Video History Project

Chronology

Finishing Funds

Finishing Funds is a grants program of the Experimental Television Center, supported by the New York State Council on the Arts. Awards for 1993 were made to: Mara Alper Stories No One Wants to Hear Kelly Anderson Because Reality Isn't Black & White Maria Beatty Imaging Her Erotics Skip Blumberg Weekend in Moscow Bill & Mary Buchen Sounds (Like India)

Abigail Child Dinkinsville Yau Ching Flow Bob Doyle Father's Day Kit Fitzgerald The Teardrops of Eros Larry Gottheim Kreyol Johan Grimonprez Kobarweng or Where are Your Helicopters?

Sara Hornbacher Female (re) Production Allan Jamieson Indigenous Voices, 1492-1992 Jeffrey Lerer Memory Box Dean Moss Adventures in Assimilation Frank Ortega What We Hold On To Matthew Ostrowski The Blinding

Richard Povall The Last Garden Michael Schell and 77 Hz Narrowcast Irene Sosa Woman as Protagonist: The Art of Nancy Spero Ned Sublette Ships at Sea, Sailors and Shoes Nancy Sullivan Papua, New Guinea

Jo Wright Whitten Dancing on a String Reggie Woolery Backwalk Ann Sargent Wooster No Means No Panel: Rii Kanzaki and Carlota Schoolman.

Cite this record

"Finishing Funds." Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/finishing-funds-2.

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Summary

Finishing Funds is a grants program of the Experimental Television Center, supported by the New York State Council on the Arts; awards for 1993 were made to a number of artists and projects, including Mara Alper (Stories No One Wants to Hear), Kelly Anderson (Because Reality Isn't Black & White), Maria Beatty (Imaging Her Erotics) and Skip Blumberg (Weekend in Moscow). The record lists additional recipients and works across documentary, experimental and video art practices; a panel is noted with Rii Kanzaki and Carlota Schoolman.

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Last modified 16 May 2011