Preserving the Rhizome ArtBase
- Author
- Richard Rinehart
- Publisher
- Rhizome
- Date
- 2002
- Place
- NY, NY
Preserving the Rhizome ArtBase
Richard Rinehart. September 2002.
Discussion of preservation strategies for new media and net art.
With thanks to Rhizome for permission to reproduce.
Cite this record
Richard Rinehart. Preserving the Rhizome ArtBase. Rhizome. 2002.
Download RIS citationSubmit a change or correction
Last modified 1 June 2023
Related records
- Preserving the Rhizome ArtBase Preservation
Richard Rinehart, Director of Digital Media at the Berkeley Art Museum/Pacific Film Archive and Digital Media faculty at UC Berkeley, authored a September 2002 working paper for Rhizome on preserving the Rhizome ArtBase, an online archive of new media art. He advocates emulation—preferably hardware-level emulation—outlines artwork and technology metadata requirements, recommends tools and collection policies, and urges obtaining and archiving legal copies of software alongside a storage-migration plan using optical/read-only media and backups. He recommends Rhizome prepare metadata, storage and policy solutions and join collaborative projects to test open-source hardware emulators.
- Rhizome ArtBase Management Policy Bibliography
Rhizome ArtBase Management Policy
- Media Alliance Preservation Survey Bibliography
Report prepared by Paul Messier, Boston Art Conservation, concerning preservation activites at six NYS media centers: Electronic Arts Intermix; Experimental Television Center; Hallwalls; The Kitchen; Syracuse University and the Everson Museum; Visual Studies Workshop. Bibliography.
- Agenda Preservation
Looking Back/Looking Forward: A Symposium on Electronic Media Preservation convened May 31–June 1, 2002 at Downtown Community Television Center with a reception at MercerMedia. Organized by the Experimental Television Center with IMAP and Bay Area Video Coalition and funded by the NYS Council on the Arts Electronic Media and Film Program, the program covered physical preservation and remastering (including 1/2” open reel workflows), economics, media formats, collection assessment and documentation of artists’ instruments and ephemera, with presentations by Luke Hones, Heather Weaver, Kacey Koeberer, Mona Jimenez and Sarah Stauderman.
- Preserving the Immaterial: A Conference on Variable Media Chronology
Preserving the Immaterial: A Conference on variable Media convened at the Solomon R. Guggenheim Museum on March 30–31, 2001; it focused on the museum's Variable Media Initiative and examined case studies of artworks in ephemeral media, including photo collages, film performances, video installations and Web sites. Artists, curators, conservators and media experts debated strategies for safeguarding works against deterioration, technological obsolescence and cultural amnesia. The program was organized by John G. Hanhardt, Senior Curator, and Jon Ippolito, Assistant Curator, Film and Media Arts Program; studied artists included Jan Dibbets, Felix Gonzalez-Torres, Ken Jacobs, Robert Morris, Mark Napier, Nam June Paik and Meg Webster.
- Archiving the Audio-Visual Heritage Bibliography