Biblio
Electronic Linguistics: Taka Iimura." ArtWeek 11, no. 41 (1980).
"Electronic Imagemaking: How to Use 1/2" Portable VTRs." Petersen's Photographic Magazine 5, no. 5 (1976): 60-63.
"Electrified Spaghetti on Avant Garde Fete Menu." New York TImes (1972).
"Electric Breath." The Squealer 15, no. 1 (2004): 15.
"Electra Myths: Video, Modernism, Postmodernism." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"Eleanor Antin." Artweek 10, no. 6 (1979).
"Elaine Velazquez: Video Access Project." Videography 4, no. 4 (1979).
""El Video issue." Telos, no. 9 (1987).
"Eighth Annual New York Digital Salon." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. 33, no. 5 (2000).
Eight Pieces by Dan Graham." Studio lnternational (1972).
"Editor's Statement." Video: The Reflexive Medium Issue Fall, no. 1985 (1985).
"Editor's Introduction." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"Edin Velez: A Romantic Realist." Videography 8, no. 10 (1983).
"Edin Velez, Too." Sightlines (1985).
"Ed Emshwiller: Combining Inner and Outer Landscapes." Videography 8, no. 9 (1983).
"Ed Emshwiller's Skin Matrix: An Interview." SEND, no. 10 (1985).
"Douglas Davis: Video Against Video." Arts Magazine 49, no. 4 (1974).
"Douglas Davis." Flash Art (1975).
"Donnell Center: Collecting Artists' Tapes for Public Use." Videography 2, no. 10 (1977).
"Don Hallock's Videola." Bay Guardian Calendar September 20 through October 4, 1973 (1973).
"Documentary Video Classics - A Core Collection." Sightlines 16, no. 3 (1983).
"Distribution at Galleries, Museums, and Media Centers." Televisions The Quest for Distribution issue 6, no. 3 (1978).
"Distributing for Dollars." Videography 9, no. 11 (1984).
"Discovery: Miranda July Renaissance Riot Grrrl." Film Comment (2000).
"Direct Video: Electronic Artform for Color Television." National Center for Experimental in Television Reports 3 (undated).
"Digital Portfolio." Computer Graphics World, no. September/October (1983).
"Didactic Video: Organizational Models of the Electronic Image." Afterimage 3, no. 4 (1975).
"Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
"Determining Copyright Status for Preservation and Access: Defining Reasonable Effort." Library Resources and Technical Services 41, no. 4 (1997).
"Desire in Art and Politics: The Theories of Jean-Francois Lyotard." Camera Obscura, no. 12 (1984).
"