Video History Project

Chronology

Looking Back/Looking Forward

Date
2002

Looking Back/Looking Forward, a symposium intended as a working session where artists, media arts staff, conservators, and technical experts will focus on the physical preservation of independent electronic media May 31-June 1, 2002. The symposium is organized by the Experimental Television Center (ETC) in association with Independent Media Arts Preservation (IMAP), Bay Area Video Coalition and the Electronic Media Specialty Group of the AIC (American Institute for the Conservation of Artistic and Historic Works).

Looking Back/Looking Forward is hosted by the Downtown Community Television Center and is made possible with public funds from the Electronic Media and Film Program of the NYS Council on the Arts, and assistance from IMAP and Dave Jones Design. The symposium is organized by Sherry Miller Hocking, Assistant Director of the Experimental Television Center, and independent consultant Mona Jimenez.

Cite this record

"Looking Back/Looking Forward." Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/looking-backlooking-forward-0.

Download RIS citation
Summary

Looking Back/Looking Forward was a symposium held May 31–June 1, 2002, as a working session for artists, media arts staff, conservators, and technical experts to address physical preservation of independent electronic media; it was organized by the Experimental Television Center (ETC) in association with Independent Media Arts Preservation (IMAP), Bay Area Video Coalition, and the Electronic Media Specialty Group of the AIC. The event was hosted by Downtown Community Television Center and made possible with public funds from the Electronic Media and Film Program of the NYS Council on the Arts, with assistance from IMAP and Dave Jones Design; it was organized by Sherry Miller Hocking and independent consultant Mona Jimenez.

Submit a change or correction

If unchecked, this will appear as a public note on the site immediately. Spam filters may delay publication, but all submissions are reviewed by staff.

Changes will be reviewed and integrated as time permits. For major changes, feel free to email [email protected].

Last modified 16 May 2011

Related records

  • Acknowledgements Preservation

    The Experimental Television Center (ETC) organized the symposium Looking Back/Looking Forward in association with Independent Media Arts Preservation (IMAP), Bay Area Video Coalition and the Electronic Media Specialty Group of the AIC; Downtown Community Television Center hosted the event. Funding came from the Electronic Media and Film Program of the NYS Council on the Arts, with assistance from IMAP, BAVC, MercerMedia and Dave Jones Design. The symposium organization was led by Sherry Miller Hocking and consultant Mona Jimenez; DB Rohlfs produced transcripts that were edited by Carolyn Tennant and Sherry Miller Hocking.

  • Images from Looking Back/Looking Forward Preservation

    Looking Back/Looking Forward is a photographic record of a symposium on electronic media preservation held May 31 and June 1, 2002; the page presents images and captions from the event. Participants and subjects identified include Tony Bannon; Barbara London; Joel Chadabe; Steina and Woody Vasulka; Dan Summer; Elizabeth Weatherford; Pip Laurenson; Luke Hones; Bill Etra; Gerald O?Grady; Jean Gagnon; Karen Helmerson; Kate Horsfield; Debby Silverfine; Carole Lazio; Rachael Melman; Jim Hubbard; Kenneth Schlesinger; Mercer Media; Bill Seery; Robin Schanzenbach; and Arthur Tsuchiya.

  • Agenda Preservation

    Looking Back/Looking Forward: A Symposium on Electronic Media Preservation convened May 31–June 1, 2002 at Downtown Community Television Center with a reception at MercerMedia. Organized by the Experimental Television Center with IMAP and Bay Area Video Coalition and funded by the NYS Council on the Arts Electronic Media and Film Program, the program covered physical preservation and remastering (including 1/2” open reel workflows), economics, media formats, collection assessment and documentation of artists’ instruments and ephemera, with presentations by Luke Hones, Heather Weaver, Kacey Koeberer, Mona Jimenez and Sarah Stauderman.

  • Introduction Preservation

    Looking Back/Looking Forward is a symposium on electronic media preservation organized by the Experimental Television Center; it invited 58 artists, conservators, media arts staff and technical experts and is an activity of the Center’s Video History Project (begun 1994). The Video History Website (launched 2000) hosts nine interrelated databases with about 3,500 records and a Bibliography of over 1,000 entries. The Preservation area includes the commissioned papers Video Preservation and Reel to Real; Bay Area Video Coalition, with NEA funding, will produce a DVD due end of 2002.

  • Reports to the Field Preservation

    Experimental Television Center convened Looking Back/Looking Forward on May 31–June 1, 2002 at Downtown Community Television Center in New York, bringing over 50 media arts professionals, conservators, technicians and artists to address physical preservation of independent electronic media, related tools and ephemera. Sessions led by BAVC, Artists Television Access, George Eastman House and MoMA examined remastering workflows (including 1/2” open reel), formats, selection strategies, economics, oral histories and web documentation; BAVC received NEA funding to produce a videotape preservation DVD. The Video History Project, launched 2000 and directed by Sherry Miller Hocking with major contribution from Mona Jimenez, maintains resource databases and commissioned papers including Video Preservation: The Basics.

  • Saving the Images: A Report from the Looking Back/Looking Forward Symposium Preservation

    On May 31 and June 1 at Downtown Community TV Center in New York, over 50 media arts professionals convened for Looking Back/Looking Forward, a symposium on moving image preservation organized by the Experimental Television Center with IMAP and Bay Area Video Coalition. Sessions addressed physical preservation and remastering (including 1/2" open reel), economics, formats, collection assessment and capturing related histories; participants included representatives from museums, archives, media organizations and artist groups. Outcomes included transcripts for the ETC Video History site, a NEA-funded BAVC DVD (due late 2002), two commissioned papers (Video Preservation: The Basics; Reel to Real) and the Video History Project website (launched 2000) holding nine databases and about 3,500 records.