Bibliography

Print Culture and Video Culture Bibliography

issue devoted to topic

Print Culture and Video Culture Bibliography

Special issue.

Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts Bibliography

Howard Klein was an arts officer at the Rockefeller Foundation from 1967 to 1986, director for arts 1973–1983 and deputy director for arts and humanities 1983–1986; he personally directed most media grants and promoted public-television research projects including NCET (KQED), the New Television Workshop (WGBH) and the Television Laboratory (WNET/Thirteen). Klein worked closely with advisor Nam June Paik, funded artist residencies and equipment, and the foundation awarded more than $3.4 million for experimental public-television works from 1967–1977 and $1.1 million core support plus a $150,000 startup grant to the WNET lab (1972–1976).

Problems of Criticism: Art and Technology Bibliography

Processing Trauma: The Media Art of Daniel Reeves Bibliography

Daniel Reeves, an expatriate American living in Scotland and France, is a media artist whose single-channel videos and installations—including Smothering Dreams (1981), Obsessive Becoming (1995) and Try to Live to See This (1988)—employ layered image-processing, digital morphing, rotoscoping, archival footage and poetic narration to address trauma. Eingang: The Way In (1990) comprises seven reclaimed tree trunks with embedded monitors, bowls of water and stones and was exhibited at the High Museum and later at Montage '93 and Harvard (1994); The Hand That Holds Up All This Falling (Handwerker Gallery, Ithaca College, Oct 7–Dec 14, 1998) presented four installations, eight hand-painted digital composites, lantern slides, 16mm sound mag film and involved over 150 students, faculty and community members.

Processing trauma: the media art of Daniel Reeves Bibliography

The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7-December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New Yorkhttp://www.findarticles.com/p/articles/mi_m2479/is_n2_v26/ai_21187360

Producing Videodance Bibliography

Cunningham Dance Foundation

Product Sheet for "Col-R-Tel Color Converter, Your Answer to Color TV" Bibliography

Product Sheet for "Col-R-Tel Color Converter, Your Answer to Color TV". Color, Illustrated.

Productive Unclarities - An interview with media artist Barbara Lattanzi Interview

Productive Unclarities - An interview with media artist Barbara Lattanzi

Profile: Video Visionary Nam June Paik Bibliography

Profiles: Video Visionary Bibliography

Nam lune Paik

Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers Bibliography

Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers Sponsored by University-Wide Committee on the Arts. Works by Peter Campus, William Wegman, Bill Viola, Cara DeVito, Andy Mann, Joan Jonas, Woody and Steina Vasulka.

program notes for TV as a Creative Medium Tools

Thomas Tadlock, a Rhode Island School of Design alumnus who worked with light sculptures and was influenced by Nam June Paik, designed The Archetron as a commissioned device. The unit accepts a black-and-white broadcast television signal, removes a triangular pie-shaped section and repeats it around a symmetrical axis to produce kaleidoscopic images; at least three units comprised the machine and each incoming signal had three knobs (red, green, blue) with additional control over percent of color generated by a mathematical relationship of the B&W levels. The device is operated in real time from a console of knobs, switches, three small TV monitors, mirrors and color filters and can combine all or part of three live broadcasts for distribution via broadcast, closed-circuit or cable companies.

Programs of the Art and Science Laboratory Groups

Art and Science Laboratory (ASL) is a nonprofit educational and cultural institution that explores electronic and computing arts and sciences as a cross-disciplinary creative domain. Tax-exempt status was granted by the US Internal Revenue Service in January 2000; in January 2001 ASL moved into a 2,500 sq. ft. facility in Santa Fe, New Mexico. Its principal research and education areas include electronic and computing arts, robotics, sound art and human–machine interfaces; the Laboratory is organized into Workshops and Residencies, a Research Program and an Electronic Art Archive and Dissemination.

Programs of the Center for Photography at Woodstock Groups

Founded in 1977, the Center for Photography at Woodstock is a 501(c)(3) arts and educational organization offering a darkroom and archives. Its galleries and educational resources are free and open to the public; its mission supports contemporary photographers through education, exhibition and publication. Funded by the New York State Council on the Arts, the National Endowment for the Arts and corporate and private donors, the Center publishes PHOTOGRAPHY Center Quarterly, PHOTOGRAPHY Building Links and The Surrogate Figure and has supported the Woodstock Photography Workshops since 1979; http://www.cpw.org.

Programs of the Electronic Music Foundation Groups

The Electronic Music Foundation (EMF), founded in 1994 by composer and interactive-systems pioneer Joel Chadabe, is a non-profit dedicated to increasing public understanding of electronic music; Chadabe published the book Electric Sound in 1997 and teaches at Bennington College while serving as professor emeritus at the State University of New York at Albany. EMF is establishing the EMF Institute to preserve and exhibit historically significant electronic instruments and to archive and disseminate related materials, supported by donations from more than 750 individuals and organizations and grants including the Daniel Langlois Foundation and Yvar Mikhashoff Trust. Programs include EMF Productions, EMF Media and CDeMUSIC, the EMF Calendar and Internet Directory, GRM Tools (co-marketed for GRM in Paris), and the EMF/SEAMUS Professional Opportunities Directory.

Projekt '74 Catalogue Bibliography

Psycho-Flux Reunion Bibliography

Psycho-Flux Reunion. Paintings as installed at Syracuse Stage in December 1990. Exhibition hosted by curator Peter Sandwall and Syracuse University's Department of Drama.

Public Access Celebration: July 6,7,8, 1972 Report on Public Access in New York Groups

Survival Arts Media was formed in 1972 in Jamestown, NY, founded by Howie Gutstadt; members included Gail Edwards, Howard Gutstadt, Molly Hughes, Ben Levine, Danny Bucciano and Richard Malone. The collective produced community education and health programming, multimedia shows and regional videotapes; it participated in the Public Access Celebration in New York City (July 6–8, 1972) and released a report in January 1973. Howard Gutstadt documented the Jamestown studio development (1977), describing equipment such as Sony 8400 portapaks, Super 8, a Kodak VPX transfer system and an Electronic Associates of Berkeley Videolab; the group co-released the Artists and Craftsmen Anthology with the Chautauqua-Cattaraugus Library System, funded in part by the New York State Council on the Arts.

Public Radio and Television in America: A Political History Bibliography

https://www.findarticles.com/p/articles/mi_m2479/is_n2_v26/ai_21187370

Public Television vs The Dark Cloud Bibliography

Input, International Public Television Screening Conference.

Pulling the Plug Bibliography

Portable Channel closes

Quatorzieme Festival International Du Nouveau Cinema et de la Video Montreal Bibliography

Quatorzieme Festival International Du Nouveau Cinema et de la Video Montreal. French with English translation. Institution/Organizer: CIDEM Cinema Site: Festival International Du Nouveau Cinema et de la Video Montreal Exhibition Dates: October 17-27, 1985

Quest for What: Video by the HalfLifers Bibliography

Bay-Area video duo the HalfLifers (Anthony Discenza and Torsten Z. Burns) create performance-based videotapes using consumer-grade equipment and degraded signal aesthetics; works cited include the 1997 Actions in Action, Fear of Rescue, Control Corridor and Return to Rescueworld. Their tapes assemble shaky camerawork, color distortion, glitches, fast-forward and undercranking-like motion to stage improvised buddy-movie reenactments of post-apocalyptic scenarios and comic, self-reflexive exchanges. The article places them in a lineage with Vito Acconci, John Baldessari and Martha Rosler and notes the piece originally appeared in Film Comment (Sept/Oct 1999).

Radical Departures: The 1982 CAPS Video/Multimedia Festival Bibliography

Dan Reeves and John Hilton; Lynn Corcoran;. Traveling exhibition to upstate locations including ETC, Visual Studies Workshop, Media Bus, Media Study/Buffalo, Ithaca Artists Cooperative; Alfred University; Chautauqua-Cattaraugus Library, Albany Public Library, Crandall Library, Port Washington Public…