- Video is Being Invented Bibliography
Nam June Paik is presented as a seminal figure in the emergence of video art; he experimented with television in Germany and Japan, moved to New York in 1964, and with Shuya Abe developed the Video Synthesizer in 1970, producing works such as the T. V. Chair and the Television Bra. The text surveys artists working in video—Keith Sonnier, Linda Benglis, Joan Jonas, Nancy Holt, William Wegman, Michael Snow, Bruce Nauman, Peter Campus and George Boiling—and documents practices using portable videotape recorders, live feedback, colorization and synthesized color, video environments, and independent video groups and cable/public-access distribution.
- Peter Callas People
Peter Callas has worked in film, video art and computer animation for over twenty years; his works are in the permanent collections of the Museum of Modern Art, New York, the Kunstmuseum Bonn and the Australian National Gallery, Canberra. He held screenings at Kunstverein Cologne and MoMA New York, and completed residencies at PS1, New York (1989) and the Zentrum f¸r Kunst und Medientechnologie (ZKM), Karlsruhe. He won awards including First Prize, Bonn Videonale and Golden Switchblade Award (both 1994); dLux media arts presented a twenty-year retrospective of his video works in 1999 titled Intiialising History.
- Interview with Peer Bode Interview
Peer Bode discusses his long involvement with the Experimental Television Center (ETC; 1971–78 Binghamton, 1978–present Owego, NY), where he taught resident artists, developed and modified low-cost video tools and studio practices, and collaborated with figures such as Nam June Paik. He contrasts 1970s material- and process-focused electronic practices (portapaks, Paik-Abe synthesizer, SEG) with 1980s appropriation and corporate funding pressures, noting distribution via WNET and publications like Radical Software. Bode produced Video Locomotion (1978) and Music on Triggering Surfaces (1978) and directs the Video Arts Program at the N.Y.S.C.C. at Alfred University.
- Why Don't They Tell Stories Like They Used To? Bibliography
Essay traces the history and persistent critical opacity of video art from its emergence in the late 1960s through post-1975 developments; it situates early single-channel tapes and multi-channel installations in galleries and museums and surveys practitioners, institutions, broadcasts, and technologies including Nam June Paik, his Paik-Abe colorizer/synthesizer, three-quarter-inch color tape, image processing, WNET and independent video productions. The text links video practices to antecedents in literature, Dada, Surrealism, experimental film and Fluxus, and cites representative works such as Paik's Global Groove (1973), Bruce Connor's A Movie (1958), and Michael Snow's La Region Centrale.
- Charles Woodman People
www.videosavant.org. Charles Woodman has been working in the field of Electronic Art for more than fifteen years and has been a Professor of Fine Arts at the University of Cincinnati since 1999. His recent projects have concentrated on the integration of video in live performances, often in collabor…
- Deborah Stratman People
Deborah Stratman was Adjunct Assistant Professor of Film, Video, and New Media (1998) at the School of the Art Institute of Chicago; she holds a BFA (1990) from the School of the Art Institute of Chicago and an MFA in Film/Video (1995) from the California Institute of the Arts. Her work has been exhibited at Temporary Services Gallery (Chicago), Para/Site Gallery (Hong Kong), the Latvian Museum of Foreign Art (Riga) and Smioagalleri (Reykjavik), and screened at San Francisco Cinematheque, Rotterdam, Sundance, Viennale 2002, L'Alternativa (Barcelona) and CinemaTexas. Awards and support include the Center For Land Use Interpretation (Wendover, UT), Wexner Center for the Arts (OH), Danish Film Institute Workshop (Copenhagen), Illinois Arts Council Artist's Fellowships, the Gecko Award (CinemaTexas), THAW Best of Festival and CUFF Best Experimental Film.