlin Jones holds a combined research position in the Curatorial and Conservation departments at the Solomon R. Guggenheim Museum; in collaboration with the Daniel Langlois Foundation for Art, Science, and Technology and the Variable Media Network she co-edited Permanence Through Change: The Variable Media Approach and co-curated Seeing Double: Emulation in Theory and Practice at the Guggenheim. She was curatorial assistant for the Deutsche Guggenheim Berlin exhibition Nam June Paik: Global Groove 2004; her writing on variable media preservation and presentation has appeared in a wide range of international publications. Her most recent article, My Art World is Bigger than Your Art World, appears in the December/January issue of The Believer.

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Last modified 18 June 2011