Highlights from Cannes: Ray: You Can't Go Home Again

Related records

• Letter to Ralph Hocking Bibliography

  Letter to Ralph Hocking; Highlights from Cannes - Nicholas Ray - You Can't Go Home Again. April 1, 1972 Letter from Nick Ray to Ralph Hocking concerning production on You Can't Go Home Again - an experimental film by Nick Ray, was partly created at the Experimental Television Center.

• We Can't Go Home Again Bibliography

  Perspective on Nicholas Ray's film We Can't Go Home Again by a student-participant in the film, made at Binghamton University in the early 1970s. Wim Wenders. Lightning Over Water

• Wrong Move Bibliography

  Perspective on Nicholas Ray's film We Can't Go Home Again by a student-participant in the film, made at Binghamton University in the early 1970s. Susan Ray. Wim Wenders.

• Cinema Department - Rebels with a Cause Bibliography

  A description of Hollywood director Nick Ray (taught in the Cinema Department at Binghamton University 1971-73) and his creation with his film students of We Can't Go Home Again. The film was screened at University-Wide Film Symposium held at Binghamton University April 29 and 30, 1972.

• Nicholas Ray People

  Nicholas Ray (born Raymond Nicholas Kienzle Jr.) was an American film director whose key 1949–1956 films included They Live By Night, In a Lonely Place, Johnny Guitar, and Rebel Without a Cause; he worked at RKO (protected by Howard Hughes) and later directed epics including King of Kings and began 55 Days at Peking before a 1963 heart attack curtailed his mainstream career. From 1971–1973 he taught filmmaking at Harpur College (SUNY Binghamton), where he and students produced the autobiographical We Can’t Go Home Again using multiple superimpositions and a synthesizer; an early cut screened at Cannes in 1973. He died of lung cancer on June 16, 1979 in New York City at age 67.

• Nicholas Ray Chronology

  Nicholas Ray, film director, was at the Cinema Department, Binghamton University (1971–1973) as a visiting film professor. He produced sections of a film originally titled Gun Under My Pillow (later titled We Can't Go Home Again) at the Experimental Television Center with Ralph Hocking, using a Video Synthesizer to break up the film image plane into multiple image sources.