Mayer, Alfred. The Performer Synthesizer Newspaper Reprints from various sources. Morristown, NJ: Ionic Industries, Inc., 1970.

Mayer, Alfred. The Performer Synthesizer: A Non-Technical Approach to Electronic Music Synthesis.. Morristown, NJ: Ionic Industries, Inc., 1972.

Mayer, Alfred. Electronic Music for the Seventies by the Boys from Putney Operator Manual for VCS3a Putney Synthesizer. Morristown, NJ: Ionic Industries, Inc., undated.

Critical Issues Facing the Arts in California: A Working Paper from The James Irvine Foundation. CA: Irvine Foundation and AEA Consulting, 2006.

Z-80 Instruction Manual; 2708/2716 EROM Board Instruction Manual. Ithaca, NY: Ithaca Audio, 1977.

IVC Owner's Reference Manual for IVC-800 Color Video Recorder.. Mountain View, CA: International Video Corporation, 1969.

IVC Service Manual for IVC-800 Color Video Recorder. Mountain View, CA: International Video Corporation, 1968.

IVC "Straight Talk About Selecting A VTR Format" Sales Literature. Mountain View, CA: International Video Corporation, 1971.

IVC Service Manual for IVC-90 Series Color Television Camera.. Mountain View, CA: International Video Corporation, 1974.

IVC-90 Series Color Television Camera Service Manual. Sunnyvale, CA: IVC (International Video Corporation), 1970.

Jackson, Maria-Rosario. Investing in Creativity: A Study of the Support Structure for U.S. Artists. Urban Institute, 2003.

Jacob, Mary Jane. Shigeko Kubota: Video Sculpture, Edited by Mary Jane Jacob. New York, NY: American Museum of the Moving Image, 1991.

Jacobs, Lewis. The Emergence of Film Art. New York, NY: Hopkinson and Blake, 1969.

Jacobs, Ken, and Jack Smith. "Soundtack of "Blonde Cobra"." Kinemathek. 70, no. 22 (1986).

Jahreskatalog, Jungo, Esther Maria. Jahreskatalog 1998. Jahreskatalog 1998, 1998.

James, Day. Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. The Television Establishment, The Independent Producer, and the Search for Diversity.. New York, New York: Rockefeller Foundation Arts Program, 1979.

The Extraordinary Javelin Master X-400 Video Tape Recorder ; Model SC 950 Camera; CC 700 Camera; CC 500 Camera; Video Monitors Sales Literature. Los Angeles, CA: Javelin Electronics Co., 1970.

Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 1. JCPenny Models 4911C (855-2002), 4912C (855-2044) 4917B (855-2093), 4918B, 4924A (855-2309).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.

Jenkins, Bruce. "A Case Against 'Structural Film." Journal of the University Film Association 33, no. 2 (undated).

Jenkins, Janet. In the Spirit of Fluxus. Minneapolis, MN: Walker Art Center, 1993.

Jenkins, Bruce, and Susan Krane. Hollis Frampton: Recollections Recreations. Cambridge, MA: MIT Press, 1984.

Jennings, Pamela. New Media Arts / New Funding Models. Creativity & Culture The Rockefeller Foundation, 2000.

Jevnikar, Jana. Video Services Profile. NY: Center for the Arts Information, 1983.

JimenezMona, Mona, and Liss Platt. Magnetic Media Preservation Sourcebook, Edited by Mona JimenezMona. NY: Media Alliance, 1998.

John Fluke Mfg. Co., Inc.. Fluke Model 8300A Digital Voltmeter Instruction Manual. Seattle, WA: John Fluke Mfg. Co., Inc., 1970.

Johnson, Steven. Interface Culture How New Technology Transforms the Way We Create and Communicate. Basic Books, 1999.

Johnston, Ben. Chapter 6: Pauline Oliveros, Born Houston, Texas, 1932.., undated.

Johnston, Claire. "The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).

Jones, David. Jones Colorizer Schematics. Owego, NY: Designlab, 1984.

Jones, Dave. Dave Jones 4 Channel Colorizer. Owego, New York: Experiemental Television Center, 1984.