Video Preservation Task Force.

Related records

• The National Television and Video Preservation Foundation Chronology

  The National Television and Video Preservation Foundation provided in-kind support in 2004 to preserve and remaster 10 hours of very early videotapes from the Center's collection; the works were produced in the 1970s and showcase early analog and digital video imaging tools. The project focuses on early instruments individually designed by artists and on artist–engineer/technologist collaborations, on modifications and innovative applications of commercial technology, and on collaborative relationships and the interdisciplinary nature of early media arts practice; the tapes feature important video devices designed in the early to mid 1970s.

• Preservation and Conservation Organizations -  Profiles and Links Preservation

  Annotated directory of preservation organizations, working groups, publications and online resources addressing moving image, audio, magnetic media and digital preservation; sections cover archivists, library organizations, conservators, technical standards, information services, audio preservation, digital preservation and listservs. Entries include AMIA, SAA, ALA, CLIR (Commission on Preservation and Access), Library of Congress, RLG (with a 1997–98 NARAS-funded project), AIC and EMSIG (formed 1997), Image Permanence Institute (RIT, Rochester, NY), National Media Laboratory (hosted by 3M), SMPTE, WGBH UPF, IMAP, Media Alliance (founded 1979; 1991 survey and conference), ARSC, AES, IASA, InterPARES and the Internet Archive; the text cites reports, manuals and listservs for further information.

• Video Preservation: Securing the Future of the Past Preservation

  Media Alliance launched a video preservation initiative in 1991 and, in partnership with the New York State Council on the Arts, convened a symposium at the Museum of Modern Art on June 14, 1991; over 60 participants from as far as San Francisco and Toronto attended and MoMA sponsored an evening screening organized by Barbara London and Sally Berger. Presenters included Elizabeth Scheines, Leanne Mella, Mark Schubin, David Shulman and Deborah Silverfine; topics covered collection assessment, cataloging (MARC and NAMID), conservation technology, cleaning methods, formats and remastering costs. Media Alliance surveyed over 200 people and solicited funding support from NYSCA, NEA, NAMAC, CCUMC, the Benton Foundation and BAVC; Deirdre Boyle authored the report and Mary Esbjornson served as Executive Director and Project Director of the Video Preservation Initiative.

• Acknowledgements Preservation

  Video Preservation - The Basics is a general introduction to electronic media preservation for the independent media arts community; it was researched and written by Sherry Miller Hocking of the Experimental Television Center and by artist and independent preservation consultant Mona Jimenez. The project was funded by a Media Action Grant from Media Alliance, Inc and by public funds from the New York State Council on the Arts; acknowledgements list Media Alliance (for excerpting the Magnetic Media Sourcebook) and co-editors Liss Platt and Mona Jimenez, Debby Silverfine, Claude Meyer and the Electronic Media and Film Program of NYSCA, David Jones of Dave Jones Design, and Independent Media Arts Preservation; February 2000.

• Symposium on Video Preservation Chronology

  Symposium on Video Preservation is hosted by the Museum of Modern Art and organized by Media Alliance, under the leadership of Mary Esbjornson, and by the New York State Council on the Arts.

• Video Preservation Symposium Bibliography

  Conference packet with agenda and list of participants. June 13 -14, 1991 at the Museum of Modern Art.