Anda Korsts: Chicago's Troubled Video Artist

Related records

• Video: The Reflexive Medium Bibliography

  Sara Hornbacher, Guest Editor, frames eleven articles and reviews and includes Barbara Londons Selected Chronology covering 196393 to outline the brief history of video art. Contributors examine technological and institutional change, including Benjamin Buchloh on developments since the mid-1960s; Katherine Dieckmann on Electra at the Mus6e d'Art Moderne de la Ville de Paris (1984); Lucinda Furlong on image-processed video and Nam June Paik and the marketing of portable video equipment by SONY/Japan; and the rise of media centers funded by state and federal agencies and university programs. Hornbacher is a visual artist, curator and artist-in-residence at The Experimental Television Center, Owego, New York, since 1976.

• Artists' Video: An International Guide Bibliography

• Art V: A One-Day Symposium on Video in Buffalo Bibliography

  Organized by the Albright-Knox Art Gallery "to provide an informal viewing situation in which producers of art related videotapes from the western New York area can show their tapes and view those of others". Panelists: Lyn Blumenthal (Co-Director Video Data Bank of the School of the Art Institute o…

• The School of the Art Institute of Chicago Chronology

  Video on the Air (Department of Video, School of the Art Institute of Chicago; 1986) is a series of visiting artists, producers and curators held in conjunction with the Graduate Video Seminar taught by Beth Berolzheimer. Participants included Lois Bianchi (WNET); Rii Kanzaki (video artist; electronic image processing); Doug Hall (video artist; recent work Storm and Stress links the spectacle of nature with that of technology); Kathy Huffman (curator/producer, CAT Fund, Boston); and Juan Downey (whose videotape series The Thinking Eye investigates Western Art History and culture through autobiography and montage).

• Beth Berolzheimer People

  Beth Berolzheimer is a Chicago-based media artist and activist who produces videos, photographs and multimedia installations; her thirty-year career engages early European filmmaking, documentary and narrative film theory, art history, feminist and semiotic ideologies and a personal post-colonial critique. She was a ten-year member of Women In The Director's Chair and collaborated with Beyondmedia on videotapes about battered women and the NGO Forum for Women in China and documented post-glasnost rebuilding by Jewish women in Russia and the Ukraine. She introduced the first Avid digital non-linear editing systems to Columbia College Film/Video in 1993, is an Avid Certified Instructor and has taught at the School of the Art Institute of Chicago and Columbia College.

• Marlene and Paul Kos: Video Collaborations Bibliography