- Art V: A One-Day Symposium on Video in Buffalo Bibliography
Organized by the Albright-Knox Art Gallery "to provide an informal viewing situation in which producers of art related videotapes from the western New York area can show their tapes and view those of others". Panelists: Lyn Blumenthal (Co-Director Video Data Bank of the School of the Art Institute o…
- Tracking Video Art: Image Processing as a Genre Bibliography
Lucinda Furlong, Curatorial Assistant in the Whitney Museum of American Art's Film and Video Department, traces the emergence of image processing as a distinct video-art genre from the late 1960s through the mid-1970s; she examines terminology, aesthetic debates, and the modernist and formalist impulses that shaped the work. The text documents early tool-builders and artists (Dan Sandin, Steina and Woody Vasulka, Eric Siegel, Stephen Beck, Bill Etra, Steve Rutt, Nam June Paik and Shuya Abe), key technologies (video synthesizers, Sandin Image Processor, Rutt-Etra, Moog, Z-Grass), institutions (Whitney Museum, Radical Software, Experimental Television Center, SUNY Binghamton, University of Illinois Circle Campus) and funding developments including a $50,000 NYSCA grant to Hocking's Center.
- Barbara Sykes-Dietz People
Barbara Sykes is a video artist who holds an M.F.A. from the School of the Art Institute (1979–81) and completed B.F.A. studies at the University of Illinois, Chicago (1974–79); her work spans video, computers and performance. Since 1975 her award-winning tapes have been shown worldwide at major museums, galleries and on broadcast and cable television; she was a featured artist in the Museum of Contemporary Art Chicago exhibition Art in Chicago: 1945 to 1995 and has received numerous grants and artists residencies for research and videotape production in India, Japan, China, Australia, Spain and New York.
- New Work in Abstract Video Imagery Bibliography
New Work in Abstract Video Imagery is an anthology of videotapes produced 1973–1977 and organized for the Everson Museum of Art, Syracuse in 1977; it documents experiments with television, magnets, videosynthesizers, lasers and computers and includes works by Nam June Paik (magnet experiments; Paik/Abe videosynthesizer), Shuya Abe, Aldo Tambellini (Black Spiral, 1968), Peter Van Riper, Mary Lucier (Fire Writing), John Cage (Suite 212), Ron Hays and many Chicago-based practitioners. Production centers cited include the New Television Laboratory at WGBH, the Sandin Image Processor at the Art Institute of Chicago, the Experimental Television Center (Binghamton) and Bell Labs; the New York State Council on the Arts provided support. The exhibition was organized by Richard Simmons as an artists' cooperative with revenues divided equally among participants.
- New York State Council on the Arts Proposal: Video Index - An Extensive Bibliography of Video and Video Art Bibliography
New York State Council on the Arts Proposal: Video Index - An Extensive Bibliography of Video and Video Art 1977. collection, compilation and distribution of index of texts concerning art and technology of small-format video.
- Video: The Reflexive Medium Bibliography
Sara Hornbacher, Guest Editor, frames eleven articles and reviews and includes Barbara Londons Selected Chronology covering 196393 to outline the brief history of video art. Contributors examine technological and institutional change, including Benjamin Buchloh on developments since the mid-1960s; Katherine Dieckmann on Electra at the Mus6e d'Art Moderne de la Ville de Paris (1984); Lucinda Furlong on image-processed video and Nam June Paik and the marketing of portable video equipment by SONY/Japan; and the rise of media centers funded by state and federal agencies and university programs. Hornbacher is a visual artist, curator and artist-in-residence at The Experimental Television Center, Owego, New York, since 1976.