Center for Photography at Woodstock
- Date
- 1977
Cite this record
"Center for Photography at Woodstock." Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/center-photography-woodstock.
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Last modified 16 May 2011
Related records
- Programs of the Center for Photography at Woodstock Groups
Founded in 1977, the Center for Photography at Woodstock is a 501(c)(3) arts and educational organization offering a darkroom and archives. Its galleries and educational resources are free and open to the public; its mission supports contemporary photographers through education, exhibition and publication. Funded by the New York State Council on the Arts, the National Endowment for the Arts and corporate and private donors, the Center publishes PHOTOGRAPHY Center Quarterly, PHOTOGRAPHY Building Links and The Surrogate Figure and has supported the Woodstock Photography Workshops since 1979; http://www.cpw.org.
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Woodstock Community Video, Woodstock, New York, presented the first Woodstock Video Expovision in August 1975 over a five-day period; the program comprised tape showings by 50 NYS video makers, a video synthesizer demonstration, and an electronic media performance with dance. The event included a presentation by the Earthscore Foundation on ecological and behavioral philosophies of media and a video environment by artists of Media Bus; a panel discussion featured Gerd Stern of Intermedia Systems, Barbara London of the Museum of Modern Art, and John Godfrey of WNET's Experimental TV Lab.
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Woodstock Community Video, Woodstock, New York, presented Woodstock Video Expovision at the Arnolfini Arts Center October 7-9, 1977. Events included The TV Commercial: Is it Art? by Bruce Kurtz; Public Television and Video Art by Betsy Connors; Video Art and the Art Critic by John Orentlicher, Gary Hill and Ernest Gusella; West Coast Video; and The Police Tapes by Susan and Alan Raymond.
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James Lohrey's 1999 Media Center Highlighted Screenings/Lectures 1972–Present lists visiting artists, screenings, lectures and festivals at Visual Studies Workshop from 1972 to 1999, noting establishment of the Media Center, Visiting Artist Program and the NO‑TV series. John Minkowsky's 1977 survey describes the Program in Photographic Studies offering an MFA through University Center at Buffalo under Nathan Lyons; the two‑and‑a‑half‑year, workshop‑oriented curriculum includes concentrated projects and a six‑month internship. Facilities cited include a Research Center with over 8,000 books, 250 magazine titles and 100,000 images, conservation and restoration, a bookbindery, a travelling exhibition program and a publications program producing Afterimage and visual books.
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