- The Electronic Gallery Chronology
The Electronic Gallery exhibition at the University Art Gallery, Binghamton, was curated by Maureen Turim. It presented a tape exhibition of works from the Experimental TV Center by Ralph Hocking and Sherry Miller; Hank Rudolph; Henry Linhart; Shalom Gorewitz; Peer Bode; Meryl Blackman; Reynold Weidenaar; Barbara Buckner; Neil Zusman and Julie Harrison; and Gary Hill; an accompanying essay was by Maureen Turim and Donna Cesan.
- Themes in Electronic Image Processing Chronology
The Kitchen hosted a month-long exhibition Themes in Electronic Image Processing curated by Shalom Gorewitz; it was the exhibition's second year and included a panel on video criticism. Artists included Peer Bode, Ralph Hocking, Connie Coleman and Alan Powell, Tom DeWitt, Vibeke Sorenson and Dean Winkler, Reynold Weidenaar, Barbara Sykes, Barbara Buckner, Jo Ann Gillerman, Gillerman and Jim Whiteaker, Henry Baker and Jane Steuerwald, Pier Marton, Shalom Gorewitz, Doris Chase, Kit Fitzgerald and John Sanborn, Gary Hill, Michael Scroggins, Neil Zusman, Maureen Nappi, Janice Tanaka, Marc Casey and Sara Hornbacher.
- The Interactive Show Chronology
The Interactive Show was presented at University of Buffalo December 7-17, 1990; it was curated by Neil Zusman. The regional exhibition of installations at University of Buffalo included works by Fred Bacher, Karen Collette, Bernd Ewert, Dana Hatchett, Eric Jensen, Katrin Jurati, Brent Scott, David Stieglitz, Jason Tenant, Peter Babula, Mindy Tousley, Alan Van Avery, Jamie Wilson and Jonathan Woolson.
- Astral Projections: A Polyfusion of Media Chronology
Astral Projections: A Polyfusion of Media, catalog of exhibition produced by Howard Gutstadt and Mollie Hughes of Survival Arts Media and published by Visual Studies Workshop. Catalog undated. Fri& Sat. 9/20 & 21, 1974. Participants of event: Survival Arts Media (Howard Gutstadt, Mollie Hughes, Dann…
- Getting into the Act: Video in Live Performance Bibliography
The article examines how video has enabled live performers to manipulate space and time, citing Trish Brown's wall choreography and Joan Jonas's distant performance; it argues that video offers immediacy, flexibility, and new compositional possibilities on stage. It traces video integration from late-1960s experimental work (Vito Acconci's Claim, Chris Burden's Match Piece) through narrative and abstract uses, with examples including Marjorie Gamso's At Turning Points, Alien Ginsburg's Kaddish, Joanne Kelly's Tahmar, Amy Greenfield's Mat/Glass and Aldo Tambellini/Sarah Dickinson's Pierot in Time. The author is a freelance writer and coeditor of The Handbook of Television Dance, to be published by Marcel Dekker Inc. by the end of this year.
- Second International Symposium on Electronic Arts Chronology
Second International Symposium on Electronic Arts, Groningen, Holland