Digital Happy Hour. New York, NY: The Kitchen, 2001.

Howley, Kevin. Envision Television: Charting the Cultural Geography of Homelessness In Ecumene. Vol. 8., 2001.

Buckner, Barbara. "Healing Interactions and Interactive Digital Art - News and Project Statement." Afterimage (2001).

Scholder, Amy. Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.

Miller, Alica. Keeping Track of Video Art. Rochester, NY: Visual Studies Workshop, 2001.

Bainbridge, Benton. Live Video Performance Video: Lord Knows Compost, Bulk Foodveyor, Valued Cu$tomer, 77 Hz, The Poool, Stackable Thumb, NNeng., 2001.

Schreiber, Rachael. "Net.art: Shedding the Utopian Moment?" Link 7 (2001).

Plessi, Fabrizio. Only Fire, Edited by Gabriele Bosch, Christine Humpl and Monika Maul. Edition Sammlung Essl, 2001.

Bode, Peer. Open Source. China Light Industries, 2001.

Hubbard, Jim. "Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative." MAIN, no. Spring/Summer 2001 (2001).

Sei, Keiko. "Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).

Institute, Takahiko Iimura Media. Reviews of Takahiko Iimura: Film, Video, Multimedia (1978-2001)., Edited by Kazuyo Yasuda. Tokyo, Japan: Takahiko Iimura Media Institute, 2001.

MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.

Manovich, Lev. The Language of New Media. MIT Press, 2001.

Barzyk, Fred. The Search for a Personal Vision in Broadcast Television. Milwaukee, WI: Marquette University, 2001.

Casado, Jose Carlos, and Harkaitz Cano. "Reality, Artificial Reproduction, and Sexuality." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).

@ Guggenheim: The Guide to the Guggenheim Museums: The Worlds of Nam June Paik.. New York, NY: Solomon R. Guggenheim Museum, 2000.

Darke, Chris. "Chris Petit and Iain Sinclair Asylum." Film Comment (2000).

Kerne, Andruid. "CollageMachine: An Interactive Agent of Web Recombination." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).

Collopy, Fred. "Color, Form, and Motion: Dimensions of a Musical Art of Light." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).

Reid, T. L.. "Constructing Eternity: An Interview with Van McElwee." Afterimage Vol. 28, no. No. 1 (2000).

Meyer, Ellen L., Kay Kallos, and Tom Francis. Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.

Cultural History at Risk: Independent Media and Preservation. NY, NY: IMAP, 2000.

Becker, Barbara. Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology. In Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon.. Vol. 33. Cambridge, MA: MIT Press, 2000.

Zimmermann, Patricia R.. De-Fantasizing the Profession and Re-Public-izing Cinemas or Holding on to the Real. Society for Cinema Studies Plenary Address, 2000.

Chang, Chris. "Discovery: Miranda July Renaissance Riot Grrrl." Film Comment (2000).

Dream Reels: VideoFilms and Environments by Jud Yalkut. New York, NY: Whitney Museum of American Art, 2000.

Smoley, Richard. "Editor's Introduction." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).

"Eighth Annual New York Digital Salon." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. 33, no. 5 (2000).

Feature Presentation: Black Box Video Shorts (+). Ewing, NJ: The College of New Jersey, 2000.