Image Processing in Chicago Video Art, 1970-1980

Related records

• Abstract Painting 1960-1969: Video Art in the Sixties Bibliography

• Tracking Video Art: Image Processing as a Genre Bibliography

  Lucinda Furlong, Curatorial Assistant in the Whitney Museum of American Art's Film and Video Department, traces the emergence of image processing as a distinct video-art genre from the late 1960s through the mid-1970s; she examines terminology, aesthetic debates, and the modernist and formalist impulses that shaped the work. The text documents early tool-builders and artists (Dan Sandin, Steina and Woody Vasulka, Eric Siegel, Stephen Beck, Bill Etra, Steve Rutt, Nam June Paik and Shuya Abe), key technologies (video synthesizers, Sandin Image Processor, Rutt-Etra, Moog, Z-Grass), institutions (Whitney Museum, Radical Software, Experimental Television Center, SUNY Binghamton, University of Illinois Circle Campus) and funding developments including a $50,000 NYSCA grant to Hocking's Center.

• New York State Council on the Arts Proposal: Video Processing Workshop Bibliography

  etcnysca7980elimageworkhocking_2656.pdf A series of workshops concerning video image processing and synthesis conducted by Ralph Hocking. This proposal was funded in 1979-80.

• The School of the Art Institute of Chicago Chronology

  Video on the Air (Department of Video, School of the Art Institute of Chicago; 1986) is a series of visiting artists, producers and curators held in conjunction with the Graduate Video Seminar taught by Beth Berolzheimer. Participants included Lois Bianchi (WNET); Rii Kanzaki (video artist; electronic image processing); Doug Hall (video artist; recent work Storm and Stress links the spectacle of nature with that of technology); Kathy Huffman (curator/producer, CAT Fund, Boston); and Juan Downey (whose videotape series The Thinking Eye investigates Western Art History and culture through autobiography and montage).

• Themes in Electronic Image Processing Chronology

  Themes in Electronic Image Processing was presented at The Kitchen in December 1981 and curated by Shalom Gorewitz; the exhibition featured image processing tools provided by Experimental Television Center and David Jones. Artists in the exhibition included Peer Bode; Ralph Hocking; Connie Coleman and Alan Powell; Tom DeWitt, Vibeke Sorenson and Dean Winkler; Reynold Weidenaar; Barbara SYkes; Barbara Buckner; Jo Ann Gillerman; Gillerman and Jim Whiteaker; Henry Baker and Jane Steuerwald; Pier Marton; Shalom Gorewitz; Doris Chase; Kit Fitzgerald and John Sanborn; Gary Hill; Michael Scroggins; Neil Zusman; Maureen Nappi; Janice Tanaka; Marc Casey; Sara Hornbacher.

• New York State Council on the Arts Proposal: Video Processing Workshop Bibliography

  New York State Council on the Arts Proposal: Video Processing Workshop. 1979. series of 8 workshops introducing the foundations of video image processing and television as an art-making medium. colorizing, keying, mixing, computer control, analog, rescan. series of 8 workshops introducing the founda…