Bibliography

New York State Council on the Arts: Proposal for the Experimental Television Center Bibliography

etcnysca7071proposal_2644.pdf

New York State Council on the Arts: Proposal for the Experimental Television Center Bibliography

Notes New York State Council on the Arts: Proposal for the Experimental Television Center, 1970. Excerpted. Initial proposal for the Community Center for Television Production (fore-runner of Experimental Television Center) to the New York State Council on the Arts. Partial. 1970

New York State Council on the Arts: Report for Development of Spatial and Intensity Digitizer and Jones Colorizer Bibliography

etcnysca7475reptsaidjones_2648.pdf

New York State Council on the Arts: Report for Development of Spatial and Intensity Digitizer and Jones Colorizer Bibliography

New York State Council on the Arts: Report for Development of Spatial and Intensity Digitizer and Jones Colorizer. 1975. Report on activities for program year 1974-975 relating to equipment development. Report from Experimental Television Center to the New York State Council on the Arts concerning t…

New York State Council on the Arts: Report on Experimental Television Center programs and activities for 1972-73 Bibliography

etcnysca7273activitiesreport_2646.pdf

New York State Council on the Arts: Report on Experimental Television Center programs and activities for 1972-73 Bibliography

Report on Experimental Television Center programs and activities to the New York State Council on the Arts for 1972-73. Includes ETC artists in residence, and equipment assistance and workshops conducted for local and statewide community groups, educational organizations and civic and arts groups.

New York State Council on the Arts: Walter Wright - SYnthesizer Workshop and Performance Series Bibliography

News Media Libraries: A Management Handbook Bibliography

Nieuwe Workshop in de Beursschouwburg: Video & beeldende kunst, arts plastiques, plastic arts Bibliography

Nieuwe Workshop in de Beursschouwburg: Video & beeldende kunst, arts plastiques, plastic arts. Includes the following exhibitions: Jan Bultheel's "Three Tangos," Walter Verdin's "Videotracks," and Albert Pepermans "Hollywood Fragments." The folder also contains a letter of correspondence from Beurss…

No Loose Ends: the Tektronix Proof-of-Performance Program for CATV Bibliography

A blue slipknot of cable entwines this "cookbook" by Clifford B. Schrock. Contents of the booklet include photographs of the author and testing equipment, and CTR Readout. Sections include testing information for amplitude, intermodulation, frequency measurements, co-channel interference, frequency …

Noah's Raven: A Video Installation by Mary Lucier Bibliography

Essay by Eleanor Heartney; Biographical notes by Melinda Barlow Institution/Organizer: Toledo Museum of Art Site: Toledo Museum of Art Exhibition Dates: 2/7/93-5/9/93

Noise Culture: Thing I Bibliography

Essay titled Noise Culture situates cultural fragmentation near the turn of the millennium and defines noise culture as social turbulence fed by surplus, information overload and parasitic commodities; it cites Michel Serres, Lautreamont and Biba Kopf (Tape Delay, ed. Charles Neal) and invokes technologies and phenomena including television, video disks, computers, data-banks, computer viruses, AIDS and bureaucratic systems. The text traces consequences for memory, language, bodies, pornography, games and war, arguing that histories, identities and communicative competency dissolve into simulacra and part-objects within transnational corporate and managerial domains.

Noise to Signal Ratio: Critique de las Pre-Histoire Contemporaine Bibliography

Noise to Signal Ratio: Critique de las Pre-Histoire Contemporaine

Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty Bibliography

Report on the Robert Flaherty Film Seminar at Vassar College marking its 50th year; founded in 1955 by Frances Flaherty, the week-long program convened filmmakers, museum programmers, writers, students, and distributors for screenings, public and small-group discussions, and retrospectives. Programmer Susan Oxtoby (Cinematheque Ontario) juxtaposed documentary and experimental work and presented films including Brault and Perrault's Pour la Suite du Monde (1963), Ulrike Ottinger's Taiga (1992), Bruce Conner's Crossroads (1976), Marlon Riggs's Tongues Untied (1989), and Juan Manuel Echavarria's Bocas de Ceniza (2004). Panels debated media circulation strategies from a national Arte-style TV network to straight-to-DVD and internet distribution, and screenings provoked discussions of verite ethics, representation, and archival/experimental practice.

Nonsequitor: Experimental Music, Sound, and Language Bibliography

Nonsequitor: Experimental Music, Sound, and Language. Contents: The Arial: A Journal in Sound (Issues Nos. 1-6), What Next? Recordings (Paragraphs: Soundviews: Sources, Exquisite Corpes From PS 122, Deep Listening Band: Troglodyte's Delight, Loren Mazzacane & Suzanne Langille: Come Night, Malcolm Go…

Nortros II de Thierry Kuntzel. In French Bibliography

tape exhibition of works from the Experimental TV Center by Ralph Hocking and Sherry Miller; Hank Rudolph; Henry Linhart; Shalom Gorewitz; Peer Bode; Meryl Blackman; Reynold Weidenaar; Barbara Buckner; Neil Zusman and Julie Harrison; Gary Hill. Essay by Maureen Turim and Donna Cesan

Nostos II: Installations Bibliography

In French

Not on the Shelf: Accounting for New York City Artists' Organizations' Bibliography

Alan Moore, an ex-artist turned scholar, describes his work in and with archives and notes that his personal archive includes a video distribution business. His dissertation traces politicized artists' organizations from the Art Workers Coalition through Art & Language, Artists Meeting for Cultural Change, Collaborative Projects, Political Art Documentation (PADD) and Group Material, spanning roughly 1969 to 1984. He discusses archival mortality, obsolete magnetic-media preservation and digital promises; he recounts a Syracuse experimental-video conference involving Ardele Lister and Ralph Hocking (Experimental TV Center) and references installations by Michael Smith and Josh White that invoke obsolete technologies.

Not Still Art Festival 2000: The Paik/Abe Synthesizer Tools

Nam June Paik and Shuya Abe developed the Paik/Abe Synthesizer at WGBH-TV (Boston) as the first machine designed to distort existing video; Paik was an artist-in-residence and part of The Medium Is The Medium project supported by Ford Foundation and the Rockefeller Artists-In-Television Project. The instrument routed seven black-and-white surveillance cameras through non-linear amplifiers into a colorizer/scan modulator and RGB-to-NTSC encoder; it debuted on WGBH Ch. 44 on August 1, 1970 in a four-hour broadcast Video Commune set to Beatles recordings. Paik later built additional synthesizers for the Experimental Television Workshop and WNET; the original is exhibited at the Kunsthalle Bremen in a frame of vintage televisions showing dates of production.

Not-a-Superhero, I presume Bibliography

Not-a-Superhero, I presume. Luca Buvoli comics. Flipbook. Synopsis: Not-a-Superhero has disappeared. A...., a private investigator with memory lapses, is on his trail. It could be too late, though. If Not-a-Superhero is still alive. Where is He?

Notes on the CP/M Hardware Interface- diskette information Bibliography

Notes on the CP/M Hardware Interface- diskette information.

Notes on the Rutt/Etra Bibliography

A brief overview of antecedents.

Notes on Video as an Artistic Medium in The New Television: A Public/Private Art Bibliography

Based on "Open Circuits: An International Conference on the Future of Television" organized by Fred Barzyk, Douglas Davis, Gerald O'Grady and Willard Van Dyke for the Museum of Modern Art. Categories include the aesthetics of television; support structure; the international setting; politics, philos…

Notes on Videotape and TV Bibliography

Kenneth Dominick examines videotape and television practice as processes that reshape inner and outer experience; he cites Paul Ryan in Radical Software (summer 1970) and frames videotape as feedback rather than mere transmission. He links the medium to Allegheny College and the Experimental Television Center's temporary presence in Meadville, noting that Allegheny will briefly gain television-producing capability. He argues for decentralization through portable recording-and-playback hardware and independent regional centers to counter network and cable control, and describes videotape's perceptual and affective effects.

Notes on William Wegman Bibliography