Biblio

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Ancona, Victor. "Nam June Paik: Portrait of the Electronic Artist." Videography 1, no. 4 (1976).
Stooss, Toni, and Thomas Kellein. Nam June Paik: Video Time - Video Space, Edited by Toni Stooss. New York, NY: Harry N. Abrams Inc., 1993.
Warshawski, Morrie. "NAMAC 1987." Videography 12, no. 9 (1987).
Zimmermann, Patricia R.. "NAMAC Conference Keynote Address - States of Emergency." Main (1999).
McGee, Micki. "Narcissism, Feminism, and Video Art: Some Solutions to the Problem of Representation." Heresies, no. 12 (1981).
Lyons, Nathan. Nathan Lyons on the Snapshot. Buffalo, NY: CEPA (Center for Exploratory and Perceptual Art), 1993.
Hocking, Ralph. National Endowment for the Arts: Computer Interface with Video Synthesizer. Proposal. Bingamton, NY: Experimental Television Center, 1975.
National Endowment for the Arts: Proposal for Continued LSI-11 Microprocessor Research and Publication., 1978.
National Endowment for the Arts: Report for Nam June Paik Residency at ETC 1974-75., 1975.
National Report on the Arts: A research report on the economic and social importance of arts organizations and their activities in the United States, with recommendations for a national policy of public and private support.. New York, NY: The National Committee for Cultural Resources., 1975.
National Video Festival: The State of the Art Exhibition catalog.. American Film Institute, 1981.
Navexos P 438 U.S. Navy Utah Model 60 MagicWire Wire Recorder Operating Manual and Parts Catalog.. Department of the Navy, Office of Naval Research, Special Devices Center, undated.
NEC Model PC-8023A-N Dot Matrix Printer User's Manual. Elk Grove Village, Illinois: NEC Home Electronics (U.S.A.) Inc., undated.
Schreiber, Rachael. "Net.art: Shedding the Utopian Moment?" Link 7 (2001).
Battcock, Gregory. New Artists Video: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1978.
New Artists, New Tapes, and Special Series. New York, NY: Electronic Arts Intermix, undated.
Schmidt, Klaus F.. "New Developments in Printing: Standardization in Four-Color Proofing." Print: Designing for TV: A Special Issue XXVI, no. I (1972): 72-74.
Wassall, Gregory H., and Douglas DeNatale. New England's Creative Economy The Non-Profit Sector: 2000. New England Foundation for the Arts, 2003.
Michelson, Annette. New Forms in Film, Edited by Annette Michelson. Montreal, 1974.
Michelson, Annette. New Forms in Film. Exhibition catalogue., Edited by Annette Michelson., 1974.
Tribe, Mark, and Reena Jana. New Media Art, Edited by Uta Grosenick. Taschen, 2006.
Jennings, Pamela. New Media Arts / New Funding Models. Creativity & Culture The Rockefeller Foundation, 2000.
Rush, Michael. New Media in Art (2nd Edition). NY, NY: Thames and Hudson, Inc, 2005.
Rush, Michael. New Media in Late 20th-Century Art., 2003.
Manovich, Lev. New Media in Late 20Th-Century Art (World of Art). Thames & Hudson, 1999.
Hansen, Mark B. N.. New Philosophy for New Media. MIT Press, 2004.
Wisniewski, Lance. "New Scene at Synapse." Videography 3, no. 2 (1978).
Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Reilly, James M., and Edward Zinn Douglas Nishimura. New Tools for Preservation: Assessing Long-Term Environmental Effects on Library and Archives Collections. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology., 1995.
London, Barbara. New Video:Japan. NY: American Federation for the.Arts and the Museum of Modern Art, 1986.

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