Video History Project

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5,159 records

  1. Video Processing Facility at National Center for Experiments in Television at KQED-TV, San Francisco (c 1972) Tools

    At the National Center for Experiments in Television (KQED-TV, San Francisco; c. 1972) Lawrence W. Templeton designed and built a flexible video Mixer to replace conventional two-bus switchers, using patch cords and experimental plug-in modules. The Mixer incorporated keyers, colorizers, a color modulator, an edge generator, feedback delay lines, a multi-keyer and six distribution amplifiers, and accepted inputs from two Sony DXC-2000A B/W cameras, a Sony DXC-5000 color camera and a Beck Direct Video Synthesizer. Circuit engineer Richard Stephens built a handheld remote control switcher; control was also demonstrated via Buchla Electric Music Box control voltages.

  2. Video Programs at Alfred University: 1977-present (1998) Groups

    Alfred University's College of Ceramics offers a BFA in Photography (1970) directed by Edward Stanton, with five courses serving 160 students and photographic facilities; the Art Department also offers video and 16mm/super-8 media courses and screens experimental films using cameras and special-effects equipment. A SUNY survey (John Minkowsky, 1977) summarizes four Multi-Media/Media Survey courses emphasizing production, historical/theoretical criticism and new-media exploration. Harland Snodgrass founded the Vegetable Soup Kitchen; the Institute for Electronic Arts, established 1997 and co-directed by Peer Bode, Joseph Scheer and Jessie Shefrin, supports electronic imaging studios and workshops and received a $40,000 SUNY grant in 1996 to install a video server linking four SUNY units.

  3. 1973 Video Resources in New York State Chronology

    New York State Council on the Arts (NYSCA) publishes reference guide, Video Resources in New York State

  4. 1975 Video Resources in New York State Chronology

    Video Resources in New York State was published by the Media Bureau; it was administered by the New York Foundation for the Arts and funded by the New York State Council on the Arts. It functioned as an early information resource for the field and the general public and categorized resources in six regions of the State by type of activity, including community facility, broadcast television, cable, museums, libraries, college, schools and Boces.

  5. Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale Bibliography

    Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale. Video History: Making Connections, a conference organized by the Experimental Television Center, at Syracuse University.Video Rewind: A Seminar on Early Video HistoryVideofreex, Radical S…

  6. Video Selection Bibliography

    Rental catalog from Videographe. French and English.

  7. Video Services Profile Bibliography

  8. 1989 Video Skulptur Chronology

    Video Skulptur: retrospectiv und aktuell 1963-1989 publication 1989. texts by John Handhardt, Wulf Herzogenrath, Edith Decker

  9. Video Skulptur: retrospectiv und aktuell 1963-1989 Bibliography

    in German; texts by John Handhardt, Wulf Herzogenrath, Edith Decker

  10. Video Spaces: Eight Installations Bibliography

    Survey essay tracing video art from the mid-1960s Portapak to international installations of the early 1990s; discusses technological shifts (half-inch open-reel tape, Paik-Abe image processor, 3/4-inch videocassette) and early exhibitions at MoMA (1968), Howard Wise Gallery (1969), ICA Philadelphia (1975), Centre Pompidou (1990), and Documenta IX (1992). Presents eight environmental video projects and artists with dates and works: Judith Barry/Brad Miskell Ha®dCell (1994), Stan Douglas Evening (1994), Teiji Furuhashi Lovers (1994), Gary Hill Inasmuch as It Is Always Already Taking Place (1990), Chris Marker Silent Movie (1994–95), Marcel Odenbach Make a Fist in the Pocket (1994), Tony Oursler System for Dramatic Feedback (1994), and Bill Viola Slowly Turning Narrative (1992).

  11. 1995 Video Spaces: Eight Installations Chronology

    Video Spaces: Eight Installations exhibition curated by Barbara London for the Museum of Modern Art. Catalog text by Barbara London; works by Judith Barry and Brad Miskell, Stan Douglas, Teiji Furuhashi, Gary Hill, Chris Marker, Marcel Odenbach, Tony Oursler, Bill Viola. Bibliography

  12. Video Synthesis in The New Television: A Public/Private Art Bibliography

    Based on "Open Circuits: An International Conference on the Future of Television" organized by Fred Barzyk, Douglas Davis, Gerald O'Grady and Willard Van Dyke for the Museum of Modern Art. Categories include the aesthetics of television; support structure; the international setting; politics, philos…

  13. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor Bibliography

    Film/Video Arts Video Synthesis Studio Background Information- Technical Capabilities: Daniel Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor edited by Jon Burris. System Description Includes 6 Input Modules, 8 Adder Multipliers, 9 Mini-Adder Multipliers, 3 A…

  14. Video Tape Survival: The Cleaning, Time Base Correcting and Reformatting of Deteriorating Video Tape for Real to Reel: Artists' Video 1970-72 Preservation

    Sharon Grace, artist and Director of the Video Documentation and Archiving Program at the San Francisco Art Institute, organized Real to Reel, Artists' Video 1970-72 presenting 1/2" open-reel work funded by the California Arts Council and San Francisco Art Institute. Grace collected tapes, borrowed playback decks and obtained subsidized use of a Harris 690 time base corrector from BAVC for reformatting. She reported environmental and mechanical causes of tape deterioration, cleaning methods, storage guidance (70 °F and 50% RH) and life-expectancy estimates (about five to ten years for 1/2" reels).

  15. 1974 Video Tapes Kolnischer Kunstverein Chronology

    Video Tapes was an exhibition at Kolnischer Kunstverein; the presentation included an introduction by Wulf Herzogenrath. The exhibition featured video works by a large group of artists named in the text, including Vito Acconci, Eleanor Antin, John Baldessari, Lynda Benglis, Joan Jonas, Allan Kaprow, Nam June Paik, Bill Viola and Wolf Vostell, among others.

  16. Video Tapes. In German and English. Kolnischer Kunstverein Bibliography

    KolnischerKunstverein_519.pdf Ken Dominick; Ralph Hocking; Stephan Kolpan; Woody Vasulka; Stenia Vasulka; Videofreex; William Viola; Walter Wright

  17. Video Technology and Practice Bibliography

  18. Video Terms Preservation

    Index of web resources and a concise technical glossary for videotape preservation and playback; includes external glossaries such as Conservation On Line and the IASA Glossary and a Video Format Identification Guide by Sarah Stauderman compiled for the Electronic Media Special Interest Group of the American Institute for Conservation. The Basic Technical Glossary defines physical tape conditions (blocking, creases, cinch, shedding, sticky tape, pack slip, vinegar syndrome), signal and playback issues (control track, time base, tracking, termination), and image/sound quality terms (chroma, luminance, S/N, dropout, snow, squeal).

  19. Video Texts: 1983 Bibliography

    Screenings at AFA 1974-1983

  20. Video Texts: 1983 Bibliography

    Bob Harris, Video Curator. Texts by John Hanhardt, Buky Schwartz, Robert Haller. Interviews with Buky Schwartz, Al Robbins, Steina. Video Screenings at Anthology Fil Archives 1974-1983.

  21. 1971 "Video Variations" Chronology

    "Video Variations," WGBH-TV, Boston, prodcued by Fred Barzyk; collaborations between Boston Symphony Orchestra and artists. Artists include: Jackie Cassen, Russell Connor, Douglas Davis, Constantine Manos, Nam June Paik, James Seawright, Stan VanDerBeek and Tsai WenYing

  22. 1978 Video Viewpoints Chronology

    New York State Council on the Arts (NYSCA) funds Museum of Modern Art (MOMA), New York City, for "Video Viewpoints" series, for video makers to screen and discuss their work

  23. Video Visions: A Medium Discovers Itself Bibliography

    Influences on video art; early pioneers; mentions of ETC, SAM Downsville Community TV and other upstate groups

  24. Video- Second Big Year: Home Video Hardware and Software Annual Buyer's Guide Bibliography

    Illustrated Black and White Catalog of Video Products for sale in 1979. Includes: Videocasette Recorders, Video Cameras, Videodisc Systems, Video Games, Home Computers, Color Televisions, Large-Screen Televisions, Video Accesories, Software Directory. Cover Video Art by Phillip Perlman and Mike Sull…

  25. Video- Technical Glossary Bibliography

    Video- Technical Glossary. Packet includes a glossary of technical terminology for video and a waveform monitor with information on page four.