Biblio

H
Hornbacher, Sara. American Community Video : Video in the Boroughs. NY: Locus Communications and BACA, 1983.
Hornbacher, Sara. Artist's Video I: Video in the Boroughs. NY: Locus Communications and BACA, 1983.
Hornbacher, Sara. Path of Dreams: Video in the Boroughs. Locus Communications and the Newhouse Gallery, 1983.
Hornbacher, Sara. "Editor's Statement." Video: The Reflexive Medium Issue Fall, no. 1985 (1985).
Hornbacher, Sara. Video: The Reflexive Medium - Editor's Statement, Edited by Sara Hornbacher. NY, NY: College Art Association, 1985.
Horrigan, Bill. The Media Arts In Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
Horrigan, Bill. The Media Arts in Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
Horsfield, Kate. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Edited by Kate Horsfield and Lucas Hilderbrand. PA: Temple University Press, 2006.
Houston Instrument Series 2000 and 3000 Recorders. Austin, TX: Houston Instrument (a division of Bausch and Lomb), undated.
Howard, Brice. Dear David. San Francisco, CA: National Center for Experiments in Television, undated.
Howard, Brice. "Letter to David Dowe." National Center for Experimental in Television Reports 2 (undated).
Howard, Brice. "An Ancient Gift." National Center for Experimental in Television Reports 2 (undated).
Howard, Brice. About Television Reality and Performance. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Howard, Brice. "About Television Reality and Performance." National Center for Experimental in Television Reports 2 (undated).
Howard, Brice. An Ancient Gift. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Howard, Brice. Videospace and Image Experience. San Francisco: National Center for Experiments in Television, 1972.
Howard W. Sams & Co., Inc. The Photofact Servicer, Set 1249.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1972.
Howard W. Sams & Co., Inc. The Photofact Servicer, Set 749.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1965.
Howard W. Sams & Co., Inc. Production Change Bulletin.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Howard W. Sams & Co., Inc. Production Change Bulletin, Set 683, Folder 4.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1964.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1459.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1975.
and Howell, Bell. Bell and Howell- How to Use Your Filmosound 8 Super Eight Movie Camera Model 442. Chicago, Illinois: Bell and Howell, undated.
Howley, Kevin. Community Media: People, Places, and Communication Technologies. Cambridge University Press, 2005.
Howley, Kevin. Envision Television: Charting the Cultural Geography of Homelessness In Ecumene. Vol. 8., 2001.
Hoy, Anne. The Thinking Eye: Juan Downey. NY, NY: International Center for Photography, 1987.
Hubbard, Jim. "Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative." MAIN, no. Spring/Summer 2001 (2001).
Hubbard, Jim, and Mona Jimenez. Meeting the Challenges of Video Preservation: A Progress Report on Initiatives within the Media Arts Field by Media Alliance. NY, NY: Media Alliance, 1996.
Huberman, Anthony, Alanna Heiss, and Glenn D. Lowry. Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and the New Art Trust. P.S. 1, 2003.
Hudlin, Warrington, and George P. Cunningham. Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Huffman, Kathy Rae. Video: A Retrospective. Long Beach Museum of Art, 1984.

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