Bibliography

NAMAC Conference Keynote Address - States of Emergency Bibliography

Keynote address at the 1998 NAMAC National Media Arts Conference, dedicated to Leslie Schwartz Burgevin (1958–1998) of the Johnson Museum of Art, Ithaca, NY, and acknowledging NAMAC board members Helen De Michiel, Charlie Humphrey and Karen Khan. The speaker diagnoses plural states of emergency affecting media arts—privatization, arts defunding, transnational consolidation (Time Warner, Bertelsmann, Disney) and technological change—and urges reclaiming independent media’s oppositional heritage and public space through new access, distribution and exhibition practices involving camcorders, CD‑ROMs, web sites and editing systems such as Avid and Media 100. The talk cites 1981 and 1989, Erik Barnouw and Paper Tiger TV and calls for collective, contested zones of practice.

Narcissism, Feminism, and Video Art: Some Solutions to the Problem of Representation Bibliography

Nathan Lyons on the Snapshot Bibliography

Nathan Lyons on the Snapshot. Winter 1992-1993. Cover: Over Here by Mona Jimenez: Computer ink jet print, color, 1992, 33 1/2" X 15 1/2," Text reads, "When I told you the most dangerous thing I'd be doing is standing up in a bathtub I was wrong- I haven't even seen a bathtub over here." Inside front…

National Association of Media Arts Centers: Evolution of NAMAC (1997) Groups

Chronology of the National Alliance of Media Arts and Culture (NAMAC) tracing developments from 1967 through the founding conference in Boulder, CO, May 29–31, 1980. It records antecedent studies and conferences including the Stanford Report (1967), the Mohonk Conference (1973), the Pittsburgh Conference (1978) and the Minnewaska/1979 National Conference; funding came from the Rockefeller Foundation, the John and Mary Markle Foundation and the National Endowment for the Arts, and publications include The Independent Film Community (1977) and the 1979 conference report. Organizers and leaders named include Virgil Grillo and Robert Haller; NAMAC approved bylaws, set objectives and identified 17 project areas including network feasibility, touring projects, surveys and information exchange.

National Center for Experiments in Television at KQED-TV: Description by Steve Seid and Maria Troy (2000) Groups

Steve Seid (Video Curator, Pacific Film Archive) and Maria Troy (Associate Curator, Wexner Center) wrote on June 17, 2000 about planned Pacific Film Archive exhibitions of NCET videoworks centered on The Videola (1973). They trace NCET from its 1967 founding at KQED as the Experimental TV Project with NEA and Rockefeller funding to its 1969 renaming and CPB support; Brice Howard is cited as director. They mention Graham Tape Delay and Beck's Direct Video Synthesizer, and note that the Pacific Film Archive will assemble compilations, publish a small catalogue by fall 2000.

National Endowment for the Arts: Computer Interface with Video Synthesizer. Proposal Bibliography

Computer Interface with Video Synthesizers concentrates on the design and construction of an interface between computer and image synthesizer and the development of a computer language to permit the artist to enter the system to create images and notate compositions. Computer Interface with Video Sy…

National Endowment for the Arts: Proposal for Continued LSI-11 Microprocessor Research and Publication Bibliography

National Endowment for the Arts: Report for Nam June Paik Residency at ETC 1974-75 Bibliography

National Report on the Arts: A research report on the economic and social importance of arts organizations and their activities in the United States, with recommendations for a national policy of public and private support Bibliography

National Report on the Arts: A research report on the economic and social importance of arts organizations and their activities in the United States, with recommendations for a national policy of public and private support. Contents follow: Introduction, The Rising Interest in the Arts, NCCR's Natio…

National Video Festival: The State of the Art Exhibition catalog Bibliography

Retrospective of Media Bus, Inc/Lanesville TV; TVTV; DCTV; Ant Farm; Optic Nerve; Videopolis; University Community Video; Global Village; NOVAC; The Kitchen; Long Beach Museum of Art; Whitney Museum of American Art; Uniersity Art Museum; Museum of Modern Art; WNET/TV Lab Institution/Organizer: The A…

Navexos P 438 U.S. Navy Utah Model 60 MagicWire Wire Recorder Operating Manual and Parts Catalog Bibliography

Navexos U.S. Navy Utah Model 60 MagicWire Wire Recorder Operating Manual and Parts Catalog.

NEC Model PC-8023A-N Dot Matrix Printer User's Manual Bibliography

NEC Model PC-8023A-N Dot Matrix Printer User's Manual. Illustrated with diagrams and code tables.

Net.art: Shedding the Utopian Moment? Bibliography

Net.art: Shedding the Utopian Moment?

New Artists Video: A Critical Anthology Bibliography

Textx by Douglas Davis, Richard Kostelanetz, Rosalind Krauss, Les Levine, Nam June Paik, David Ross and others

New Artists, New Tapes, and Special Series Bibliography

New Artists, New Tapes, and Special Series. New Artists featured: Yau Ching, Seoungho Cho, Cheryl Donegan, Kip Fulbeck, Thomas Allen Harris, Ulysses Jenkins, Ken Kobland, Paul McCarthy, Alix Pearlstein, Raymond Pettibon, and The Wooster Group. New Tapes by: Charles Atlas, Beth B, Cheryl Dunye, Ken F…

New Developments in Printing: Standardization in Four-Color Proofing Bibliography

New England's Creative Economy The Non-Profit Sector: 2000 Bibliography

New Forms in Film Bibliography

New Forms in Film. Exhibition catalogue Bibliography

New Media Art Bibliography

Artists featured: Cory Arcangel, Jonah Brucker-Cohen and Katherine Moriwaki, Young-Hae Chang Heavy Industries, Vuk Cosic, Mary Flanagan, Ken Goldberg, Paul Kaiser and Shelly Eshkar, Jennifer and Kevin McCoy, Mouchette, MTAA, Keith and Mendi Obadike, Radical Software Group, Raqs Media Collective, RTM…

New Media Arts / New Funding Models Bibliography

New Media in Late 20th-Century Art Bibliography

Overview charts video art's emergence from cinema to Sony's Portapak (1965), which made portable video (½-inch tape) accessible to artists at US/German prices of $1,000–$3,000; by 1968 exhibitions had appeared in Japan, several European countries, Argentina, the United States and Canada. The essay documents technologies and practices—portable cameras, projection devices, feedback systems and image processing—names practitioners such as Vito Acconci, Bill Viola, Nam June Paik and Woody and Steina Vasulka, situates activity in the United States, Germany, Austria and Great Britain, and cites Rosalind Krauss's critiques (1976, 1999) and a movement toward digital, large-scale installations.

New Media in Late 20Th-Century Art (World of Art) Bibliography

New Philosophy for New Media Bibliography

Hansen focuses on new media artists who follow a "Bergsonist vocation"; through concrete engagement with the work of artists like Jeffrey Shaw, Douglas Gordon, and Bill Viola, Hansen explores the contemporary aesthetic investment in the affective, bodily basis of vision. The book includes over 70 il…

New Scene at Synapse Bibliography

Syracuse University's center for experimental video seven years later