Video History Project

Bibliography

2,988 records

  1. Strengthening the Media Arts in New York State : John Hanhardt Bibliography

    Strengthening the Media Arts in New York State : John Hanhardt NYSCA Statewide Media Arts Meeting - Presentation by John Hanhardt.Strengthening the Media Arts in New York State A Statewide Media Arts Convening and NAMAC Regional MeetingAlbany, New York - July 29 & 30, 2004

  2. Structuralism and Photography Bibliography

  3. Structuring Time: Notes On Making Movies Bibliography

  4. Studio Notes: Experimental Television Center Bibliography

    Studio Notes: Experimental Television Center. Contents: Types of Signals/ Types of Audio Sources and Methods of Processing/ MIDI Devices, Types of Video Sources and Methods of Processing, Parameters of the Video Signal, Video Routing System: Matrix Switcher/ Patch Bay/ Sample Patch, Sample Video Pat…

  5. Studying Visual Communication Bibliography

  6. Subject to Change: Guerrilla Television Revisited Bibliography

    Subject to Change: Guerrilla Television Revisited

  7. Subroutine Estats, Compiler Definitions, PLOP Error Codes for CAT-100 (26 pages) Bibliography

    Subroutine Estats, Compiler Definitions, PLOP Error Codes for CAT-100 by Paul Davis in Fortran IV. (26 pages).

  8. Sudden Low-Tech Non Fiction Bibliography

    The Squealer: the low-tech/ high-tech issue. Sudden Low-Tech Non Fiction by Katie Young.

  9. Suggestions Toward a Small Video Facility Bibliography

    Suggestions Toward a Small Video Facility National Center for Experiments in Television (NCET) reports, no date

  10. Suggestions Toward a Small Video Facility Bibliography

    Suggestions Toward a Small Video Facility by Richard Stephens and Don Hallock. Richard Stephens was the Center's first maintenance video engineer. His background includes circuit designing and broadcast television equipment maintenance, most recently for the Munich Olypics. Don Hallock, a video arti…

  11. Superocheros Bibliography

    Contents follow: Introduction: Superocheros by Jesse Lerner, Manifesto: 8 millimeters Versus 8 Millions, Toward a Political Cinema: The Cooperativa de Cine Marginal by Jose Carlos Mendez, Cartoons by Enrique Escalona, Hacia el 4o. Cine/ Towards a 4th Cinema by Sergio Garcia.

  12. Support of Television Arts by Public Funding: The New York State Council on the Arts in The New Television: A Public/Private Art Bibliography

    Based on "Open Circuits: An International Conference on the Future of Television" organized by Fred Barzyk, Douglas Davis, Gerald O'Grady and Willard Van Dyke for the Museum of Modern Art. Categories include the aesthetics of television; support structure; the international setting; politics, philos…

  13. Supradrive 500XP Harware Operator's Manual. Supra Corporation Bibliography

    Supradrive 500XP Harware Operator's Manual. Supra Corporation. Contents include a Supradrive 500XP Overview, Getting Started, Configuration Options, and Troubleshooting. This high-performance drive is plug and play for the Amiga 500 (Commodore-Amiga, Inc.), Other programs explored in this manual are…

  14. Surveillance. Los Angeles: (LACE), 1987 Bibliography

  15. Survey Australia: Video and Bookworks Bibliography

  16. Survey of Film/Television/Video/Still Photography/Electronic Music Activity at State University of New York Campuses Groups

    Survey of Film/Television/Video/Still Photography/Electronic Music Activities at State University of New York Campuses Introduction to Programs in Electronic Arts in the State University System, 1977 Activities of the University-wide Committee on the Arts Albany, New York Film and Video Activities 1…

  17. Surveying the First Decade: Video Art and Alternative Media in the US 1968-1980: Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980. Introduction to Rewind: Video Art and Alternative Media in the United States (videotape collection with catalog, edited by Chris Hill; Kate Horsfield and Maria Troy, Collaborating Editors; Deirdre Boyle, Consulting Editor Bibliography

    Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.

  18. Susan Milano Bibliography

    Back Seat, video environments created by Susan Milano, Bart Friedman and Nancy Cain at Women's Interart Center, NYC

  19. SVID Use of Sandin IP Bibliography

    Use of Sandin IP by SVID at Boston Film Video Foundatioln productions. Emailed information.

  20. Switch On Art Bibliography

  21. Synapse 1970-1977: A Personal History Groups

    Synapse was founded in 1970 as a campus cable system and television studio affiliated with Syracuse University and operated a Visiting Artist Program and a color studio; it offered broadcast-quality post-production (1", 2" and other formats), CMX/2" editing and engineer support. Funders included Syracuse University, the National Endowment for the Arts and the New York State Council on the Arts; Henry Baker served as director and Carl Geiger as production director. Synapse incorporated and moved off campus in 1981 and closed in November 1981; the videotape collection is held at Syracuse University Art/Media Studies Department and was reported to consist of over 500 titles.

  22. Synapse Distribution Collections

    Synapse has entered the distribution business and is experimenting; it permitted cable systems such as Manhattan Cable to show its tapes free temporarily but will limit future free arrangements to venues deemed prestigious for the artist and Synapse, and is working with PBS, regional networks and toward national networks. PBS station WXXI in Rochester ran a twenty-week series of half-hour works last summer and wants to rerun them; Synapse proposes fees of $50 per week per tape for cable and about $190 per tape for public television plus dubbing, with 50 to 75 percent of fees to artists. It plans closed-circuit distribution to libraries, colleges and museums and to be on a paying basis by January 1979.

  23. Synapse: Personal Recollections Groups

    Robert Edgar contributed an eyewitness account by email on 8/04; between 1973 and 1976 he taught two classes each semester at Synapse through the College of Visual and Performing Arts, a visiting-artist program and a production class in video aesthetics. Visiting artists included Nam June Paik, Dennis Oppenheim, Juan Downey, Jaime Davidovich, Tom DeWitt and Dimitri Devyatkin; Synapse averaged about one visiting artist per month. In the summer before 1974 participants installed the university's first cable system via manholes and crawlspaces, mounted monitors in campus buildings, promoted an alternative to commercial television and drew front-page Wall Street Journal coverage when Wavy Gravy inadvertently cablecast a 16mm Deep Throat into university geriatric housing.

  24. Sync Generator, Black & White (Green) Bibliography

    Sync Generator, Black & White (Green). Green Sync Generator. List follows: R4- Frequency, R11- H. Blanking position & H.D. position, R10- Sync leading edge, R9- equalization pulse width, R7- Sync trailing edge, R40- H.D. width, R50- Blank width, R45- V. phase.

  25. Synchromism and American Color Abstraction, 1910-1925 Bibliography

    Synchromism and American Color Abstraction, 1910-1925. Contents include Acknowledgments, Introduction, Prelude to Synchromism, Genesis, Debut: Munich and Paris: 1913-1914, New York: 1914-1916, Impact of Synchromism in America, Color Abstraction in American Painting, Synchromism Continued, Plates, No…