Biblio
Steina Vasulka: Machine Vision/Woody:Description, Edited by Linda Cathcart. Buffalo: Albright-Knox Art Gallery., 1978.
The Contemporary Art Television Fund: The first five years. Boston, MA: CAT/WGBH, 1988.
The Electronic Gallery - Art, Ideas and Video. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
Video as Art. Cortland, NY: Cortland Arts Council Gallery, 1987.
Video As Attitude. Santa Fe: University Art Museum, University of New Mexico, Albuquerque and Museum of Fine Arts, 1983.
Vision and Television. Waltham, MA: Rose Art Museum, Brandeis University, 1970.
"Animation Today: The "Fabulous Invalid" Is On the Move Again."." Millimeter (1977): 50-55.
""Reality," Artificial Reproduction, and Sexuality." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
""Reality," Artificial Reproduction, and Sexuality." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"A Man and His Music." The Sun-Bulletin (1972).
"Answers And Questions About Digital Collaboration." Afterimage (1999).
"City Director Films Life of Valentino." Binghamton Press (1973).
"Color, Form, and Motion: Dimensions of a Musical Art of Light." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"Community Memory: A Public Information Network." LGG Engineering (undated).
"Dan Graham: Appearing in Public." Artforum 15, no. 3 (1976).
"Exploring New Forms in the VIsual Arts Through the Use of Electronic Tools: Videography and Computer Graphics." Leonadro 20, no. 3 (1987).
"Hack it up." The Squealer 15, no. 1 (2004): 4.
"Joan Jonas: Making the Image Visible." Artforum 12 (1974).
"Lightning Over Water." 50, no. 2 (1981).
""LSI-11 Microcomputer Controlled Digital Sound Synthesizer." Computer Music Journal 1, no. 4 (1977).
Magnetic Recording Tape: A Discussion of the Material Properties of Tape Having Relevance to the Storage, Performance, and Systems Effects." Communication (1982).
"On Painting and Video." Pararcute 11 (1978).
"Organism: From Time Compression to Time Capsule, An Interview with Hilary Harris." The Independent Gazette: Journal of Independent FIlm and Video Artists 1, no. 1 (1976): 1.
"Preservation in the Digital World." CLIR Reports January, no. 1998 (undated).
"Producing Videodance." Videography 10, no. 9 (1985).
"Re-Visions: Whitney Museum." Flash Art, no. 92-93 (1979).
" "Shot/Reverse Shot: A Cross-Circuit Videologue." Felix: A Journal of Media Arts and Communication 1, no. 2 (1992).
""Special series Video Art Exploration Dominique Belloir." Cahiers du Cinema (1981).
Techno-Intuitive Video Exploration at CalArts." Videography 10, no. 10 (1985).
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