Video History Project

Bibliography

Video Feedback: How to Make it; An Artist's Comments on its Use; A System Approach

Author
William Gwin
Publisher
National Center for Experiments in Television at KQED
Place
San Francisco, CA
Type of work
Manuscript, text or essay

Abstract

Video Feedback: How to Make it; An Artist's Comments on its Use; A System Approach by William Gwin. Includes notes on 3-video feedback. Gwin was artist in residence in 1971 at the National Center for Experiments in Television at KQED, San Francisco. This was included in a series of Reports published by NCET, undated. NCET program ran for three years beginning in 1971.

https://cdn.experimentaltvcenter.org/vhp/sites/default/files/pdfs/gwinvideofeedback_397.pdf

Cite this record

Gwin, William. Video Feedback: How to Make it; An Artist's Comments on its Use; A System Approach. National Center for Experiments in Television at KQED. .

Download RIS citation

Submit a change or correction

If unchecked, this will appear as a public note on the site immediately. Spam filters may delay publication, but all submissions are reviewed by staff.

Changes will be reviewed and integrated as time permits. For major changes, feel free to email [email protected].

Last modified 15 January 2019

Related records

  • Video Feedback: How to Make it; An Artist's Comments on its Use; A Systems Approach Bibliography

    Video Feedback: How to Make it; An Artist's Comments on its Use; A Systems Approach National Center for Experiments in Television (NCET) reports, no date; list of participants also included

  • National Center for Experiments in Television (NCET) Chronology

    KQED-TV's Experimental Television Workshop in San Francisco was renamed the National Center for Experiments in Television (NCET); funding came from the Corporation for Public Broadcasting and the National Endowment for the Arts (NEA); Paul Kaufman served as director. NCET published a series of reports with contributions by Stephen Beck, Paul Kaufman, Richard Moore, Brice Howard, Marvin Duckler, Richard Stephens, Don Hallock and Bill Gwin, including titles such as Video Feedback, Direct Video and Talking Faces, Eating Time and Electronic Catharsis.

  • Bill Gwin People

    William Gwin was a painter who served as the first artist-in-residence at the National Center for Experiments in Television (NCET) at KQED in San Francisco; he also worked at the Television Laboratory of WNET, Channel 13, in New York. In the summer of 1973 he was again artist-in-residence at NCET; his video work was broadcast by KQED and exhibited in museum and theatrical environments in Paris, Mexico City, and Tokyo.

  • Jon Burris Interviews Bill Gwin Bibliography

    Created with a grant from the National Endowment for the Arts to the Experimental TV Center in collaboration with the Vasulkas, c 1977. The research project concerned the design and creation of electronic moving-image instruments by independent artists and engineers, and the place of this work withi…

  • National Center for Experiments in Television at KQED-TV: Description by Steve Seid and Maria Troy (2000) Groups

    Steve Seid (Video Curator, Pacific Film Archive) and Maria Troy (Associate Curator, Wexner Center) wrote on June 17, 2000 about planned Pacific Film Archive exhibitions of NCET videoworks centered on The Videola (1973). They trace NCET from its 1967 founding at KQED as the Experimental TV Project with NEA and Rockefeller funding to its 1969 renaming and CPB support; Brice Howard is cited as director. They mention Graham Tape Delay and Beck's Direct Video Synthesizer, and note that the Pacific Film Archive will assemble compilations, publish a small catalogue by fall 2000.

  • Reflections on Two Media Bibliography

    National Center for Experiments in Television (NCET) reports, no date; relationships between painting and video